Eine Filmcrew reist auf eine tropische Insel und entdeckt dort einen riesigen Affen, der sich in ihren blonden Filmstar verguckt. Er wird dann gefangen genommen und zur öffentlichen Ausstell... Alles lesenEine Filmcrew reist auf eine tropische Insel und entdeckt dort einen riesigen Affen, der sich in ihren blonden Filmstar verguckt. Er wird dann gefangen genommen und zur öffentlichen Ausstellung nach New York City zurückgebracht.Eine Filmcrew reist auf eine tropische Insel und entdeckt dort einen riesigen Affen, der sich in ihren blonden Filmstar verguckt. Er wird dann gefangen genommen und zur öffentlichen Ausstellung nach New York City zurückgebracht.
- Auszeichnungen
- 4 Gewinne & 8 Nominierungen insgesamt
- Witch King
- (as Steve Clemento)
- Reporter
- (Nicht genannt)
- Native Child
- (Nicht genannt)
- Member of Ship's Crew
- (Nicht genannt)
- Native
- (Nicht genannt)
- Reporter
- (Nicht genannt)
- Press Photographer
- (Nicht genannt)
- Member of Ship's Crew
- (Nicht genannt)
- Ship's Engineer
- (Nicht genannt)
- Member of Ship's Crew
- (Nicht genannt)
Empfohlene Bewertungen
Ace film director Carl Denham (Robert Armstrong) hires an unemployed, attractive New York woman Ann Darrow (Fay Wray) to star in his new picture. He takes her by boat to remote Skull Island where, according to legend, there lives an awesome god-like beast named Kong. Denham's plan is to shoot a variation of the Beauty and the Beast story, using Ann as his beauty and Kong as his beast. Everyone involved gets more than they bargained for when Ann is kidnapped by the island natives and offered as a sacrifice to Kong. She is kidnapped by a gigantic prehistoric ape and saved only by the courage of ship's mate Jack Driscoll (Bruce Cabot). But Denham has one more trick up his sleeve when he captures Kong and takes the beast back to New York. You don't really think those chains will hold him, do you?
Virtually every monster movie ever made owes something to King Kong - even colossal modern hits like Jurassic Park, The Lost World and Godzilla (not to mention thousands of small scale homages such as The Land Unknown and Gorgo). It is arguably the most influential film of all-time. I genuinely envy people who were lucky enough to experience this film during its 1933 opening week - what must they have thought? Did they realize they were witnessing something utterly extraordinary? I could go on all day giving reasons why you should see it, but it would be pointless. It can all be summed up in one sentence: if you have even the slightest interest in movies SEE THIS FILM!
What very few film-makers have focused on is the film-making itself in KING KONG. It has superb build-up. We are wondering what is on the island as we approach it. Then we wonder what is behind the wall on the island. Then we wonder what gigantic beast is sharing that frightening jungle with the rescuers, trying to save Fay Wray. The film is faultlessly edited. Many scenes begin or end with people running for their lives. Unneeded scenes just don't exsist (we go from Kong knocked out on Skull Island to his Broadway debut. We don't need to see what happens inbetween!) then there's Max Steiner's perfect music score. Before KONG, most music scores were borrowed snippets of classical or popular themes, but Steiner's score follows the action to an inch! Also, he does a great number of abstract musical strokes (I.e the clash of drums when Kong beats the giant snake to it's death. The lovely string piece that jumps to pulsating chase music in a milli-second.) When I hear of a friend say they never saw this film, it's like hearing a child say they never had ice cream. Long Live Kong!
I disagreed!
This movie is nearly 80 years old, and it's still a hit!
The cinematography is incredibly beautiful. One of the greatest shots of all time is when Kong is on the top of the building!
The acting is fine.
The story is great, but my friends found it stupid. They thought it was unrealistic because there were dinosaurs and a giant gorilla on the island etc.
