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Roberta

  • 1935
  • Approved
  • 1 Std. 46 Min.
IMDb-BEWERTUNG
7,0/10
3805
IHRE BEWERTUNG
Fred Astaire, Ginger Rogers, and Irene Dunne in Roberta (1935)
ComedyMusicalRomance

Füge eine Handlung in deiner Sprache hinzuAn American jazzman and his buddy woo a Russian princess and a fake countess in Paris.An American jazzman and his buddy woo a Russian princess and a fake countess in Paris.An American jazzman and his buddy woo a Russian princess and a fake countess in Paris.

  • Regie
    • William A. Seiter
  • Drehbuch
    • Jerome Kern
    • Otto A. Harbach
    • Alice Duer Miller
  • Hauptbesetzung
    • Irene Dunne
    • Fred Astaire
    • Ginger Rogers
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    3805
    IHRE BEWERTUNG
    • Regie
      • William A. Seiter
    • Drehbuch
      • Jerome Kern
      • Otto A. Harbach
      • Alice Duer Miller
    • Hauptbesetzung
      • Irene Dunne
      • Fred Astaire
      • Ginger Rogers
    • 77Benutzerrezensionen
    • 25Kritische Rezensionen
    • 66Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 2 Gewinne & 2 Nominierungen insgesamt

    Fotos117

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    Topbesetzung54

    Ändern
    Irene Dunne
    Irene Dunne
    • Stephanie
    Fred Astaire
    Fred Astaire
    • Huck Haines
    Ginger Rogers
    Ginger Rogers
    • Lizzie Gatz aka Tanka Scharwenka
    Randolph Scott
    Randolph Scott
    • John Kent
    Helen Westley
    Helen Westley
    • Aunt Minnie aka Roberta
    Claire Dodd
    Claire Dodd
    • Sophie Teale
    Victor Varconi
    Victor Varconi
    • Prince Ladislaw
    Luis Alberni
    Luis Alberni
    • Alexander Petrovitch Moscovitch Voyda
    Ferdinand Munier
    Ferdinand Munier
    • Lord Henry Delves
    Torben Meyer
    Torben Meyer
    • Albert
    Adrian Rosley
    • Professor
    Bodil Rosing
    Bodil Rosing
    • Fernande
    Lucille Ball
    Lucille Ball
    • Fashion Model
    • (Nicht genannt)
    Hal Borne
    Hal Borne
    • Wabash Indianian
    • (Nicht genannt)
    Halbert Brown
    Halbert Brown
    • Wabash Indianian
    • (Nicht genannt)
    Candy Candido
    Candy Candido
    • Candy - Wabash Indianian
    • (Nicht genannt)
    William Carey
    • Wabash Indianian
    • (Nicht genannt)
    Virginia Carroll
    • Fashion Model
    • (Nicht genannt)
    • Regie
      • William A. Seiter
    • Drehbuch
      • Jerome Kern
      • Otto A. Harbach
      • Alice Duer Miller
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen77

    7,03.8K
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    Empfohlene Bewertungen

    movibuf1962

    Slow in spots, but silky.

    (Spoilers, sort of) Everyone seems to be saying the same thing about this film: great music, burdensome plot. But virtually all 9 RKO Astaire-Rogers films borrowed their plots from one another. They were, after all, the comic relief in 3 different films- including FLYING DOWN TO RIO and FOLLOW THE FLEET. These films- in terms of chronological release- alternated with GAY Divorcée, TOP HAT, and SWING TIME- all which had some combination of Erik Rhodes, Helen Broderick, and Eric Blore as comic support. I could stand the 'two-couple' formula a little more so, because Astaire and Rogers weren't carrying the heavier half of the plot. They usually already know each other and make wicked sideline commentary while waiting to go on the dance floor. This is most evident in their first duet in ROBERTA, "I'll Be Hard To Handle," which appears completely spontaneous, even though it is a rehearsal. Astaire and Rogers wear matching shirts and slacks and enjoy a very funny debate with their tapping feet. We seamlessly go from this sequence to a breathtaking moment with Irene Dunne and title character Helen Westley framed around the song "Yesterdays." (It's a bewitching moment when the light dims in the room as the vocal simultaneously fades away.) And to those of you complaining about the excessive fashion show sequences: well, that's the plot of the movie; didn't you see that coming? All the crazy clothes are worth seeing for the Astaire-Rogers duet of "Smoke Gets In Your Eyes." Following a cameo by a platinum-haired Lucille Ball, Rogers emerges as one of the models on parade in a satin gown and joins Astaire for a tender 'walk-around-the-floor' turn. Sublime stuff.
    8ccthemovieman-1

    Another Underrated Musical

    I found this to be a very entertaining musical with some decent mixture of songs, comedy and romance. There are no less than three leading ladies and they all look good. Two of them are big names: Irene Dunne and Ginger Rogers.

    There's Fred Astaire in here, too, so I guess we can call this another "Astaire- Rogers film." If so, I think it's one of their best and certainly one of their most underrated. You don't hear much about this movie, and that's unfair.

    Rogers and Astaire both have some funny lines in this film and I wish Ginger's role had been bigger. She and Astaire do a couple of tap dance numbers that are excellent - some of their best work together. Dunne's first two songs aren't bad but you have the rest. Her soprano voice almost broke my eardrums, especially with "Smoke Gets In Your Eyes."

