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Most of the previous reviews get it right about Black Legion; it's not Bogart's best by a long shot. But here's the catch: it's not a "thinly veiled" swipe at the KKK. It's about the actual, real-life Black Legion. I know; you've never heard of it. Neither did I, until I was cleaning out the stack of magazines in our Indiana farmhouse. Let's hear it for hoarding, because there it was, as large as one of those Life Magazines - a profile on ...the Black Legion.

I was horrified, but it did exist:

"The Black Legion was a secret vigilante terrorist group and a white supremacist organization in the Midwestern United States that splintered from the Ku Klux Klan and operated during the Great Depression of the 1930s. According to historian Rick Perlstein, the FBI estimated its membership "at 135,000, including a large number of public officials, possibly including Detroit's police chief." In 1936 the group was suspected of assassinating as many as 50 people according to the Associated Press.[1]

The white paramilitary group was founded in the 1920s by William Shepard in east central Ohio in the Appalachian region, as a security force named the Black Guard in order to protect Ku Klux Klan officers.[2][3] The Legion became active in chapters throughout Ohio. One of its self-described leaders, Virgil "Bert" Effinger, lived and worked in Lima, Ohio."

So why is there so little in our history books about it? It was a relatively short lived hate group, but it showed up in other places: "Hollywood, radio and the press responded to the lurid nature of the Legion with works that referred to it. Legion of Terror (1936) starred Ward Bond and Bruce Cabot, and was based on this group. Black Legion (1937), a feature film, starred Humphrey Bogart. True Detective Mysteries, a radio show based on the magazine of the same title, broadcast an episode on April 1, 1937 that referred directly to the Black Legion and Poole's murder. The radio show The Shadow, with Orson Welles in the title role, broadcast an episode on March 20, 1938, entitled "The White Legion"; it was based loosely on the Black Legion. Malcolm X and Alex Haley collaborated on the leader's The Autobiography of Malcolm X (1965); he noted the Legion as being active in Lansing, Michigan where his family lived. Malcolm X was six when his father died in 1931; he believed the father was killed by the Black Legion. The TV series History's Mysteries presented an episode about the group entitled "Terror in the Heartland: The Black Legion" (1998).

I realize I haven't written much about the movie; others have done that well. But we need to accept that this... is based on real life.

At the time it came out Black Legion came from the B Picture Unit at Warner Brothers. Some of the players in it became A list stars later on. Nevertheless this was playing the second half of double features when first released. But it made a tremendous impact and viewing it almost 70 years later, still makes an impact.

Warner Brothers as the working class studio was the only one who could have made a film like Black Legion. Working class stiff Humphrey Bogart gets passed over for a promotion at a job, losing it to Polish American Henry Brandon. This makes him ripe for the propaganda of a nativist crew of nightriders who call themselves The Black Legion.

Another co-worker Joe Sawyer gets Bogart to join with a whole lot of bad consequences for just about every principal player in the cast.

Since this film was about ordinary people it had a great message to tell. We've had nativist outbreaks in America through out our history. The Twenties and Thirties with groups like the Ku Klux Klan and the Black Legion were particularly bad. Bad economic times usually bring out either the best or the worst in people.

Humphrey Bogart is joined by a whole bunch of people from his film debut in The Petrified Forest. Joe Sawyer, Dick Foran, Paul Harvey, Eddie Acuff, it must have seemed like a reunion film. For me this has always been Joe Sawyer's career role for the screen. In The Petrified Forest he was one of Bogey's gang. Here he's the evil influence on Bogart, a nice reversal. He had a similar part in San Quentin.

Dick Foran is the Mercutio/Benvolio part here, the good friend to Bogart. He was actually a bigger name than Bogey at the time this was made, as he was starring in a bunch singing cowboy films for Warner Brothers. This was one of the few times he was show he could do more than he was usually given.

Films back then had a whole lot of stern father figures like Lionel Barrymore and Lewis Stone who could deliver lectures like no other. Capping this film is Samuel S. Hinds as a trial judge telling the Black Legion defendants what Americanism and the Bill of Rights is all about. Words to live by still.

Very unusual movie for Humphrey Bogart, made a few years before he would become a headline star for WB. He plays a machine shop worker who takes for granted that he will become his shop's new foreman because of his seniority. But when they give it to an educated young Polish-American instead, Bogie becomes resentful and angry. This leads him to joining up with a hate group known as the Black Legion, which is basically the KKK. The Black Legion has a pledge that has to be heard to be believed, so make sure you pay attention to it.

