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King Kong und die weiße Frau

Originaltitel: King Kong
  • 1933
  • 6
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
7,9/10
94.342
IHRE BEWERTUNG
Fay Wray and King Kong in King Kong und die weiße Frau (1933)
Trailer for the original, classic film
trailer wiedergeben1:32
1 Video
99+ Fotos
Abenteuer EpischDinosaurier-AbenteuerDschungelabenteuerHorrormonsterUrbanes AbenteuerAbenteuerHorror

Eine Filmcrew reist auf eine tropische Insel und entdeckt dort einen riesigen Affen, der sich in ihren blonden Filmstar verguckt. Er wird dann gefangen genommen und zur öffentlichen Ausstell... Alles lesenEine Filmcrew reist auf eine tropische Insel und entdeckt dort einen riesigen Affen, der sich in ihren blonden Filmstar verguckt. Er wird dann gefangen genommen und zur öffentlichen Ausstellung nach New York City zurückgebracht.Eine Filmcrew reist auf eine tropische Insel und entdeckt dort einen riesigen Affen, der sich in ihren blonden Filmstar verguckt. Er wird dann gefangen genommen und zur öffentlichen Ausstellung nach New York City zurückgebracht.

  • Regie
    • Merian C. Cooper
    • Ernest B. Schoedsack
  • Drehbuch
    • James Ashmore Creelman
    • Ruth Rose
    • Merian C. Cooper
  • Hauptbesetzung
    • Fay Wray
    • Robert Armstrong
    • Bruce Cabot
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,9/10
    94.342
    IHRE BEWERTUNG
    • Regie
      • Merian C. Cooper
      • Ernest B. Schoedsack
    • Drehbuch
      • James Ashmore Creelman
      • Ruth Rose
      • Merian C. Cooper
    • Hauptbesetzung
      • Fay Wray
      • Robert Armstrong
      • Bruce Cabot
    • 615Benutzerrezensionen
    • 205Kritische Rezensionen
    • 92Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 8 Nominierungen insgesamt

    Videos1

    King Kong
    Trailer 1:32
    King Kong

    Fotos262

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    Topbesetzung99+

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    Fay Wray
    Fay Wray
    • Ann Darrow
    Robert Armstrong
    Robert Armstrong
    • Carl Denham
    Bruce Cabot
    Bruce Cabot
    • Jack Driscoll
    Frank Reicher
    Frank Reicher
    • Capt. Englehorn
    Sam Hardy
    Sam Hardy
    • Charles Weston
    Noble Johnson
    Noble Johnson
    • Native Chief
    Steve Clemente
    Steve Clemente
    • Witch King
    • (as Steve Clemento)
    James Flavin
    James Flavin
    • Second Mate Briggs
    Walter Ackerman
    • Reporter
    • (Nicht genannt)
    James Adamson
    • Native Child
    • (Nicht genannt)
    Van Alder
    • Member of Ship's Crew
    • (Nicht genannt)
    Ed Allen
    • Native
    • (Nicht genannt)
    Etta Mae Allen
    • Native
    • (Nicht genannt)
    Frank Angel
    • Reporter
    • (Nicht genannt)
    Roscoe Ates
    Roscoe Ates
    • Press Photographer
    • (Nicht genannt)
    Ralph Bard
    • Member of Ship's Crew
    • (Nicht genannt)
    Reginald Barlow
    Reginald Barlow
    • Ship's Engineer
    • (Nicht genannt)
    Leo Beard
    • Member of Ship's Crew
    • (Nicht genannt)
    • Regie
      • Merian C. Cooper
      • Ernest B. Schoedsack
    • Drehbuch
      • James Ashmore Creelman
      • Ruth Rose
      • Merian C. Cooper
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen615

    7,994.3K
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    Empfohlene Bewertungen

    barnabyrudge

    They weren't just making a film when they made this one.... they were inventing rules and ideas that would be followed for decades to come.

    How many films can truly be said to be definitive? The answer is probably "not many", but the original 1933 version of King Kong is certainly one of them. For its time, every aspect is innovative. First-of-their-kind special effects, first-of-its-kind plot, famous performances and a final sequence that remains unequalled as an eye-popping cinematic experience. The quality of cinematography and visual trickery has progressed a long way since 1933 - so the special effects obviously look rather primitive to 21st Century eyes - but anyone with a shred of common sense will still be astounded by what they see. This is movie history in the making. Had this never been made, the whole history of films may have taken a different course.

