Geheimbund 'Schwarze Legion'

While Hitler in Germany was doing away with the Jews,there were in other countries small groups whose leaders (the scene when Bogart attends the first meeting is revealing) yell " America just for the Americans!" Bogart portrays Frank ,a working man, a good husband, a tender father,a jolly good fellow,a nice guy.He's waiting for his promotion : to become a foreman will be the crowning a hard-working life .But there's just one problem: the job is given to a Hungarian,a self-made man who spends his days and nights in the books ,for he believes in the American dream.Frank's hatred will know no bounds.It will not be long till he falls into the hands of a KKK -like secret society,whose scapegoats are those aliens who take the bread out of our mouth,who steal our jobs ,our women and our land...

Archie Mayo's film is absorbing and Bogart is extraordinary: little by little,a good guy turning into a monster;but that's not all.Mayo also puts the blame on the wealthy educated people who work behind the scenes :the scene when they do their books (well how much for the revolvers?)makes your hair stand on end.

But what's fascinating in Mayo's movie is that it's still relevant today,and not only in America.In France ,in 2002,there was a man like THAT in the second ballot of the presidential election:a man who yelled "France only for the French!" and who is still yelling at my time of writing.

At the time it came out Black Legion came from the B Picture Unit at Warner Brothers. Some of the players in it became A list stars later on. Nevertheless this was playing the second half of double features when first released. But it made a tremendous impact and viewing it almost 70 years later, still makes an impact.

Warner Brothers as the working class studio was the only one who could have made a film like Black Legion. Working class stiff Humphrey Bogart gets passed over for a promotion at a job, losing it to Polish American Henry Brandon. This makes him ripe for the propaganda of a nativist crew of nightriders who call themselves The Black Legion.

Another co-worker Joe Sawyer gets Bogart to join with a whole lot of bad consequences for just about every principal player in the cast.

Since this film was about ordinary people it had a great message to tell. We've had nativist outbreaks in America through out our history. The Twenties and Thirties with groups like the Ku Klux Klan and the Black Legion were particularly bad. Bad economic times usually bring out either the best or the worst in people.

Humphrey Bogart is joined by a whole bunch of people from his film debut in The Petrified Forest. Joe Sawyer, Dick Foran, Paul Harvey, Eddie Acuff, it must have seemed like a reunion film. For me this has always been Joe Sawyer's career role for the screen. In The Petrified Forest he was one of Bogey's gang. Here he's the evil influence on Bogart, a nice reversal. He had a similar part in San Quentin.

Dick Foran is the Mercutio/Benvolio part here, the good friend to Bogart. He was actually a bigger name than Bogey at the time this was made, as he was starring in a bunch singing cowboy films for Warner Brothers. This was one of the few times he was show he could do more than he was usually given.

Films back then had a whole lot of stern father figures like Lionel Barrymore and Lewis Stone who could deliver lectures like no other. Capping this film is Samuel S. Hinds as a trial judge telling the Black Legion defendants what Americanism and the Bill of Rights is all about. Words to live by still.

A frustrated Humphrey Bogart joins the "Black Legion," a 1937 film directed by Archie Mayo. The film also stars Dick Foran and Ann Sheridan.

Bogart plays Frank Taylor, a husband and father who expects to get a promotion at the auto plant where he works. It goes instead to a young, hard-working man named Dombrowski. When Frank doesn't get the job, he's furious. That night on the radio he hears the head of the Black Legion railing against foreigners taking American jobs, and he decides to join them.

The Black Legion, of course, is the Ku Klux Klan, with the sheets and the whole deal. Their methods are brutal - fires, flogging, beatings, etc.

It appears all you needed was a foreign last name to qualify as a victim of this group. Back in the '20s and '30s, Italians, Irish, and other immigrant groups could only get menial jobs like sweeping floors, the prejudice against them was so great.

It was quite a forward step to make a film about this back in 1937, and it's a good one. Bogart at the time was about 37, and we're so used to seeing him older that he looks like a baby here. He's terrific as a loving father and husband who becomes a new, violent person under the influence of the Legion. He loses more than he gains. It's a great example of how easily people can find a scapegoat for their troubles.

Ann Sheridan has a supporting role -- she's very young but recognizable from her voice! Good movie.

The Black Legion is significant in the career of Humphrey Bogart. This film is the first time he played the lead in an "A" feature. The film is also a great showcase for his acting talents.

In this film Bogey's character, Frank Taylor, moves from a happily married family man, to a man filled with hate and finally to a man remorseful for the trouble he has brought upon himself and others.

When Frank Taylor loses an expected promotion to a "foreigner", he becomes disillusioned and is coerced by a co-worker (Joseph Sawyer) into joining a secretive hate and Klu Klux Klan like organization called The Black Legion. Despite pleas from his wife (Erin O'Brien-Moore) and best friend (Dick Foran), Taylor continues his terrorist activities leading to the inevitable tragic consequences.

The subject of prejudice and hate organizations in a major studio production was quite daring for the 30s, given the introduction of the Production Code only a few years earlier. It still delivers a powerful message today.

The Black Legion remains one of the best of Bogey's early films.

1937's "Black Legion" tells a story of a man's involvement with what amounts to the Klan without coming out and calling it that. Humphrey Bogart stars as Frank Taylor, a working man who loses a bid to become foreman when a foreign-born man gets the job instead. The Legion is right up Taylor's alley, reinforcing his belief that his woes are all the fault of the foreign-born. He gradually gets more immune to the violence as he gets in deeper and deeper with the Black Legion. It really is a very good vehicle for Bogart's acting talent as his morality gradually unwinds. The sermon at the end seems a little tacked on, much like a similar scene in 1933's "Wild Boys of the Road", but it doesn't detract too much from the overall film.