IMDb-BEWERTUNG
5,9/10
1549
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuUnion spy Gail Loveless impersonates a black maid in the early days of the Civil War, but complications arise when she falls in love with a Confederate officer.Union spy Gail Loveless impersonates a black maid in the early days of the Civil War, but complications arise when she falls in love with a Confederate officer.Union spy Gail Loveless impersonates a black maid in the early days of the Civil War, but complications arise when she falls in love with a Confederate officer.
- Für 1 Oscar nominiert
- 2 Gewinne & 1 Nominierung insgesamt
Douglass Dumbrille
- Gen. Stuart
- (as Douglas Dumbrille)
The Mills Brothers
- Medicine Show Singers
- (as The Four Mills Brothers)
Ernie Adams
- Orderly
- (Nicht genannt)
Empfohlene Bewertungen
Although there are some blinkered reviews here,this is actually an enjoyable Civil War movie.Marion Davies acquits herself well as an Union spy in two guises:Initially as a mixed-race maid(Of French lineage from Martinique!),and latterly as a supposed Northern Sympathiser of the Confederacy.She is appealing in both roles. Gary Cooper also gives a decent performance as the Confederate Captain/ Counter-Spy who seeks to apprehend her and becomes her Paramour.Even though this is not exactly his strongest career role! Add to this a stalwart supporting cast(including Jean Parker as a Southern Belle),and some fine atmospheric cinematography:Note the early morning "fishing" scene,and also the Romantic interlude with Gary Cooper pushing Marion Davies on a sizeable swing as she sings the nice "Once In A Lifetime".This is one of several songs sung by her or the Mills Brothers. Approach this Film with an open mind and you may well find it entertaining!
Marion Davies is unbelievable as a spy behind Confederate lines who falls for Confederate spy Gary Cooper.
The black stereotypes are normal for the time, but now hard to take. The main interest to me are the women's costumes by Andre, especially those in the ball scene.
The black stereotypes are normal for the time, but now hard to take. The main interest to me are the women's costumes by Andre, especially those in the ball scene.
"Operator 13" is an early Civil War film with a fine cast. It's also one of the early Hollywood films in which a white performer plays a role of another race. Marion Davies impersonates a Black woman in disguise to infiltrate the Confederacy and spy for the Union forces.
Davies plays Gail Loveless who soon meets and falls for a Confederate spy, Capt. Jack Gailliard. Gary Cooper plays that part. Of course, she doesn't let on to who she is. It's only after the war that the truth comes out.
A number of other known actors of the day have roles, including Jean Parker, Douglas Dumbrille, and Sidney Toler. The plot is interesting but the screenplay is a little choppy in places. This isn't a movie about the actual battles and destruction, but a behind-the-scenes film about spying during the Civil War.
Many may not find it that great a story, but I give it six stars on the strength of the fine cast.
Davies plays Gail Loveless who soon meets and falls for a Confederate spy, Capt. Jack Gailliard. Gary Cooper plays that part. Of course, she doesn't let on to who she is. It's only after the war that the truth comes out.
A number of other known actors of the day have roles, including Jean Parker, Douglas Dumbrille, and Sidney Toler. The plot is interesting but the screenplay is a little choppy in places. This isn't a movie about the actual battles and destruction, but a behind-the-scenes film about spying during the Civil War.
Many may not find it that great a story, but I give it six stars on the strength of the fine cast.
Operator 13 (1934)
** (out of 4)
Extremely bizarre and rather choppy Civil War drama about actress Gail Loveless (Marion Davies) who goes to work as a spy for the Union. Once undercover, as a black maid, she begins to have feelings for a Confederate soldier (Gary Cooper). Once again Davies lover William Randolph Hearst put the money up for this production and half way through the making he had director Raoul Walsh fired even though he had made GOING Hollywood with Davies a year earlier. A new script was written and the rest is history but in the end this turned out to be one of the strangest dramas from this era. I might go even further and call the film a complete and utter embarrassment and a horrid excuse for entertainment but the thing is just so strange that you can't help but be entertained by it. The first thirty-minutes has Davies in some very bad blackface make up as she's undercover as a maid. Davies wasn't a newbie to blackface but the make up job here is so light skinned that you can't help but laugh at the thought that this make up job would be able to fool anyone in discussion with her and that includes Cooper's character. This is a drama yet Davies plays this maid role as some sort of comedy with the bad accent, which again doesn't sit well with what the film was going for. Not to mention that whoever was doing the make up forgot to paint her palms so they're constantly white. The second half of the film really doesn't get any better even though we do get a few battle scenes but none of them are all that interesting. Even worse are various musical sequences which come out of no where and will have you wondering if the Civil War was an actual war or just one big concert. Add in the bad direction and rather bland performances and you've got a movie that really needs to be rediscovered and held up as a cult classic. Even Cooper can't save this mess but he does add some charm to an otherwise crazy movie.
