IMDb-BEWERTUNG
7,2/10
33.192
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuUpon his return to his father's estate, aristocrat Larry Talbot meets a beautiful woman, attends a mystical carnival and uncovers a horrifying curse.Upon his return to his father's estate, aristocrat Larry Talbot meets a beautiful woman, attends a mystical carnival and uncovers a horrifying curse.Upon his return to his father's estate, aristocrat Larry Talbot meets a beautiful woman, attends a mystical carnival and uncovers a horrifying curse.
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
Lon Chaney Jr.
- The Wolf Man
- (as Lon Chaney)
Jessie Arnold
- Gypsy Woman
- (Nicht genannt)
Gertrude Astor
- Townswoman
- (Nicht genannt)
Caroline Frances Cooke
- Townswoman
- (Nicht genannt)
Harry Cording
- Wykes
- (Nicht genannt)
Margaret Fealy
- Townswoman
- (Nicht genannt)
Gibson Gowland
- Villager
- (Nicht genannt)
Mercedes Hill
- Girl
- (Nicht genannt)
Empfohlene Bewertungen
What famous horror classic, panned by reviewers upon its initial release in December of 1941, looks better and better every year? THE WOLF MAN, starring Claude Rains, Ralph Bellamy, Evelyn Ankers, and Lon Chaney Jr. as the hapless Larry Talbot.
The story is a familiar one: Larry, the son of esteemed Sir John (Rains) returns home to Wales after many years in America, is bitten by a werewolf (well played by Bela Lugosi), and becomes a werewolf himself. What's extraordinary is the fact that the film can be so effective today.
The biggest reason for this is the acting. Some classic films, pre-Actor's Studio, look pretty pathetic when it comes to realistic characterization. Not so THE WOLF MAN. Curt Siodmak's excellent screenplay (likened to a Greek Tragedy) provides a vehicle for the stars to be at their best, and, boy, do they shine: Rains a tower of strength as the proud father; Ankers hitting just the right note as the torn female lead; Maria Ouspenskaya as the Old Gypsey Woman whose words prefigure Larry's doom....
But the standout is Lon Chaney Jr. A definite mixed-bag as an actor, he is perfect here--and this is a role calling for the use of all human emotions (unlike later Wolf Man films, where Talbot's head-pounding becomes monotonous). In fact, seeing THE WOLF MAN recently has convinced me that Chaney would have made the ideal screen Phillip Marlow (and I'm not forgetting Bogie)--big, tough, surly, yet charming when need be (a highlight early in WOLF MAN is Larry's attempts at flirting with Ankers; Chaney does the surprisingly playful dialogue with just the right touch). There's no doubt that his performance would merit accolades even today.
This is not to say that there aren't problems in the film. The continuity is off in a number of places (Chany transforms into the Wolf Man at one point wearing a sleeveless undershirt; in the very next scene, he's wearing a neatly buttoned Dickey), and there's a scene or two that's completely inexplicable (e.g., why DOES the Wolf Man pass out when caught in that trap?)....
But overall, the pace, lighting, cinematography, excellent musical score, and strong story propel the film through these rough spots, the 70-minute ride leaving the viewer wanting more. For these reasons, THE WOLF MAN is a classic.
The story is a familiar one: Larry, the son of esteemed Sir John (Rains) returns home to Wales after many years in America, is bitten by a werewolf (well played by Bela Lugosi), and becomes a werewolf himself. What's extraordinary is the fact that the film can be so effective today.
The biggest reason for this is the acting. Some classic films, pre-Actor's Studio, look pretty pathetic when it comes to realistic characterization. Not so THE WOLF MAN. Curt Siodmak's excellent screenplay (likened to a Greek Tragedy) provides a vehicle for the stars to be at their best, and, boy, do they shine: Rains a tower of strength as the proud father; Ankers hitting just the right note as the torn female lead; Maria Ouspenskaya as the Old Gypsey Woman whose words prefigure Larry's doom....