    Ace film director Carl Denham (Robert Armstrong) hires an unemployed, attractive New York woman Ann Darrow (Fay Wray) to star in his new picture. He takes her by boat to remote Skull Island where, according to legend, there lives an awesome god-like beast named Kong. Denham's plan is to shoot a variation of the Beauty and the Beast story, using Ann as his beauty and Kong as his beast. Everyone involved gets more than they bargained for when Ann is kidnapped by the island natives and offered as a sacrifice to Kong. She is kidnapped by a gigantic prehistoric ape and saved only by the courage of ship's mate Jack Driscoll (Bruce Cabot). But Denham has one more trick up his sleeve when he captures Kong and takes the beast back to New York. You don't really think those chains will hold him, do you?

    Virtually every monster movie ever made owes something to King Kong - even colossal modern hits like Jurassic Park, The Lost World and Godzilla (not to mention thousands of small scale homages such as The Land Unknown and Gorgo). It is arguably the most influential film of all-time. I genuinely envy people who were lucky enough to experience this film during its 1933 opening week - what must they have thought? Did they realize they were witnessing something utterly extraordinary? I could go on all day giving reasons why you should see it, but it would be pointless. It can all be summed up in one sentence: if you have even the slightest interest in movies SEE THIS FILM!
    boris-26

    Some aspects of KING KONG people forget.

    First, the 1933 version of KING KONG, is for me, the greatest fantasy film ever made. Sure, there are fantasy films with far better special effects (THE MATRIX, JURASSIC PARK) better acting (the acting here is of the period!) but KING KONG is a film of tremendous excitement. The suspense, pacing, sensuality, violence all adds up to a blood pumping experience. We all read about the film's history, being made, released, censored, restored, and how it's been picked to itsy-bits by every arm-chair film "expert".

    What very few film-makers have focused on is the film-making itself in KING KONG. It has superb build-up. We are wondering what is on the island as we approach it. Then we wonder what is behind the wall on the island. Then we wonder what gigantic beast is sharing that frightening jungle with the rescuers, trying to save Fay Wray. The film is faultlessly edited. Many scenes begin or end with people running for their lives. Unneeded scenes just don't exsist (we go from Kong knocked out on Skull Island to his Broadway debut. We don't need to see what happens inbetween!) then there's Max Steiner's perfect music score. Before KONG, most music scores were borrowed snippets of classical or popular themes, but Steiner's score follows the action to an inch! Also, he does a great number of abstract musical strokes (I.e the clash of drums when Kong beats the giant snake to it's death. The lovely string piece that jumps to pulsating chase music in a milli-second.) When I hear of a friend say they never saw this film, it's like hearing a child say they never had ice cream. Long Live Kong!
    10jon-larsen

    King Kong - One small step for man. One giant leap for film making!

    It's a shame that young people these days, don't know how to enjoy a black & white movie! I'm 14, and I love black & white movies. We saw this movie at school, and everyone hated it. They said it sucked, because it was in black & white, and the effects were hilariously bad!

    I disagreed!

    This movie is nearly 80 years old, and it's still a hit!

    The cinematography is incredibly beautiful. One of the greatest shots of all time is when Kong is on the top of the building!

    The acting is fine.

    The story is great, but my friends found it stupid. They thought it was unrealistic because there were dinosaurs and a giant gorilla on the island etc.

    This movie is entertaining throughout the whole movie! Most black & whites movies got a lot of dialog and long scenes with no editing, but not in this one! There are plenty of scenes in this movie where there are no dialog, but great editing and entertainment!

    The effects are so fantastic! Young people may find Kong hilarious when they see a close-up picture of him. But I was absolutely blown away! Imagine that you're in 1933. You go to the movies and you've never seen something like this before!

    King Kong is a one small step for man. One giant leap for film making!

    10/10
    9ccthemovieman-1

    The First King Kong Still Going Strong

    With the recent DVD release of this film, and the latest version on the big screen being released two days from this writing, I hope more people take the opportunity to check this movie out, the original King Kong, if they've never seen it.