    Randolph Scott, Helen Westley and Claire Dodd also star in this dated-but-generally fun movie.
    8blanche-2

    Beautiful Jerome Kern musical

    Irene Dunne, Fred Astaire, Ginger Rogers and Randolph Scott shine in "Roberta," a 1935 film directed by William Seite, based on the Broadway play, with music by Jerome Kern This isn't a typical Astaire-Rogers film, so if you're looking for that, you may be disappointed. The emphasis here is on fashion, and on the design house of Roberta - in reality, John Kent's (Randolph Scott) Aunt Minnie (Helen Westley), a dressmaker who found success in Paris. Astaire plays Kent's friend, Huckleberry Haines, a bandleader. Irene Dunne is Stephanie, the head designer at Roberta's. Actually, she and her doorman cousin Ladislaw (Victor Varooni) are Russian royalty. Rogers plays Countess Schwarwenka, a troublemaking client who's recognized by Huckleberry as Lizzie Gatz, an old girlfriend from back home. The Countess gets Hucklebery and his band a job at the Cafe Russe, and Stephanie and John find they're interested in one another. Then Roberta dies, and John inherits the design shop.

    The film is filled with not only beautiful music but the fashions of the day in gorgeous art deco settings, making for a very sophisticated and polished look. Astaire and Rogers are actually comic support, but they're knockouts.

    The music consists of some familiar tunes, including the haunting "Smoke Gets in Your Eyes," sung by Irene Dunne and later danced by Astaire and Rogers, "Lovely to Look At," sung by Dunne and then danced by Astaire and Rogers, "Yesterdays," sung by Irene Dunne, and, of course, "I Won't Dance" - but they do. Astaire sings the lively "Let's Begin" as well.

    This enchanting musical was re-made in 1952 as "Lovely to Look At," but somehow, it's not as good, lacking the cast. "Roberta" shows up on TCM occasionally. Don't miss it.
    7claudio_carvalho

    Adorable Musical with One of the Most Beautiful Songs Ever

    Huckleberry Haines (Fred Astaire) and his band, the Wabash Indianians, arrive at Le Havre, in France, for a season in a Russian nightclub. However, the owner Alexander Petrovitch Moskovich Voyda (Luis Alberni) expects the arrival of an Indian band and he calls off their contract.

    Haines and the band head to Paris, and his friend John Kent (Randolph Scott) decides to visit his Aunt Minnie (Helen Westley), who owns the fashion house Roberta, to use her influence to find a work for the band. John meets the manager Stephanie (Irene Dunne) and they immediately feel attracted for each other. Huck Haines meets in the Roberta's salon his old friend Liz with the artistic identity of Comtesse Scharwenka (Ginger Rogers) and she helps him to get a job with Voyda.

    When Aunt Minnie passes away, John Kent is the heir of her fortune and also Roberta. However he decides to give the fashion house for Stephanie, but she proposes a partnership between them two. But when John's old passion, the gold digger Sophie Teale (Claire Dodd) seeks out John, the infatuated Stephanie decides to leave the business and travel abroad with the Russian Prince Ladislaw (Victor Varconi).

    "Roberta" is an adorable musical with one of the most beautiful songs of the cinema ever. With music by Jerome Kern and lyrics by Otto A. Harbach, "Smoke Gets in Your Eyes" is performed by Irene Dunne. The plot is naive, but the musical numbers, the dances and the fashion parade are delightful. My vote is seven.

    Title (Brazil): "Roberta"
    7AlsExGal

    You may be puzzled when you watch this film...

    ... because when it was made Ginger Rogers and Fred Astaire were still supporting players. The real stars of the film are Randolph Scott in modern dress not western garb,and queen and songbird of the RKO lot at the time, Irene Dunne. A somewhat musical rom-com, it has Huck Haines (Fred Astaire) and his big band arriving in France only to learn that their promised gig has fallen through. Huck's best friend John Kent (Randolph Scott) decides to look up his aunt, a dressmaker named Roberta (Helen Westley) to see if she has any advice on work for the band.

    John ends up inheriting the dressmaking firm with Roberta's death, and he falls for lead designer Stephanie (Irene Dunne), while Huck meets up with Lizzie Gatz (Ginger Rogers) a neighborhood gal pretending to be European aristocracy.

    Give this one a chance. I All four leads are charming and on top of their game. The costumes are elaborate, and the models are stunning, including a young blonde Lucille Ball. The songs are good, too, including the standard "Smoke Gets in Your Eyes".

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    Handlung

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    • Wissenswertes
      The floor in the "I'll Be Hard to Handle" dance was the only wooden floor in all of the Fred Astaire / Ginger Rogers musicals. They both loved working on it, as they could tap and actually make the sounds of the taps. In the other musicals, their taps were dubbed over, as they were too quiet. Their enjoyment is clearly seen, as their giggles at each other are unscripted.
    • Patzer
      When John Kent arrives in Paris and goes to the building where Roberta lives, the doorman tells him that she is on the "troisième étage" and indicates that John should press the corresponding button. John eventually is taken to Roberta on the third floor, which is incorrect since the "troisième étage " corresponds to the fourth floor. In France, the "premiere étage" (first floor) is not the ground floor but the next one up.
    • Zitate

      John Kent: You don't appreciate her. I know she seems a little hard and sophisticated, but underneath she's a pearl.

      Huckleberry Haines: And a pearl so I'm told, is the result of a chronic irritation on an oyster.

    • Verbindungen
      Featured in The All Talking, All Singing, All Dancing Show (1973)
    • Soundtracks
      (Back Home Again In) Indiana
      (1917) (uncredited)

      Music by James F. Hanley

      Performed by The Wabash Indianians

    Top-Auswahl

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    FAQ16

    • How long is Roberta?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 8. März 1935 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
      • Russisch
    • Auch bekannt als
      • Роберта
    • Drehorte
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Kalifornien, USA(Studio)
    • Produktionsfirma
      • RKO Radio Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 610.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 2.493 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 46 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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    Fred Astaire, Ginger Rogers, and Irene Dunne in Roberta (1935)
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    By what name was Roberta (1935) officially released in India in English?
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