Füge eine Handlung in deiner Sprache hinzuPhilo Vance, accompanied by his prize-losing Scottish terrier, investigates the locked-room murder of a prominent and much-hated collector whose broken Chinese vase provides an important clu... Alles lesenPhilo Vance, accompanied by his prize-losing Scottish terrier, investigates the locked-room murder of a prominent and much-hated collector whose broken Chinese vase provides an important clue.Philo Vance, accompanied by his prize-losing Scottish terrier, investigates the locked-room murder of a prominent and much-hated collector whose broken Chinese vase provides an important clue.
- Sir Thomas MacDonald
- (as Paul Cavanaugh)
- Eduardo Grassi
- (as Jack LaRue)
- Sandy
- (Nicht genannt)
- Terrier at Dog Show
- (Nicht genannt)
- Sgt. Mellish - Desk Sergeant
- (Nicht genannt)
- Police Photographer
- (Nicht genannt)
- Policeman Who Lets Philo's Dog Out
- (Nicht genannt)
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Vance is at a dog show on Long Island showing his Scottish terrier Captain. This is where we meet Archer Coe (Robert Barrat), also a dog show enthusiast as well as a collector of Chinese Art who has an unfaithful mistress (Helen Vinson). Coe argues with and crosses just about every character in the film. Coe is discovered dead the next morning, a bullet in his head, the gun that shot him in his hand, a head wound from a blunt instrument, and a stab wound in his back with his bedroom door locked from the inside. The police are about to call this one a suicide(???) when enters Philo Vance to systematically figure out who did it. Oh, and there is an additional body in the foyer closet.
Powell is great here as Vance, the perfect combination of masculinity and sophistication. He played the same role over at Paramount three other times. Oddly enough, Eugene Pallette as Sgt. Heath is ported over here in the same role he played in the other films. He is the same kind of sidekick cop that Guild (Nat Pendleton) was in The Thin Man. He probably would have never found the body in the closet and had Coe ruled a suicide if not for Vance, but his self esteem is never bothered by this and the two play off of each other perfectly as old pals.
Michael Curtiz' direction gives this B some extra punch, and I never thought I'd see Jack La Rue convincingly play an effete Italian after having seen him as a ruthless thug in "Story of Temple Drake", but he does pull it off.
There are a couple of holes I will just mention. First, before Coe is murdered, the dog of one of his foes is kidnapped and killed. The killer of that dog is never discovered nor is it even mentioned later in the film. Next, when Vance is describing how the murders were carried out, he has a set of detailed miniature models of the buildings involved in his explanation of the crime. These models can be broken out with detailed sectional views of each. Where on earth did he get such a thing on short notice?
The picture is an interesting and deliberate whodunit,it's a laborious and intriguing suspense tale.The personages are similar to Agatha Christie stories, all they are various suspects.They are developed on a whole gallery of familiar actors well characterized from the period represented by a glittering casting to choose from their acting range from great to worst. Powell is in his habitual elegant and smart form as Philo.He's protagonist of two famed detectives cinema,this one, and elegant Nick Charles along with Nora(Mirna Loy)make the greatest marriage detectives. Special mention to Mary Astor as the niece enamored of suspect Sir Thomas,she was a noted actress of noir cinema(Maltese falcon). The movie is magnificently directed by Hollywood classic director Michael Curtiz.He directs utilizing modern techniques as the image of dead through a lock-door,a split image while are speaking for phone and curtain-image.The tale is remade as ¨Calling Philo Vance¨(1940).The film is a good production Warner Bros, by Vitagraph Corp.
A precursor to the Thin Man series, starring William Powell as a detective (but without the very supplementary Myrna Loy). And this is directed by none other than Michael Curtiz ("Casablanca" and "Mildred Pierce"), and you can often tell, scenes characteristically complex with lots of people and foreground/background. As a whole the movie races along, to the point that the huge cast (all introduced with visual vignettes at the start) is confusing. But hang in there. because a third of the way through Powell kicks in full time.
There are few actors like William Powell in the history of American film. He is peculiar in charming ways, and makes no bones about it. He lacks any sense of what we might think of as cool or hardness--there's no Bogart in him, no Cary Grant of course, nothing but what a character actor might have. And he made it a virtue, visible even here. The rest of the cast is good or very good, with a few other recognizable faces, and it gels increasingly as you go until a series of dramatic whodunnit style conclusions wraps it all up.
Powell's detective, Philo Vance, was a snobby socialite, and the plots have a quality of private detective vs. police (which gets used in a lot of these kinds of series, of course). There are four movies with Powell playing the part (and many others with other actors in the role. This is the fourth, and best of them, the first going back to the dawn of sound, 1929. It's not as slick or warm (or sophisticated) as "The Thin Man" series, which is a high water mark of the effete detective, but it's terrific in its own way, and really well constructed. I'd not miss it.
As far as murder mystery films go, it just doesn't get any better than this one. Populated with suspicious characters, all connected to a dog show and all having very good reason to murder the apparent suicide victim Archer Coe, it's truly tough to figure this one out or wrap one's head around it but boy, does it proves fascinating to watch unfold before us. Even the cops, the coroner and the district attorney prove colorful, fleshed out characters adding a level of unexpected gritty realism to this one's proceedings and amping up its overall "fun" factor. I particularly enjoyed the comic scenes involving the coroner (played by Etienne Girardot), who is always it seems to him being rudely and untimely interrupted by the discovery of corpses or injured men during this one's running time. Also Eugene Palette's Detective Sgt. Heath provides welcome, often later delightfully humorous at his expense, critical commentary during Vance's investigation. I cannot think of any valid criticism to give this movie in fact except perhaps that it hasn't dated particularly well. Doesn't stop the movie from being just plain good fun viewing though. Watch and see if you can wrap your head around this one's mystery. Highly recommended you try!
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- WissenswertesWilliam Powell's last appearance as Philo Vance.
- PatzerWhen Philo Vance opens the closet door, a dead Brisbane Coe falls out, and his hat rolls away from his head. But on the closeup shot of the dead body immediately after, the hat is back on Brisbane's head. Then on the next shot, which is of Brisbane and the servant, the hat is once again off his head.
- Zitate
Philo Vance: What do you think of the suicide theory now, Sergeant?
Detective Sgt. Heath: Well, it's slightly complicated since the man shot, slugged and stabbed himself - especially in the back.
- VerbindungenFeatured in The World's Best Known Dicks (1987)
Top-Auswahl
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 961.380 $
- Weltweiter Bruttoertrag
- 1.486.760 $
- Laufzeit1 Stunde 13 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1