    This movie must have been astounding to the people watching it over 70 years ago. I doubt they'd ever seen anything like this, action-wise, and monster-wise. It is still fascinating today, even with the great advancements in special effects.

    Most action films from the classic years, from 1920 to the late 1960s had corny mostly unrealistic special effects but this film still holds up, extraordinarily so considering its age. The film also had a tremendous amount of action. Young people today are usually bored watching old black-and-white movies but they wouldn't be bored with this one. Once the "girl," Fay Wray gets captured by King Kong, the rest of the movie is one long action scene.

    Kong was not the only beast in the movie, either, which surprised me the first time I ever saw this. Protecting Wray, Kong battles a dinosaur, a giant snake, a giant bird and then human beings firing bullets and bombs at him.

    Wray also was fun to watch, but I''m a male so a pretty woman like her - shockingly exposing her breasts in one scene, too - makes it easier to enjoy the film. Her screaming, however, can get on your nerves. She must have been hoarse for a month after filming this movie.

    Robert Armstrong, as the film director, and Bruce Cabot, as the ship crewman and Wray''s rescuer, also are interesting to watch and hear. As I said, once the action kicks in, the his a very entertaining movie and impossible to put down.
    Dethcharm

    True Royalty...

    KING KONG is more than a mere monster movie. Even though I love the stop-motion by Willis O'Brien, the adventure on Skull island, and the eventual New York City rampage, there's more going on than special effects and thrills.

    KING KONG tells several tales, including the primal "man vs. beast", the environmental "man's exploitation of the natural world", and the forbidden love story between Kong and Ann Darrow (Fay Wray), where the creature's ferocity is offset by his gentle protectiveness toward her.

    The fact that O'Brien was able to animate a tiny model and not only make it appear huge, but also make it a living, sympathetic character in the film, is a tribute to his creative ability. Within it's glued-on rabbit fur, beats a living heart. This is a morality tale that causes self examination. So many decades after its original release, I still cry every damn time he climbs the Empire State Building!...

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Merian C. Cooper's first vision for the film was of a giant ape on top of the world's tallest building, fighting airplanes. He worked backward from there to develop the rest of the story.
    • Patzer
      (at around 1h 14 mins) A Skull Island resident jumps from a hut and falls beside a domed chicken cage, which then hinges backwards and catches the actor's wig, taking it off his head, and remaining on top of the cage.
    • Zitate

      [last lines]

      Police Lieutenant: Well, Denham, the airplanes got him.

      Carl Denham: Oh no, it wasn't the airplanes. It was beauty killed the beast.

    • Crazy Credits
      Opening Card: And the prophet said: "And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead." Old Arabian Proverb
    • Alternative Versionen
      On November 22, 2005, Turner Classic Movies premiered a version with a four minute overture added. This increased the run time to slightly over 104 minutes. This is also the U.S. two-disc DVD collector's edition version. Note, however, that the overture was not part of the film's original exhibition. According to John Morgan's notes on the score's re-construction, the overture was not written by Max Steiner. Morgan writes, "Another rumor has recently surfaced that Steiner composed an Overture for the film's world premiere opening in 1933 - there was even a recent recording claiming to be this long-lost Overture. Hearing the recorded "proof" of this Overture confirmed our suspicions: it was merely those same few acetates that have been floating around for years, professionally edited into a short Suite and called an Overture. In conversations I had with people who attended and remembered this opening, there was no music from the film used in any of these shows." Source: John Morgan, "Reconstruction Notes by John Morgan," Steiner: King Kong. Marco Polo (8.223763), 1997, pg. 21 (near bottom).
    • Verbindungen
      Edited into The Ghost Ship (1943)
    • Soundtracks
      St. Louis Blues
      (1914) (uncredited)

      Music by W.C. Handy

      Whistled by Robert Armstrong

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 1. Dezember 1933 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Die Fabel von King Kong - Ein amerikanischer Trick- und Sensationsfilm
    • Drehorte
      • San Pedro Harbor, Long Beach, Kalifornien, USA
    • Produktionsfirma
      • RKO Radio Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 670.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 1.181 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 40 Min.(100 min)
    • Farbe
      • Black and White(original release)
      • Black and White

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