** (out of 4)
Extremely bizarre and rather choppy Civil War drama about actress Gail Loveless (Marion Davies) who goes to work as a spy for the Union. Once undercover, as a black maid, she begins to have feelings for a Confederate soldier (Gary Cooper). Once again Davies lover William Randolph Hearst put the money up for this production and half way through the making he had director Raoul Walsh fired even though he had made GOING Hollywood with Davies a year earlier. A new script was written and the rest is history but in the end this turned out to be one of the strangest dramas from this era. I might go even further and call the film a complete and utter embarrassment and a horrid excuse for entertainment but the thing is just so strange that you can't help but be entertained by it. The first thirty-minutes has Davies in some very bad blackface make up as she's undercover as a maid. Davies wasn't a newbie to blackface but the make up job here is so light skinned that you can't help but laugh at the thought that this make up job would be able to fool anyone in discussion with her and that includes Cooper's character. This is a drama yet Davies plays this maid role as some sort of comedy with the bad accent, which again doesn't sit well with what the film was going for. Not to mention that whoever was doing the make up forgot to paint her palms so they're constantly white. The second half of the film really doesn't get any better even though we do get a few battle scenes but none of them are all that interesting. Even worse are various musical sequences which come out of no where and will have you wondering if the Civil War was an actual war or just one big concert. Add in the bad direction and rather bland performances and you've got a movie that really needs to be rediscovered and held up as a cult classic. Even Cooper can't save this mess but he does add some charm to an otherwise crazy movie.
Marion Davies plays an actress recruited by the Union Army during the Civil War to be a spy. Gary Cooper plays an officer in the Confederate Army who is a spy in the north. Through a series of events they meet, but he doesn't quite know if she is a spy or not.
Davies' initial disguise is as a Black maid (she has fun with the accent and looks great in the black wig), but when her "mistress" (another actress from the north working as a spy) is discovered, she bails the South only to return as a famous northern sympathizer of the Confederate cause. Back in the South, she again meets Cooper.
Implausible story is made interesting by solid performances by the leads and some good cinematography (Oscar nominated). The battle scene montages are OK, but the ending seems choppy and hurried. Still, Davies looks great.
Big supporting cast includes Katherine Alexander (as a spy), Jean Parker and Henry Wadsworth (as young lovers), Sidney Toler, Douglas Dumbrille, Marjorie Gateson, Sterling Holloway, Clarence Wilson, Ted Healy, Robert McWade, and silent film villain Walter Long (as Operator 55).
Davies sings "Once in a Lifetime" and "The Colonel, Major and the Captain." The terrific Mills Brothers show up in a minstrel show and sing a few songs and are especially good with "Sleepy Head" and "Jungle Fever." There's a stunning scene where Davies is sitting on a staircase and crying; the long scene is shot from below looking up at her face. Another nice scene is with Davies on a huge swing, being pushed by Cooper.
After this film, Davies left MGM and moved to Warners, where she made four more films before retiring.
Davies' initial disguise is as a Black maid (she has fun with the accent and looks great in the black wig), but when her "mistress" (another actress from the north working as a spy) is discovered, she bails the South only to return as a famous northern sympathizer of the Confederate cause. Back in the South, she again meets Cooper.
Implausible story is made interesting by solid performances by the leads and some good cinematography (Oscar nominated). The battle scene montages are OK, but the ending seems choppy and hurried. Still, Davies looks great.
Big supporting cast includes Katherine Alexander (as a spy), Jean Parker and Henry Wadsworth (as young lovers), Sidney Toler, Douglas Dumbrille, Marjorie Gateson, Sterling Holloway, Clarence Wilson, Ted Healy, Robert McWade, and silent film villain Walter Long (as Operator 55).
Davies sings "Once in a Lifetime" and "The Colonel, Major and the Captain." The terrific Mills Brothers show up in a minstrel show and sing a few songs and are especially good with "Sleepy Head" and "Jungle Fever." There's a stunning scene where Davies is sitting on a staircase and crying; the long scene is shot from below looking up at her face. Another nice scene is with Davies on a huge swing, being pushed by Cooper.
After this film, Davies left MGM and moved to Warners, where she made four more films before retiring.
Wusstest du schon
- WissenswertesAlthough Curly Howard of The Three Stooges played the part of a Confederate soldier in this film, most of his part was cut prior to release. However, he can still be seen briefly in one sequence.
- PatzerEarly in the film, the bugler is ordered to sound "Officers Call". He does so, and a distant bugler in the camp repeats the call. However, the second call is sounded in a much higher key. In reality, both bugles would play in the same key.
- Zitate
Major Allen aka Allen Pinkerton: Operators 27 and 13 are not men.
'Doctor' Hitchcock: What are they, mules?
- VerbindungenFeatured in Captured on Film: The True Story of Marion Davies (2001)
- SoundtracksOnce In a Lifetime
(1934) (uncredited)
Music by Walter Donaldson
Lyrics by Gus Kahn
Played during the opening credits
Sung by Confederate soldiers in Richmond, Marion Davies and soldiers
Played as background music often
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Špijun 13
- Drehorte
- Stage 8, Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Kalifornien, USA(mansion, army camp and country road "exterior" sets)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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