This movie is entertaining throughout the whole movie! Most black & whites movies got a lot of dialog and long scenes with no editing, but not in this one! There are plenty of scenes in this movie where there are no dialog, but great editing and entertainment!
The effects are so fantastic! Young people may find Kong hilarious when they see a close-up picture of him. But I was absolutely blown away! Imagine that you're in 1933. You go to the movies and you've never seen something like this before!
King Kong is a one small step for man. One giant leap for film making!
10/10
This movie must have been astounding to the people watching it over 70 years ago. I doubt they'd ever seen anything like this, action-wise, and monster-wise. It is still fascinating today, even with the great advancements in special effects.
Most action films from the classic years, from 1920 to the late 1960s had corny mostly unrealistic special effects but this film still holds up, extraordinarily so considering its age. The film also had a tremendous amount of action. Young people today are usually bored watching old black-and-white movies but they wouldn't be bored with this one. Once the "girl," Fay Wray gets captured by King Kong, the rest of the movie is one long action scene.
Kong was not the only beast in the movie, either, which surprised me the first time I ever saw this. Protecting Wray, Kong battles a dinosaur, a giant snake, a giant bird and then human beings firing bullets and bombs at him.
Wray also was fun to watch, but I''m a male so a pretty woman like her - shockingly exposing her breasts in one scene, too - makes it easier to enjoy the film. Her screaming, however, can get on your nerves. She must have been hoarse for a month after filming this movie.
Robert Armstrong, as the film director, and Bruce Cabot, as the ship crewman and Wray''s rescuer, also are interesting to watch and hear. As I said, once the action kicks in, the his a very entertaining movie and impossible to put down.
KING KONG tells several tales, including the primal "man vs. beast", the environmental "man's exploitation of the natural world", and the forbidden love story between Kong and Ann Darrow (Fay Wray), where the creature's ferocity is offset by his gentle protectiveness toward her.
The fact that O'Brien was able to animate a tiny model and not only make it appear huge, but also make it a living, sympathetic character in the film, is a tribute to his creative ability. Within it's glued-on rabbit fur, beats a living heart. This is a morality tale that causes self examination. So many decades after its original release, I still cry every damn time he climbs the Empire State Building!...
Wusstest du schon
- WissenswertesMerian C. Cooper's first vision for the film was of a giant ape on top of the world's tallest building, fighting airplanes. He worked backward from there to develop the rest of the story.
- Patzer(at around 1h 14 mins) A Skull Island resident jumps from a hut and falls beside a domed chicken cage, which then hinges backwards and catches the actor's wig, taking it off his head, and remaining on top of the cage.
- Zitate
[last lines]
Police Lieutenant: Well, Denham, the airplanes got him.
Carl Denham: Oh no, it wasn't the airplanes. It was beauty killed the beast.
- Crazy CreditsOpening Card: And the prophet said: "And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead." Old Arabian Proverb
- Alternative VersionenOn November 22, 2005, Turner Classic Movies premiered a version with a four minute overture added. This increased the run time to slightly over 104 minutes. This is also the U.S. two-disc DVD collector's edition version. Note, however, that the overture was not part of the film's original exhibition. According to John Morgan's notes on the score's re-construction, the overture was not written by Max Steiner. Morgan writes, "Another rumor has recently surfaced that Steiner composed an Overture for the film's world premiere opening in 1933 - there was even a recent recording claiming to be this long-lost Overture. Hearing the recorded "proof" of this Overture confirmed our suspicions: it was merely those same few acetates that have been floating around for years, professionally edited into a short Suite and called an Overture. In conversations I had with people who attended and remembered this opening, there was no music from the film used in any of these shows." Source: John Morgan, "Reconstruction Notes by John Morgan," Steiner: King Kong. Marco Polo (8.223763), 1997, pg. 21 (near bottom).
- VerbindungenEdited into The Ghost Ship (1943)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Die Fabel von King Kong - Ein amerikanischer Trick- und Sensationsfilm
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 670.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 1.181 $
- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Black and White(original release)
- Black and White