The Kennel Murder Case

The Kennel Murder Case (1933)

A precursor to the Thin Man series, starring William Powell as a detective (but without the very supplementary Myrna Loy). And this is directed by none other than Michael Curtiz ("Casablanca" and "Mildred Pierce"), and you can often tell, scenes characteristically complex with lots of people and foreground/background. As a whole the movie races along, to the point that the huge cast (all introduced with visual vignettes at the start) is confusing. But hang in there. because a third of the way through Powell kicks in full time.

There are few actors like William Powell in the history of American film. He is peculiar in charming ways, and makes no bones about it. He lacks any sense of what we might think of as cool or hardness--there's no Bogart in him, no Cary Grant of course, nothing but what a character actor might have. And he made it a virtue, visible even here. The rest of the cast is good or very good, with a few other recognizable faces, and it gels increasingly as you go until a series of dramatic whodunnit style conclusions wraps it all up.

Powell's detective, Philo Vance, was a snobby socialite, and the plots have a quality of private detective vs. police (which gets used in a lot of these kinds of series, of course). There are four movies with Powell playing the part (and many others with other actors in the role. This is the fourth, and best of them, the first going back to the dawn of sound, 1929. It's not as slick or warm (or sophisticated) as "The Thin Man" series, which is a high water mark of the effete detective, but it's terrific in its own way, and really well constructed. I'd not miss it.

This is one of those movies that you wish you hadn't seen before - so you could see it again " for the first time " . Van Dine's books still bring pleasure - but are termed excessively flowery by many . This movie is by far the best film adaptation of his works . William Powell is William Powell - say no more . The plot is intricate . The story moves all too quickly , because you want it to last . Enjoy.

The first thing I liked about this mystery movie is that the early minutes of it are packed tightly with lots of storyline. And this is a somewhat complex story, particularly for a time (1933) when such movies tended to be rather light. Pay attention here or be lost! It's also nice to have a different setting...a kennel club (at least early on in the film)! Novel! Philo Vance (played wonderfully by William Powell) isn't as smooth and sophisticated as Nick Charles, and there's not the witty banter between man and wife you find in the Thin Man series, but this is a good character. And, you'll see lots of character actors you'll recognize (although probably not by name). Of particular note is the gravel-voiced Eugene Palette (and if you want to read an interesting bio, Google him). Also look for Ralph Morgan, lesser-known brother of actor Frank Morgan; you'll see the resemblance.

I won't recount the plot. It's almost too complex to do so, but I'll just repeat that this is a sophisticated mystery for 1933! Recommended!

One of the better Vance films succeeds more on interesting plot and artful direction by none other than Michael Curtiz. This time around a generally hated financier is found dead - shot in the head - in his locked and bolted bedroom on the upper floor. Philo Vance, hearing of the situation while about to set off for Italy, decides to end his vacation and try to solve what he thinks is a murder and what everyone else is considering a suicide. William Powell is as affable a Philo Vance as you will find. He never seems to press and is always very smooth in what he says and does. Powell is aided by a host of very talented actors - some first-rate character actors and actresses like Mary Astor as a niece that hated her uncle, Ralph Morgan as the dead man's secretary, Paul Cavanaugh as a rival dog fancier, Arthur Hohl as a mysterious butler, Helen Vinson as the next door kept blonde, and two really good performances by James Lee as the Chinese cook and portly Eugene Palette as a wise-cracking police detective. Add into the mix a wonderfully comedic turn by Etienne Girardot as a public coroner always missing his meal. It is this depth of suspects and a story that has many plots twists and turns that make The Kennel Murder Case a fast-moving, fun mystery.

William Powell plays Philo Vance for the last time in this enjoyable Warner Brothers B murder mystery. Because it is a B, there are some problems with the script and some problems with the art design. I'll get into that later.

Vance is at a dog show on Long Island showing his Scottish terrier Captain. This is where we meet Archer Coe (Robert Barrat), also a dog show enthusiast as well as a collector of Chinese Art who has an unfaithful mistress (Helen Vinson). Coe argues with and crosses just about every character in the film. Coe is discovered dead the next morning, a bullet in his head, the gun that shot him in his hand, a head wound from a blunt instrument, and a stab wound in his back with his bedroom door locked from the inside. The police are about to call this one a suicide(???) when enters Philo Vance to systematically figure out who did it. Oh, and there is an additional body in the foyer closet.

Powell is great here as Vance, the perfect combination of masculinity and sophistication. He played the same role over at Paramount three other times. Oddly enough, Eugene Pallette as Sgt. Heath is ported over here in the same role he played in the other films. He is the same kind of sidekick cop that Guild (Nat Pendleton) was in The Thin Man. He probably would have never found the body in the closet and had Coe ruled a suicide if not for Vance, but his self esteem is never bothered by this and the two play off of each other perfectly as old pals.

Michael Curtiz' direction gives this B some extra punch, and I never thought I'd see Jack La Rue convincingly play an effete Italian after having seen him as a ruthless thug in "Story of Temple Drake", but he does pull it off.

There are a couple of holes I will just mention. First, before Coe is murdered, the dog of one of his foes is kidnapped and killed. The killer of that dog is never discovered nor is it even mentioned later in the film. Next, when Vance is describing how the murders were carried out, he has a set of detailed miniature models of the buildings involved in his explanation of the crime. These models can be broken out with detailed sectional views of each. Where on earth did he get such a thing on short notice?