Strong performance from Bogie, as well as a great supporting cast that includes Ann Sheridan, Dick Foran, Joe Sawyer, John Litel, Samuel S. Hinds, and more. A lot of people seem to pick on the movie for not being strong enough in its message, despite the fact that they can't point to any other movies from the period that were even brave enough to try this much. They did what they could do. It's a powerful movie, even if it seems watered down by today's standards. But today we aren't exactly living in the age of subtlety, are we?

While Hitler in Germany was doing away with the Jews,there were in other countries small groups whose leaders (the scene when Bogart attends the first meeting is revealing) yell " America just for the Americans!" Bogart portrays Frank ,a working man, a good husband, a tender father,a jolly good fellow,a nice guy.He's waiting for his promotion : to become a foreman will be the crowning a hard-working life .But there's just one problem: the job is given to a Hungarian,a self-made man who spends his days and nights in the books ,for he believes in the American dream.Frank's hatred will know no bounds.It will not be long till he falls into the hands of a KKK -like secret society,whose scapegoats are those aliens who take the bread out of our mouth,who steal our jobs ,our women and our land...

Archie Mayo's film is absorbing and Bogart is extraordinary: little by little,a good guy turning into a monster;but that's not all.Mayo also puts the blame on the wealthy educated people who work behind the scenes :the scene when they do their books (well how much for the revolvers?)makes your hair stand on end.

But what's fascinating in Mayo's movie is that it's still relevant today,and not only in America.In France ,in 2002,there was a man like THAT in the second ballot of the presidential election:a man who yelled "France only for the French!" and who is still yelling at my time of writing.

1937's "Black Legion" tells a story of a man's involvement with what amounts to the Klan without coming out and calling it that. Humphrey Bogart stars as Frank Taylor, a working man who loses a bid to become foreman when a foreign-born man gets the job instead. The Legion is right up Taylor's alley, reinforcing his belief that his woes are all the fault of the foreign-born. He gradually gets more immune to the violence as he gets in deeper and deeper with the Black Legion. It really is a very good vehicle for Bogart's acting talent as his morality gradually unwinds. The sermon at the end seems a little tacked on, much like a similar scene in 1933's "Wild Boys of the Road", but it doesn't detract too much from the overall film.

"Black Legion" was a very unusual role for Humphrey Bogart, but I think he got it because he was not yet an established star and Warner Brothers put him in many different sorts of parts. So, if you are looking for the tough and assertive sort of Bogart, this is NOT the film for you! No, Bogie plays a despicable sort of jerk--and a cowardly one at that.

The film begins at a machine shop. It seems that someone is going to be promoted to foreman and Bogart is sure it will be him. However, a Polish-American worker gets the job instead. While this man DID deserve it, Bogie is sullen and angry--and soon jumps at an opportunity to join a local hate club. The Black Legion is sort of like the KKK with its trappings but is more anti-foreigner in focus. So, to get back at the foreman, Bogart sicks his new 'friends' on them and he soon gets the job promotion. Where does all this new power lead him? See this powerful film and find out for yourself.

While I wish the film had taken a stronger and clearer stand against the Klan, it is a very powerful film for 1937, as many folks would have supported groups like the Legion. Groups like the American Bund and the popularity of antisemitic celebrities like Charles Lindburgh and Henry Ford (who wrote books espousing hatred of Jews, foreigners and the like) during this time could not be denied. In other words, this film might have alienated many potential viewers and the studio chose to take a deliberate stand for what is right. And, it's a strong film with a very good performance by Bogart in a VERY different sort of role. Well worth seeing--and probably a bit stronger in its message than the studio's "Storm Warning"--another anti-hate group film that was made a dozen years later.

The Black Legion is significant in the career of Humphrey Bogart. This film is the first time he played the lead in an "A" feature. The film is also a great showcase for his acting talents.

In this film Bogey's character, Frank Taylor, moves from a happily married family man, to a man filled with hate and finally to a man remorseful for the trouble he has brought upon himself and others.

When Frank Taylor loses an expected promotion to a "foreigner", he becomes disillusioned and is coerced by a co-worker (Joseph Sawyer) into joining a secretive hate and Klu Klux Klan like organization called The Black Legion. Despite pleas from his wife (Erin O'Brien-Moore) and best friend (Dick Foran), Taylor continues his terrorist activities leading to the inevitable tragic consequences.

The subject of prejudice and hate organizations in a major studio production was quite daring for the 30s, given the introduction of the Production Code only a few years earlier. It still delivers a powerful message today.

The Black Legion remains one of the best of Bogey's early films.

A frustrated Humphrey Bogart joins the "Black Legion," a 1937 film directed by Archie Mayo. The film also stars Dick Foran and Ann Sheridan.

