Turn Back the Clock

This is worth seeing for its amazing story, which although fantastic is completely logical all the way. It's Ben Hecht, of course, and at his best, working together with Edgar Selwyn to produce a cinematic wonder of plot and imagination, playing with destiny and accomplishing a wonder of plausibility in spite of its character of total conjecture.

The only problem of the film is Lee Tracy's acting, which is rather exhausting, since he is constantly overdoing it. Maybe that was the fashion of actors in the early 30s, but today it's just annoying.

The other actors are doing alright, especially the two ladies and Otto Kruger, but it's the plot that is the main thing of this film. Who hasn't one time or another dreamt of reliving one's life and doing it over again but better? That's what happens to Joe Gimlet, he gets an alternative chance and really makes the best of it and everything he wanted to do different, and still it all goes wrong...

The most ingenious thing about the story construction is how it is combined with the story he left behind, he meets the same people but under different circumstances and making different careers, and so in the end he finds his best friend, president of the National Bank, in his own original position as a petty shop owner.

Ben Hecht was in his prime throughout the 30s, beginning with "Front Page", bringing forth a flood of script masterpieces, until he was allowed to make a film of his own, "The Specter of the Rose", an ambitious art film of ballet, very much ahead of its time, which flopped, so he was never allowed to make another movie. Still he continued writing excellent scripts, but his sharpest edge was lost.

I pretty much guessed the ending (which I won't reveal here), but that didn't stop me enjoying the story! Lee Tracy does a good job in the role of Joe Gimlet, frustrated and discontent store owner, who wishes his life had turned out different, especially after running into his old friend Ted (Otto Kruger), who's now wealthy and married to the boss's daughter, Elvina (Peggy Shannon) that could have been his wife, if things had been different.

Instead, he married girl next door Mary (Mae Clark), whose practical outlook on life is making him feel stifled and resentful. When he storms out into the street after an argument, it appears he may get his wish for all he missed out on, as he finds himself 20 years younger, and trading places with Ted. Joe breaks up with Mary and marries Elvina and proceeds to make his money/success dreams come true, while Ted marries Mary and seems content with the simple life.

And then the words "be careful what you wish for" come back to haunt him!

I think some parts were overdone, like Joe's drinking and shooting off his mouth, especially about things he remembers from the past/future that hasn't happened yet, making some people think he's flipped his lid. But all in all, it's an enjoyable film.

This is the type of fantasy Frank Capra put his stamp on just a few years later. It stars Lee Tracy as a working-class guy who begins to regret his humble life after meeting up with old friends who have become wealthy; he gets his chance to go back in time and live his life over again. Premise has since been used time and again, but here it's given a surprisingly fresh and clear-eyed take. Tracy is the only acting liability among the performers(he's too broad for a subtle picture like this one). It's well-paced, amusing, shies away from mushy sentimentality, and features The Three Stooges--unbilled in a cameo as wedding singers!

I had never heard of this movie until just catching it on TCM. What a pleasant surprise, as I've always loved alternative reality stories, whether "It's A Wonderful Life, the "Back to the Future" series or the several Twilight Zone episodes that this movie seemed to be a model for.

This is not literally a time travel movie, and I kind of like that it's made clear this is all a dream (induced by anesthesia). But it still has a lot of dramatic impact. The idea of "what if I had my life to live over again, knowing what I know now" seems to have a universal appeal. The very clever screenplay spins several variations on this theme, and even if the "lesson" learned by the hero is predictable, there are enough plots twists to maintain viewer interest. And as another reviewer commented, the script makes great use of true historical event. This movie is actually a pretty good history lesson. Probably a lot of viewers are unaware that our entry into World War I was very controversial and not at all universally favored at the time.

The script is particularly clever in it's parallel construction between the "real" story and the dream. The roles of the rich guy vs. the struggling storekeeper are reversed, but in both cases, there is the concept of changing one's life with a bold and maybe risky investment of one's life savings.

My only quibble is that the movie seems to end abruptly after the Lee Tracy character regains consciousness and finds that he's still married to Mary and back to reality. I actually thought there would be another plot twist, with him discovering that Otto Kruger is a con man trying to get his $4,000, and not really a rich success. That would've added another wrinkle to the "be happy with what you have" message.

It's not just because both Aunt Em and Uncle Henry from THE WIZARD OF OZ appear in this, the message: to be grateful for what you've got, is also the message of this fabulous 'if only you could re-live your life again' story.

I'd generally avoid anything with Lee Tracy in like the plague - I find him the most annoying actor of all time but in this he's surprisingly ok. Under the superb direction of Edgar Selwyn, Mr Tracy's usual crass obnoxiousness is completely transformed into a reasonably sympathetic and likeable character. The production of this from MGM is excellent - Edgar Selwyn is perhaps forgotten about these days but virtually all his films he made in the early thirties are brilliant. He also wrote many of them as well - for this film, he co-wrote it with possibly Hollywood's best writer, Ben Hecht.

Particularly in 1933, people might have wished that they could re-live their lives more so than other years. This film therefore, with its upbeat optimistic message would have been particularly poignant for its audience struggling through The Depression. Watched today it gives us a real sense of what Americans wanted to be told, what comforting reassurances they liked to hear as FDR took over the reins at the height - or rather lowest point of The Depression.

If BACK TO THE FUTURE is one of your favourite films (which of course it should be) then you should enjoy this 1930s take on that theme. Vastly underrated Edgar Selwyn gives us almost as much fun as Zemeckis did fifty years later but being from the early thirties there's a touch of cynicism there too. Although you'd normally associate an attack on snobbery, class division, greed and the exploitation of the ordinary working man with Warner Brothers, all that's included in this as Joe, our hero has the enviable but ultimately unenviable challenge of being wealthy. Fortunately for most of that unfortunate 1933 audience, he learns that love not wealth is the key to happiness To end with an appropriate few words from The Beatles: Money Can't Buy Me Love.