Lancelot, der verwegene Ritter

Cornel Wilde had an interesting career as stand-by leading man for Tyrone Power at Fox. His biggest role there was in Forever Amber, made when Power was doing another big budget spectacle, Captain from Castile and was unavailable. Wilde should have had a bigger career, but never got the breaks.

He and Mrs. Wilde (Jean Wallace who played Guinevere)dusted off the Lancelot and Guinevere story for another go. Wilde supposedly sank a lot of his own money in this film and lost a bundle. This kind of film really needs the full backing of a big studio.

MGM did this far better with Knights of the Round Table. Although Robert Taylor was a stoic Lancelot in that film, the overall production values were far better with that product. Wilde dusted off the French accent he perfected in The Greatest Show On Earth and played Lancelot properly as a Frenchman. But Ava Gardner was a Guinevere to die for as opposed to what Mrs. Wilde did with the part.

Brian Aherne plays a noble Arthur. But Stanley Baker and Anne Crawford as Mordred and Morgan LeFay were light years better than the two who played the parts here.

Richard Thorpe was, for MGM, the great specialist of medieval actioners, in the fifties, I mean. IVANHOE, KNIGHTS OF THE ROUND TABLE, QUENTIN DURWARD, and in the sixties Franklyn Schaffner gave us the awesome WARLORD, a milestone in medieval film history. This one, directed by Cornel Wilde, is purely awesome too, with a terrific production design and, as with many other Cornel Wilde's films as a director, some bloody, brutal short scenes. It is not cheesy at all, the acting is perfect and I am ashamed that this movie had never been released in France when it was released in Belgium, for instance; that's why it has a French title.... It has been aired only a couple of times since on cable movie channels, French TCM like channels. This is a true gem, gripping, riveting, with no length at all and outstanding battle scenes. Yes, Richard Thorpe would not have done better.

After playing "Constantin IL Grande" ,a sword and sandal made in Italy ,it was only natural that Cornel Wilde wanted his own costume drama ; then again ,with wife Jean Wallace ,his usual leading lady , he opted for another version of "knights of the round table ",hardly ten years after Richard Thorpe's and a few years before Joshua Logan's musical "Camelot" .

LIke most of the versions (including more recent versions such as Boorman's) , the story essential deals with the legendary triangle .Guinevere is beautiful ,but perhaps too "Iseut" ,too "Germanic " ,too nordic and I have a tendency to prefer Ava Gardner.

There's an unusual humor in the first part : the foam of the soap -which had been known since antiquity (the Gallic used it) - which scares Lancelot's companion is a good idea ;and during the bath they share in a small lake (in full clothes!) , soap may be the magic potion which causes eternal love between the knight and the soon-to-be-queen.

As it has already been pointed out ,the villains provide the movie with its low point :they are insignificant and cannot hold a candle to Stanley Baker and Anne Crawford in Thorpe's movie ;Brian Aherne is a noble king ,but he remains passive and listless .

And that's probably what Wilde wanted : to enhance the beauty of his co-star/wife (who ,unlike Gardner,can wield a sword) and his feats ;his film is pleasant and compares favorably with the other versions .

Little did the critics -who considered Wilde a lightweight as far as directing is concerned- know that his following effort "the naked prey ",would be a genuine masterpiece which would influence countless other movies ,especially Gibson's "Apocalypto" .

A good action film that is reasonably faithful to the Arthurian legends as interpreted (and sometimes actually written) by Thomas Malory in the 15th century. The addition of the "Viking Invasion" dates only to the movie itself, but provides for some good action sequences. And action is the hallmark of this movie. The battle scenes are very well done and the arms and armor (except for the Vikings' horned helmets) are reasonably authentic for the late 11th century. The individual sword fights seem like hard and deadly work----no dancing and prancing or choreographed acrobatics as in most films of this genre. Just clanging metal and men straining in their armor, with gory and graphically depicted consequences.

The film is indeed part soap opera, as is the Lancelot/Guinevere part of the Arthurian Cycle, but these interludes are done in a matter of fact, rather stark manner. This and the copious action scenes make for a fast moving, absorbing pace with little down time. Lancelot's French accent seems a bit contrived, and the dialogue is somewhat clipped and less theatrical than in most epics, but this only adds to its realistic qualities.

An excellent film by a man (Cornel Wilde, who also stars as Lancelot) very underrated as both an actor and filmmaker.

WHAT's this? Not a solitary comment on one of the really good medieval flicks of this period?

Actually it was one of the last, coming at the end of the cycle that had included KING ARTHUR AND THE KNIGHTS OF THE ROUND TABLE, PRINCE VALIANT, THE BLACK SHIELD OF FALWORTH, THE BLACK KNIGHT....all big moneyspinners in the 50's. It was also just 4 years shy of Richard Harris' beloved, but overblown musical CAMELOT.

The film performed disappointingly at the box office as audiences tastes had changed and biblical spectacle was all the rage by the early 60's. By '63 even THAT had waned, THE LAST DAYS OF SODOM AND GOMORRAH having closed the chapter on epics the previous year.

But hey, Cornel Wilde was a ragingly in-form Lancelot and pulled out all stops to impress his lady Guinevere. Course, her husband, King Arthur was majorly disgusted with both of them and things were messy there for a while. But you know, simply nothing overcame life's little set- backs in those days of yore, like crushing a few skulls in with a mace or broadsword and Lancelot was the champion after all. Some reviewers at the time took exception to Lancelot's french accent (Ah, my GuineVERE, u know 'ow I love you non?, ees not your coleurs 'anging from my lance-tip cherie?) Well ze franch accent or not, Cornel made as good a Lancelot as anyone ever has. This film rocked.

Think A KNIGHT'S TALE handled seriously!