Bogart plays Frank Taylor, a husband and father who expects to get a promotion at the auto plant where he works. It goes instead to a young, hard-working man named Dombrowski. When Frank doesn't get the job, he's furious. That night on the radio he hears the head of the Black Legion railing against foreigners taking American jobs, and he decides to join them.

The Black Legion, of course, is the Ku Klux Klan, with the sheets and the whole deal. Their methods are brutal - fires, flogging, beatings, etc.

It appears all you needed was a foreign last name to qualify as a victim of this group. Back in the '20s and '30s, Italians, Irish, and other immigrant groups could only get menial jobs like sweeping floors, the prejudice against them was so great.

It was quite a forward step to make a film about this back in 1937, and it's a good one. Bogart at the time was about 37, and we're so used to seeing him older that he looks like a baby here. He's terrific as a loving father and husband who becomes a new, violent person under the influence of the Legion. He loses more than he gains. It's a great example of how easily people can find a scapegoat for their troubles.

Ann Sheridan has a supporting role -- she's very young but recognizable from her voice! Good movie.

Humphrey Bogart is first-rate in this thinly disguised story of the Ku Klux Klan and how it plays on the fears and prejudices of the poor and uneducated (and how it's run by the well-to-do and educated, a point often missed by reviewers). Bogart plays a factory worker who was expecting a promotion, only to see it go to a "foreigner" (in this case, a Pole--and, by implication, a Jew, which is where the Klan gets involved). Angry, resentful and worried about his future, Bogart gets caught up in a racist, Klan-like group called the Black Legion, which, in the manner of all fundamentalist right-wing terrorist groups, proclaims its patriotism and its "defense of God and country" against "dirty foreigners." The interesting thing about this film is that it really doesn't blame Bogart's character for what eventually happens; he's just a pawn in the political agenda of the right-wing business and political interests who actually control the group. Warner Bros. was known for its muckraking films, and this is one of its better ones. It took guts for Warners to make this type of picture during this particular period in American history; there was a strong resurgence of Ku Klux Klan activity all over the country--there was even a Klan parade, with thousands of hooded marchers, that passed directly in front of the White House in Washington, DC--and lynchings and racial murders were skyrocketing, especially in the South. While maybe not as strong as some would have liked, the picture still radiates the Warner Bros. passion for the underdog, and they did a good job here. Strong performances by the principals, tight direction by Archie Mayo and the usual Warner Bros. grit make for a first-rate film. Highly recommended.

In order to fully appreciate this movie, a person needs to understand what the United States was like back in the 1930s. America was in the midst of the most severe depression it had ever known, with approximately 25% of the workforce unemployed at one time. That said, here we have Humphrey Bogart playing the role of Frank Taylor, who has worked at his job for many years, is well-liked, and happy. He is fortunate to have a good wife named "Ruth Taylor" (Erin O'Brien-Moore) and an adoring son. Unfortunately, because a Polish immigrant gets a promotion he thought was rightfully his, he angrily joins a secret society known as the Black Legion--and things take an immediate turn for the worse after that. Now, rather than reveal any more, I will just say that this turned out to be a pretty good movie with Humphrey Bogart beginning to establish himself as the superstar he eventually became. One interesting aspect of this film is that he got to deviate from his typical "tough guy" role and showed a bit more emotion in this film. Additionally, even though Ann Sheridan (who played Ruth Taylor's next-door neighbor) gets more credit, I thought Erin O'Brien-Moore gave a truly excellent performance. The film was well-directed, had a decent supporting cast, and the original story was nominated for an Academy Award. Not only that, but the National Board of Review selected it as the best film of 1937. In short, this was a very good movie for its time, and I think anyone who gives it a chance will be glad they did.

Not a bad movie for its time, since it tries to show how otherwise well-meaning men like Frank Taylor (played by Humphrey Bogart)can become involved in vigilante activities against foreigners and immigrants. It is the low man on the totem pole who has to bear the brunt of competition for jobs when newcomers arrive. This is an old story and the reaction today is much the same as it was then: anger and frustration, leading to a loss of self-esteem and sometimes to criminal behaviour. Fortunately, thugs who engage in lynchings and beatings are no longer on the loose.

In some ways, Frank is the hero as well as one of the villains since it is his testimony that puts members of the Black Legion behind bars. The sermonette delivered by the judge is full of platitudes by a character who never had to worry about his own position or status. The movie seems to deliver a message that says "watch out and don't become like him, if you know what's good for you." The real challenge then and now is to unite people so that they are not fighting one another but working together.

Frank (Humphrey Bogart), a factory worker, is passed over on a promotion that goes to a Polish man. In anger, he joins the Black Legion (basically the Ku Klux Klan) to punish all foreigners for taking jobs from "true Americans". The story has been done since, but this one is well-made, quick (82 min.), well-acted (Bogart is great and looks so young!) and still powerful. The film isn't perfect (I could have lived without the closing sermon) but still worth seeing. It's also real sad to realize that a film over 60 years old about racism is still relevant.

