Der letzte Mohikaner

Made right after the Full Implementation of the Hays Code that Limited the Portraying of Certain types of Violence and Behavior, this Film shows Signs of Capitulation and Adherence but not Complete Surrender.

There is Interracial Love making, Scalping, Torture, and other Displays of Nastiness that give this Movie a Real Feel for the Frontier Days and the Conflicts of Cultures and Countries.

Quite Impressive, the Film Holds Up really well and Modern Audiences will be Surprised that this Early Hollywood effort is a Testament at how Good they could be at their Craft when everything was Clicking. It has very Little that is Dated or Embarrassing Today. Especially the Reverence and Tolerance given All Points of View from All Points of View.

A good companion piece to the Michael Mann remake, this is a film that could be offered as one of the best of the early "period" films of the slowly evolving studio movie machine that would peak just a few years later.

I will admit that I knew James Fenimore Cooper wrote the classic book, but I never read it. And I knew and loved the excitement of the 1992 film version starring Daniel-Day Lewis, but didn't know that it did not follow the book. And I knew about the Statler Bros song "Whatever happened to Randolph Scott?", but I had never seen one of his movies.

So I decided to watch this version starring Randolph Scott in B/W and of course not as much special effects as today's movies. The acting is really quite well, except for the fake dying when actors are shot.

This version is equally exciting and keeps you on the edge of your seat. And if you, like me, liked the 1992 version, you will like this knowing an idea of the story, but with a different ending.

Those who enjoyed the 1992 Michael Mann/Daniel Day-Lewis version of this American classic might also like to take a look at this older Hollywood production and contrast the two. Randolph Scott plays Hawkeye as a much more affable, almost happy-go-lucky character than does the famously intense Mr. Day-Lewis. The Indian roles are played by palefaces here, but at least they're not egregiously insulting to native Americans.

It still surprises me from time to time when I see how well movies were made so long ago, when the art form didn't have that long of a tradition behind it. Techniques and temperaments change over the years, but the world is big enough for more than one good version of 'The Last of the Mohicans.'

As a kid, I read all of the JF Cooper's Leatherstocking series, as well as dang near anything else I could get my hands on about Red Indians. I saw this film, which was made and released the year before I was born, while in grammar school. It was revived from time to time as it was already on its way to being a classic. It is just a great film. Randolph Scott whose presentations tended to be a bit wooden seemed to fit the character of Natty Bummpo, AKA Hawkeye quite well. The delightful Bruce Cabot is a villainous Magua and Philip Reed is a romantic Uncus and Robert Barrat, a studio character actor plays the revenging Chingachgook. Henry Wilcoxson who plays the British officer rival is also well known to us buffs as a frequent anti-hero, villain or rival. Binnie Barnes and Heather Angel were studio starlets who were likewise convincing. While this version largely remains truer to the original than the '95 version with Daniel Day-Lewis, it is a very different film. After seeing the later version, I rented this one and saw it again. I plan to watch it again and again. The final scene where Philip Reed crawls to grasp the hand of Heather Angel to die together, gets to me as much today as it did when I was a kid. Randolph Scott's Hawkeye is closer than Day-Lewis's to the original but that shouldn't detract. Both films are wonderful. Anyway, comparisons are not always fruitful. But this film made and released during the final years of the great depression has it all: action, romance and hope.

James Fenimore Cooper's Last of the Mohicans has been an American classic for several years. It's still considered to have set the standard for writing about the French and Indian war period. More people get their knowledge from that novel as opposed to a serious historical study like Francis Parkman's.

Major Duncan Heyward played by Henry Wilcoxon is charged with escorting the two daughters of his commanding officer to their father at Fort William Henry. The daughters are a pair of beauties, Binnie Barnes and Heather Angel. Along to blaze the trail are white scout Hawkeye and a father and son team of Mohican Indians, Robert Barrat and Phillip Reed as Chingachgook and Uncas.

The trip might better never been made because when they get there the fort is under siege from the French army under General Montcalm and from the Huron Indians as well.

The reason why The Last of the Mohicans holds up so well even today is that Cooper invests his Indian characters with dignity and strength. Even the villainous Magua played by Bruce Cabot makes it plain he's an equal ally of the French not a retainer. Of course he shows his independence of them in a most savage way.

Randolph Scott has one of his best early roles as Hawkeye as does Henry Wilcoxon in one of his few non-DeMille screen appearances of note.

Also the theme of interracial love was daring in its time to be written. Phillip Reed and Heather Angel are a pair of frontier Romeo and Juliet types, we really feel for their tragedy.

Though a big budget version with Daniel Day-Lewis is out there and more people are familiar with it, this version of The Last of the Mohicans still holds up well today.