But the standout is Lon Chaney Jr. A definite mixed-bag as an actor, he is perfect here--and this is a role calling for the use of all human emotions (unlike later Wolf Man films, where Talbot's head-pounding becomes monotonous). In fact, seeing THE WOLF MAN recently has convinced me that Chaney would have made the ideal screen Phillip Marlow (and I'm not forgetting Bogie)--big, tough, surly, yet charming when need be (a highlight early in WOLF MAN is Larry's attempts at flirting with Ankers; Chaney does the surprisingly playful dialogue with just the right touch). There's no doubt that his performance would merit accolades even today.
This is not to say that there aren't problems in the film. The continuity is off in a number of places (Chany transforms into the Wolf Man at one point wearing a sleeveless undershirt; in the very next scene, he's wearing a neatly buttoned Dickey), and there's a scene or two that's completely inexplicable (e.g., why DOES the Wolf Man pass out when caught in that trap?)....
But overall, the pace, lighting, cinematography, excellent musical score, and strong story propel the film through these rough spots, the 70-minute ride leaving the viewer wanting more. For these reasons, THE WOLF MAN is a classic.
Lon Chaney Jr lived under the shadow of his famous father, but in 'The Wolf Man' he helped create a horror icon that has lasted for over sixty years. Chaney had already shown that he could act in 'Of Mice And Men'(1939). In 'The Wolf Man' he gives another excellent performance, but this movie was both a blessing and a curse to his career I think. It forever labeled him a horror actor, and frankly he made a lot of lousy movies after this. Some good ones too, don't get me wrong, but too often he was given b-grade material to work with. Maybe his drinking problem had a lot to do with it, I don't know, but apart from a strong cameo in 'The Defiant Ones'(1958) and a great performance in Jack Hill's cult classic 'Spider Baby'(1964), he rarely was given a role as good as Larry Talbot in this movie. Chaney is surrounded by a very strong supporting cast including horror legends Claude Rains ('The Invisible Man') and Bela Lugosi (sadly only a cameo), Ralph Bellamy ('His Girl Friday'), and frequent costar Evelyn Ankers (she and Chaney made a great on screen couple but apparently hated each other off screen. Such is Hollywood!). Many people complain about the casting of Rains and Chaney as father and son. I agree it's totally unrealistic, but I don't think it hurts the movie at all. The lack of Lugosi is a bigger problem. There was more footage of him but unfortunately it wasn't used in the final cut. It's too bad as more scenes between Lugosi and Chaney would have been a treat. Of course they worked together a few times after this, but mostly in lesser movies. The real scene stealer in 'The Wolf Man' is Maria Ouspenskaya who plays the gypsy woman Maleva. She's just terrific, and gives the most memorable performance after Chaney. 'The Wolf Man' has had an enormous influence on just about every subsequent werewolf movie. Much of the lore seen on screen here isn't in fact traditional, as many people assume, but created by the talented Curt Siodmak ('Donovan's Brain') who subsequently wrote the horror classics 'I Walked With A Zombie'(1943), and 'The Beast With Five Fingers'(1946). 'The Wolf Man' is an undisputed horror classic, and just as entertaining and interesting as it ever was.
It wasn't the first werewolf movie (that honor goes to `Werewolf of London'), but it was `The Wolf Man' that gives us most of the werewolf mythology we still cling to today.
As with most classics, `The Wolf Man' draws its power from a combination of elements. First, there's Curt Siodmak's plausible and intelligent script. Siodmak said he was given a title, a star and a start date, and from there he consolidated and invented the werewolf myth into a cohesive, logical format.
Then there's the actors, a veritable who's who of 1930s-40s Universal horror. Lon Chaney joins the pantheon on great horror actors on this one, playing the tormented Larry Talbot. He manages to give Larry a tragic quality, a man trapped by a curse he doesn't understand or deserve. Chaney also generates considerable chemistry with the luminous Evelyn Ankers, which is surprising considering the rumors that the two practically hated each other. And then there's the always-excellent Claude Rains, who doesn't look very much like Lon Chaney's father, but still exudes quiet authority and authenticity.
Topping off the whole package is a healthy dollop of atmosphere: foggy forests, Gothic mansions and crypts, colorful Gypsy encampments. Each bit of design enhances the sense of mystery and dread that surround Larry Talbot, and burns `The Wolf Man' into your memory.
