Als Nick & Nora Charles zu Silvester an die Westküste zurückkehren, wird der Mann von Noras Cousine, ein notorischer Frauenheld, vermisst. Esgilt, die unüblichen Verdächtigen einzukreisen.Als Nick & Nora Charles zu Silvester an die Westküste zurückkehren, wird der Mann von Noras Cousine, ein notorischer Frauenheld, vermisst. Esgilt, die unüblichen Verdächtigen einzukreisen.Als Nick & Nora Charles zu Silvester an die Westküste zurückkehren, wird der Mann von Noras Cousine, ein notorischer Frauenheld, vermisst. Esgilt, die unüblichen Verdächtigen einzukreisen.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 4 Gewinne & 1 Nominierung insgesamt
- Robert Landis
- (as Alan Marshall)
- Polly
- (as Dorothy McNulty)
- Escort of Dizzy Blonde
- (Nicht genannt)
- Singer at Welcome Home Party
- (Nicht genannt)
- Filing Clerk in Morgue
- (Nicht genannt)
Empfohlene Bewertungen
'After the Thin Man' is the first of them and is a contender for the best. It is on the slight side perhaps and some may find it slow. Not me though, it transfixed me from the start and never let go. There is little to fault with 'After the Thin Man', though for my tastes Dorothy McNulty (aka Penny Singleton) overdoes it and doesn't amuse as much as ought. That though is nit-picking. There is so much to like here, all of the fun, suspense and charm of 'The Thin Man' is present and everything that was so great about that film is here too with the full impact not being lost.
It's a good-looking film, especially with some of the best photography of the series. Being both elegant and moody. The sets are simple but not too simplistic and certainly not unattractive. The costumes and fashions are even more elegant than the photography, and have always been one of the consistently striking elements of the films. Loy looks absolutely fabulous here, what she wears suits her so well and the camera clearly loves it. The music is suitably jaunty while not being inappropriately so, and the film is directed at a lively pace.
Script still continues to have hilarious and witty dialogue, with a good deal of sophistication and charm. The comic banter is light and never heavy and the physical comedy is endearingly silly without going over the top or childish. The story is never hard to follow and always engages, actually found that the slightness didn't matter that much. It also continues to have some of the best suspense of the series and there are some genuine surprises, including a nice minor twist involving James Stewart in an early role and an ending that one doesn't see coming.
Powell and Loy are on top form here, especially Powell who has more to do and clearly has a great time being charming and suave. Loy is glamour personified and the easy-going and magnetic chemistry between her and Powell is what makes the film, and the whole 'The Thin Man' series for that matter, work so well, for me it is one of film's most legendary partnerships. The rest of the cast fare well and who cannot help endear to Asta?
Overall, great film and complements the first film beautifully. 9/10
This time, Nick (Powell) and Nora (Loy) return to San Francisco just in time for a surprise New Year's Eve party (at which no one recognises them, ironically enough!). However, Nora's dour Aunt Katherine (Jessie Ralph) spoils Nick's plans to spend New Year's Eve blissfully alone--and most likely inebriated--by inviting the couple to her house to help Nora's cousin Selma (Elissa Landi). Selma's husband Robert (Alan Marshal) has been missing for days, off with Polly Byrnes (Penny Singleton), a nightclub entertainer at the Lychee Club owned by Dancer (Joseph Calleia). David Graham, Selma's erstwhile but painfully rejected fiance, still apparently holds a torch for Selma, and Robert gleefully blackmails David in return for a promise to leave his own wife. Little does Robert know that he is very much part of a web of intrigue, about to be cheated himself by Polly and Dancer, and he inevitably ends up as the murder case for the rest of the film.
The great part about this film is that the murder case actually does keep one in suspense, even if one knows the identity of the murderer before watching the film for the first time, as I did. It keeps you guessing about why and where, and the entire cast of supporting characters, as in the first Thin Man film, are shrouded in mystery and suspicion. It could be anyone of them, and in a trademark revelation scene at the very end, Nick gathers the whole assembly of players to catch the murderer red-handed, as it were.
Throw this cleverly-written murder mystery in with a healthy heaping of literate dialogue, thrown out only as William Powell and Myrna Loy can, and you get a classy film that hints at crime, love, sex, power and hatred without ever needing to resort to cheaper tricks. It's great to meet these characters again: Nick, constantly inebriated and the epitome of gentlemanly cool as usual (witness the scene in which Dancer causes a blackout and a great deal of loud scuffling and gunshots are heard in the darkness--Nick is calmly making a phone call under the table, amidst all the chaos); Nora, the charming, understanding modern wife who's game for anything that Nick can dream up (unless, of course, he locks her into the bathroom to prevent her from tagging along)... and of course, Asta, who we discover has his own family (made up of Mrs. Asta and the cutest puppies one can imagine) that he's trying very hard to protect.
As with the previous Thin Man film, however, AFTER THE THIN MAN combines a great mystery story with a very real portrayal of the marriage everyone wished they had. It's no small wonder that menfolk in the 1930s used to form 'Men Must Marry Myrna' Clubs--she's able to stand up to her man whenever necessary, and even when she's chattering through the night evidently hungering for Nick's scrambled eggs, Myrna Loy's Nora Charles is one of the cutest female characters ever created. One of the best scenes would undeniably be when Nick realises he's kissed someone else on the stroke of midnight, so goes on a quest for Nora. He finds her and she asks him if he has any New Year's complaints or resolutions; he does have a complaint and gravely informs her of it. She nods seriously in agreement and says, "Must scold. Must nag. Mustn't be too pretty in the mornings." I won't spoil the ending of the film, but Nora's own revelation to Nick as they take the train back to New York is also as touching and sweet as can be imagined.
If you're up for a good romance story, or a good murder mystery, or better yet, a combination of the two, you really couldn't go wrong with this second installment in the Thin Man series. Try your best to get your hands on the first film, but AFTER THE THIN MAN is truly a sequel that does the original film and the franchise to follow proud.
This second entry in the series really holds up well.....usually sequels are much weaker but not so here. The supporting cast is great with the exception of Penny Singleton (Dorothy McNulty at this point in her career and before she went on to play Blondie). She is like fingernails on a blackboard.....that voice!!! And look for her dance number when she almost falls backward after slamming into the side of the stage! I found her very irritating. Elissa Landi is a little bit over the top as well but she is so attractive that it doesn't matter much. Jessie Ralph is the prototype of the battle axe from hell and Joseph Calliea is his usual suave, oily crook. Then there is James Stewart, before his days of stardom......you have to look twice to be sure that it is the same man. We are so ingrained in his later stuttering, hesitant persona that it is difficult to recognize him......and he was quite handsome!
But of course it is William Powell and Myrna Loy that carry the show as the charming sophisticates whose repartee is brisk and surprisingly modern. There was never a better light comedy team on film (well, maybe Tracy and Hepburn). Thank heavens they are captured on film forever.
Watch this film....you'll love it. Plus there is the added bonus of seeing San Francisco in the 30's.....and don't forget Asta!!!!
Elissa prevails upon Myrna to get Bill to locate her husband who's been missing for a few days. Powell and Loy do locate Alan Marshal the husband and the rat's been living it up with nightclub chanteuse Penny Singleton. Marshal's a playboy wastrel and hasn't the slightest intention of returning to home and hearth. But in the wee small hours of New Year's Day, he gets himself murdered on the streets of San Francisco and two more bodies turn up before William Powell solves the case.
James Stewart appears in this second Thin Man film as Landi's patient former boyfriend. In the films of James Stewart book, Stewart mentions that he wasn't particularly happy with his work in this film though I'm sure it didn't hurt his career any. He felt it was way too much at variance with what his fans expected from him. It's reason enough to watch the film and see if you agree with Jimmy.
Sam Levene of the San Francisco PD isn't any brighter than Nat Pendleton of the NYPD just a little more excitable. Powell shows them up all the time so much so that you wonder why he's not made police commissioner of either city.
Asta the most famous terrier in the world gets a bit more screen time than usual for animal lovers. He's got a Mrs. Asta and several pups and a black dog who keeps trying to cut in on his time. He also at one point provides the highpoint in comedy as he almost eats a clue which is in the form of a note thrown threw a window. Lots of fun as Powell and Loy try to get him to spit out the note. Handling that doggie drool soaked note musn't have been fun for Loy and Powell.
After the Thin Man keeps up the high standards in film making set by the original Thin Man and shouldn't be missed.
Wusstest du schon
- WissenswertesMordsache Dünner Mann (1934) ends at night with Nick and Nora on a train traveling west while the soundtrack plays "California, Here I Come." After The Thin Man (1936), the first sequel in the Thin Man series, was released two years later. Its story begins a few days after the final scene in the original movie, with Nick and Nora presumably on the same train traveling west while the soundtrack again plays "California, Here I Come."
- PatzerAs the train is arriving in San Francisco at the start of the movie, the rear-screen exterior is backward. Notice the lettering on the buildings.
- Zitate
Nick Charles: You see, when it comes to words like that, an illiterate person...
Polly Byrnes: Whaddaya mean "illiterate"? My father and mother were married right here in the city hall!
Nick Charles: [Leans toward Nora] Having a good time, Mrs. Charles?
Nora Charles: It couldn't be better.
- Alternative VersionenAlso available in a computer colorized version.
- VerbindungenFeatured in Die große Metro-Lachparade (1964)
- SoundtracksBlow That Horn
(1936)
Music by Walter Donaldson
Lyrics by Chet Forrest and Bob Wright
Played by the band at the Lichee restaurant
Sung and danced to by Penny Singleton (uncredited) and chorus
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Genio y figura
- Drehorte
- Coit Tower, San Francisco, Kalifornien, USA(base used as exterior of the Charles' home)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 683.000 $ (geschätzt)
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1