The opening credits of this film declare in large letters that the characters and institutions portrayed in the film are entirely fictional. It seems even the brothers Warner were afraid of the Ku Klux Klan. And why wouldn't they be in the Thirties when lynchings and other acts of terror were common - are they still? Bogart is fine in an early role as a young worker, dismayed at a Polish worker getting a promotion he was seeking, who joins the Klan (or the Black Legion as they call it here). It's interesting to see him before he was typecast as the tough guy - he is very vulnerable here but not entirely sympathetic.

The film wears its sincerity on its sleeve a bit and is never wholly believable, but it is a brave attempt to confront the racism that was rife in Depression era America, when getting and keeping a job was very tough.

Bogart gets sucked into nativism in this brave little film. His performance is a tad heavy handed but forgivable since in 1937 he was new to the art and trained in theater. Bigotry was not a familiar theme in Hollywood; kudos to Warner Bros. for taking a stand. Supporting cast is up to the task, and Bogart - a Democrat and liberal- does a fine job portraying a man who feels cheated by foreigners. His character sounds eerily familiar in these chaotic times.

Humphrey Bogart is Frank, a factory worker. when there's a foremen position opening, Frank thinks he's next in line for it. but no. doesn't happen. Bogart seems really gung-ho in this one; in Petrified Forest, the year before, he was stiff and "cool". in Legion, he's more a low-key family man, with big smiles and lots of energy. and a real young Ann Sheridan. Frank joins a group that seems to be only concerned with protecting "pure blood american values". and requires him to buy a gun and ammunition and to "take action when necessary", whatever that means. eddie acuff sure made a lot of films in his short 48 years; died young of a heart attack. This was a story showing the dangers of hate groups and organizations who only want "pure, american workers". Story by Robert Lord... was oscar nominated for this script. Directed by Archie Mayo. had also directed Bogart in Petrified Forest, the year before.

The row of hooded men lined up execution style is a scary scene that spreads through the movie as a whole. The result is a rather obvious but still hard-hitting political drama from the Depression era studio of record, Warner Bros. No need to repeat the familiar plot. The movie is really a reflection on proto-fascism and not on the Depression or economic crisis since these broader contexts are never even mentioned. Nor is the hot 1930's topic of union organizing mentioned, surprising for a movie that deals with an industrial workforce of machine operators. I suppose these omissions are intended to keep the focus tightly on one particular response to the bad times of 1936, namely right-wing extremism.

Within that tight framework, the movie does a good job of showing the appeal of a Black Legion. Frank (Bogart) amounts to an every-man. He wants the prestige and advantages of a better job that he's promised his family and believes he's most qualified for. When immigrant Dombrowski gets the promotion instead, Frank suffers deep humiliation making him vulnerable to Legion propaganda that blames foreigners, like Dombrowski, for taking good "American" jobs. I expect the message resonated among distressed audiences of the time, and still does in our own time.

I also like the way the stereotypes become smoother and more attractive as we're introduced to the Legion's top people. Note how the business types are as much concerned with the organization's money-making as they are with its politics—an easily over-looked aspect. Also, the women divide into two familiar categories— either the virtuous wife&mother type (O'Brien & Sheridan) or the promiscuous trampy type (Flint). Both types in this pre-feminist era are portrayed as pretty much dependent on the men in their lives. Thus, the men carry an especially heavy responsibility making them more vulnerable to appeals.

As the beleaguered machinist, husband and father, Bogart shows a range of surprisingly vulnerable emotions, unlike the hardened cynic roles he specialized in as an icon. Nonetheless, he's quite good in a difficult part. I especially like the ending that refuses to compromise, though I'm not sure how effective the judge's abstract appeal to American values is in countering the more visceral proto-fascist appeal. Anyway, the movie is definitely underrated and deserves to be pulled out of obscurity for its tough-minded approach to a surprisingly topical message.

Humphrey Bogart, lean and mean in an early starring role, plays a factory worker in small town America who joins an organization not unlike the Ku Klux Klan--this after a foreign co-worker gets the promotion Bogie wanted. Melodrama has some sad brutality but is otherwise rather low on sparks. There are no real characters or surprises in the plotting; the only interest the picture may have today is in Bogart's casting, and in the political implications of the narrative vs. today's perceptions. Abem Finkel's script from Robert Lord's original story is all worked up for an explosive set-up, but neither took the time to shape the film's second-half (a ridiculous, hysterical wrap-up in court). Watchable but mediocre yarn. ** from ****