I'll never walk a foggy forest at night again!
As with most classics, `The Wolf Man' draws its power from a combination of elements. First, there's Curt Siodmak's plausible and intelligent script. Siodmak said he was given a title, a star and a start date, and from there he consolidated and invented the werewolf myth into a cohesive, logical format.
Then there's the actors, a veritable who's who of 1930s-40s Universal horror. Lon Chaney joins the pantheon on great horror actors on this one, playing the tormented Larry Talbot. He manages to give Larry a tragic quality, a man trapped by a curse he doesn't understand or deserve. Chaney also generates considerable chemistry with the luminous Evelyn Ankers, which is surprising considering the rumors that the two practically hated each other. And then there's the always-excellent Claude Rains, who doesn't look very much like Lon Chaney's father, but still exudes quiet authority and authenticity.
Topping off the whole package is a healthy dollop of atmosphere: foggy forests, Gothic mansions and crypts, colorful Gypsy encampments. Each bit of design enhances the sense of mystery and dread that surround Larry Talbot, and burns `The Wolf Man' into your memory.
I'll never walk a foggy forest at night again!
An all time classic! One of the top notch horror films of the 1940's! Superb Universal atmosphere, superb performance by Lon Chaney Jr. I won't go into the story because we all know it. Let me just say that this movie is chuck full of atmosphere and it's fair share of thrills. If your a youngster, it will still scare you just as it did all those years ago. And for us older folk, it is a great throwback and full of nostalgia. Really makes you remember where you were as a kid the first time you saw it! Rent it, buy it, treasure it! One heck of an enduring classic!
The wolf man is the beast or Freudian "Id" in all of us -- the part of us we don't want others to see, the part of us we may not even want to see ourselves.
Lon Chaney, Jr., gives a touching and sympathetic performance depicting his struggle with the monster within him. Some critics were snide, pointing out that he came across too much like Lenny in OF MICE AND MEN, but to say that is to miss the sense of pathos he brings to his part.
The rest of the cast is an interesting mix of character actors, including Bela Lugosi who has a small but important part and Maria Ouspenskaya who recites the werewolf verses with such conviction as to make you think they are true.
This film is a fable about us all. We all have a spilt personality that can overtake us if we are not careful to know ourselves.
Lon Chaney, Jr., gives a touching and sympathetic performance depicting his struggle with the monster within him. Some critics were snide, pointing out that he came across too much like Lenny in OF MICE AND MEN, but to say that is to miss the sense of pathos he brings to his part.
The rest of the cast is an interesting mix of character actors, including Bela Lugosi who has a small but important part and Maria Ouspenskaya who recites the werewolf verses with such conviction as to make you think they are true.
This film is a fable about us all. We all have a spilt personality that can overtake us if we are not careful to know ourselves.
Wusstest du schon
- WissenswertesIn Curt Siodmak's original script for the film, whether or not Lawrence Talbot really underwent a physical transformation to a werewolf or if the transformation simply occurred in his mind was left ambiguous. The Wolf Man was never to appear onscreen. Ultimately, the studio determined that Talbot's literal transformation into a werewolf would be more appealing to the audience and, thus, more profitable. The script was revised accordingly. The remake of the film starring Benicio Del Toro leaned into this idea, having its version of Lawrence Talbot be admitted to an asylum for "delusions" of lycanthropy.
- PatzerBela the Gypsy transforms into an actual wolf, not a wolf/man. When his body is discovered, his feet are bare but he is wearing a shirt and trousers. The wolf killed by Larry Talbot was not wearing any clothing.
- Zitate
Jenny Williams: Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.
Larry Talbot: [after hearing it twice already] You know that one too, eh?
- Alternative VersionenAn abridged version lasting 8 minutes was released in 1966.
- VerbindungenEdited into The Wolfman (1966)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- El hombre lobo
- Drehorte
- Court of Miracles, Backlot, Universal Studios - 100 Universal City Plaza, Universal City, Kalifornien, USA(Werewolf 's loud howl awakens local villagers after grave digger is killed)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 180.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 420 $
- Laufzeit
- 1 Std. 10 Min.(70 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen