Tänzer vom Broadway

The couple Josh (Fred Astaire) and Dinah Barkley (Ginger Rogers) are successful musical comedy artists in Broadway and perfect on stage. However, they frequently argue with each other backstage and at home and the perfectionist Josh usually questions the performance of his wife. Their close friend and pianist Ezra Millar (Oscar Levant) usually calms them down.

When Dinah is introduced to the playwright and director Jacques Pierre Barredout (Jacques Francois), he believes that she is a great dramatic actress and offers a lead role in his play to her. After an argument with Josh, Dinah splits up with her husband and decides to pursue the career of actress. The stubborn Josh misses Dinah and secretly helps her in her new career but none of them seems to give in.

"The Barkleys of Broadway" is another musical comedy with Fred Astaire and Ginger Rogers, but in Technicolor. This time, in addition to the beautiful numbers of Fred and Ginger, Oscar Levant wonderfully plays Tchaikovsky. My vote is six.

Title (Brazil): "Ciúme, Sinal de Amor" ("Jealousy, Sign of Love")

Bickering husband and wife musical comedy team break up over her ambitions to become a dramatic actress. Final Fred & Ginger movie and their only film in color. Doesn't seem to get a lot of love but I enjoyed it. Fred and Ginger still play well off of each other, though admittedly the script doesn't have any of the sexual tension or playful banter of their more classic films. The bickering is nowhere near as bad as other reviewers have said, though. I felt the relationship between the two was very loving.

Ginger is absolutely gorgeous in Technicolor. I can't remember her ever looking so radiant. Her wardrobe was great, too. Speaking of beauties, I have to mention lovely Carol Brewster who had a small part but caught my eye. She looked quite fetching as well. Cutie Gale Robbins is fun as Ginger's understudy. Oscar Levant is great as their friend. He also has a couple of nice piano numbers.

The musical numbers are good. The Scottish number, Fred's solo number, and "They Can't Take That Away from Me" were all excellent. But whose brilliant idea was it to ruin the opening (and probably best) dance number by putting the opening credits over it? Regardless, it's a good movie with some solid musical numbers, luscious Technicolor, and the great Fred & Ginger in their last film.

I see written everywhere (thus replicating the words of Leonard Maltin in his 'Movie and Video Guide') that Ginger Rogers declaiming 'La Marseillaise' at the end of 'The Barkleys of Broadway' is the LOW POINT of the movie. Let me say that, as a French viewer, I totally disagree. What Miss Rogers does here is remarkable on the contrary: she actually brilliantly mimics her model, drama diva Sarah Bernhardt whose style of acting was pompous and bombastic. Such a style sure looks very outdated today but was very much admired and in demand at the time. Now, just imagine Sarah had underplayed her scene the way Ginger does so well in other circumstances, she would never have been accepted by the stiff and starchy jury of the Comédie Française! Even more impressive is the American actress's accent: she indeed delivers her tirade in more than passable French. Well, Americans may think this sequence ridiculous, but not French people. In any case, gallically speaking, it by no means constitutes a LOW but a HIGH POINT of this altogether excellent musical comedy.

The Barkleys of Broadway is directed by Charles Walters and written by Betty Comden and Adolph Green. It stars Fred Astaire, Ginger Rogers, Oscar Levant, Billie Burke, Gale Robbins and Jacques François. Music is by Lennie Hayton and cinematography by Harry Stradling Sr.

Fred and Ginger play the Barkleys, a successful husband and wife musical comedy team that seems to thrive on feuding. However, one day it goes too far and a break up appears certain when the wife entertains an offer from Jacques François to become a serious actress.

Firsts and lasts here as it was the first film Astaire and Rogers did for MGM, their first in colour, and their last they would make together after reconvening after 10 years - Rogers stepping in when Judy Garland fell to her troubled wayside. The screenplay is pretty thin, serving only as a thin piece of meat to the dance and musical numbers sandwich, but with stand-outs like the wonderful "Shoes with Wings On" and the joyous uplift of 'They Can't Take That Away from Me' to spend time with, it's a film to brighten the darkest of days. 7/10

"The Barkleys of Broadway" holds up well as a fun musical, especially significant as Fred and Ginger's final re-teaming effort. It's just downright good fun to see them together again, singing and dancing as only they can. What a delightful screen pair they are!