Mein Mann, der Cowboy

Definitely the most somber 30s rom com I can recall thanks to Greg Toland's camera which seems most at home in fog enshrouded Gulf steamers and shadowy, dark Palm Beaches of the mind. And since the film is not very funny, with endless variations on the tiresome Capra-esque trope of urban=bad while rural=good, you tend to remember the cinematography way too much. C plus.

Leo McCarey was one of the co-writers of this romantic/screwball comedy which might account for the fact that it is several notches above the average, (though Dorothy Parker and Lillian Hellman and a whole host of others are also said to have contributed), and is both very funny and very likable. Like so many other comedies it's based on the premiss of mistaken identity, in this case when cowboy Gary Cooper assumes rich Merle Oberon is a lady's maid. Naturally they fall in love. H C Potter directed, very nicely indeed while the excellent screenplay is credited to S.N. Behrman and Sonya Levien. Both Cooper and Oberon are very good indeed though a decent supporting cast are given too little to do. It won an Oscar for Best Sound Recording and was also nominated for it's score and for Best Song.

I saw this movie recently on TCM and for the most part, loved it!

I liked the shy, bumbling character of "Stretch" and the sheltered, Mary who fell hard for him.

Of course, being sheltered, she was limited in her experience with men.

But fortunately, she fell hard for a man with character and who loved her truly.

I knew that when she lied and misrepresented herself that she would be caught.

I especially loved the night when they married. It was a sweet throwback to an earlier time when single ladies weren't in single men's rooms at night or any time for that matter! It wasn't proper in 1938. It was very sweet and romantic for Stretch to propose marriage. His search for a wife was over!

Here are my slight criticisms:

Also, unsure if I can believe that his REAL name was "Stretch".

Then, there are the scenes where Mary was at the rodeo cleaning up. She became filthy and her dress was torn as a result.

I would think that she could have had her maids send her some clothes or wire her some money so she could purchase some clothes and toiletries. Or even ask her new husband to purchase her some clothes. There was a scene where she attempted to purchase some pants but was interrupted by the phone call. Why didn't she or Stretch purchase clothing and toiletries for her she before she boarded the bus?

Even rich ladies have to bathe and look presentable. A rich lady with her background wouldn't travel on the train for 3 days in a filthy, torn dress and unwashed. Suppose her dad and his friends had ALREADY arrived when she got there? How would she explain her appearance?

Also, the scene in the framework of the house lasted a little too long, in my opinion.

But other than that: I enjoyed this movie! Gary and Merle were great in the leads!

"The Cowboy and the Lady" starring Gary Cooper and Merle Oberon was written after Sam Goldwyn thought up the title - so it's the reverse of the usual process. It's a 1938 film about a wealthy, sheltered young woman (Oberon) whose father is about to announce his candidacy for President. One night, she slips out for a night of fun with her uncle (Harry Davenport). When her name is discovered on a list of people who were in attendance at a club during a raid, she is sent out of town so her father can say she wasn't in town at the time. Since her name is Mary Smith, it could easily be another person.

While on her vacation, Mary meets a tall, gorgeous hunk of man - a cowboy named Stretch Willoughby (Gary Cooper). As any red-blooded woman would do, she falls for him. It's young Gary Cooper. He's a hottie. To put them in the same class, she says she's a maid. Before she knows it, she's married to him.

The stars are very good in the film, as is Harry Davenport as the uncle with a twinkle in his eye. Cooper and Oberon are darling together - he's so tall and broad-shouldered and she's beautiful and petite, and they have a nice chemistry. When she first asks him about himself, Stretch answers with Cooper's famous "Yep" several times. Parts of the film are a little slow but it's a nice romance. I realize some people think it's a preposterous love story but I can see any woman, rich or poor, flipping out for Gary Cooper and any guy falling for Merle Oberon. They were, after all, two of Hollywood's great beauties.

Very enjoyable.

A thin comedy which has a few amusing moments but isn't as funny or charming as it clearly believes itself to be. Oberon looks stunning, which, after seeing her in The Divorce of Lady X, shows the importance of the cinematographer to a leading lady.