Füge eine Handlung in deiner Sprache hinzuThe tenements are home to an international community, including the friends and family of a tough young ragamuffin named Annie Rooney, but their neighborhood is threatened by a dangerous str... Alles lesenThe tenements are home to an international community, including the friends and family of a tough young ragamuffin named Annie Rooney, but their neighborhood is threatened by a dangerous street gang.The tenements are home to an international community, including the friends and family of a tough young ragamuffin named Annie Rooney, but their neighborhood is threatened by a dangerous street gang.
- Auszeichnungen
- 2 wins total
- One of Mickey's Boys
- (Nicht genannt)
- Boy Who Yells 'Cops'
- (Nicht genannt)
- Young Hospital Intern
- (Nicht genannt)
- The Dog
- (Nicht genannt)
- Surgeon
- (Nicht genannt)
- One of the Boys
- (Nicht genannt)
- Audience Member at play
- (Nicht genannt)
- Policeman bringing Bad News to Annie
- (Nicht genannt)
Empfohlene Bewertungen
Pickford made LITTLE ANNIE ROONEY in 1925 when she was 33 years old. Her previous 2 films, ROSITA (1923) and DOROTHY VERNON OF HADDON HALL (1924) in which she had played adult roles, did not perform well at the box office. When she polled her audience as to what they wanted her to do next, they all wanted her to return to "little girl" roles like POLLYANNA and THE POOR LITTLE RICH GIRL. She gave them what they wanted. Annie Rooney is a young teenager growing up in a NYC tenement populated by a variety of what would today be considered ethnic stereotypes. She enjoys scrapping with the street kids but still manages to take care of her older brother and widower father who is an Irish policeman. When tragedy strikes she must summon up the courage and the smarts to save the man she loves who is falsely accused of murder.
Her fans kept their promise and LAR was a huge hit but it also meant that Pickford would never play another fully adult role in the silent era. Although she won an Oscar in 1929 for playing one in COQUETTE, she made only two more sound films before retiring in 1933 at the age of 41. She never appeared on screen again and turned down two iconic roles, Glinda the Good Witch in THE WIZARD OF OZ (1939) which is clearly patterned after her, and Norma Desmond in SUNSET BOULEVARD (1950). She died in 1979 at the age of 87.
While LITTLE ANNIE ROONEY is not Pickford at her best, it shows her remarkable ability to capture the essence of youthful characters even when she was over 30. She was at the height of her powers as a producer at this time and LITTLE ANNIE ROONEY reflects this in the remarkable set design and the quality lighting and camerawork. The director, William Beaudine, had a long career in B movies and wound up directing episodes of TV's LASSIE in the 1950s. If you want to get a copy of LITTLE ANNIE ROONEY, make sure it is this one. Flicker Alley never disappoints. You not only get this best looking and sounding copy available, it comes as a Blu-Ray/DVD combination along with an informative 25 page booklet...For more reviews visit The Capsule Critic.
Pickford was 33 when she filmed this, still playing a juvenile. Her short stature, combined with larger sets and tall co-stars, help sell her casting. Pickford is very charming, as are many of the kids in her gang. Schipa was also good as the hot-tempered Tony. I enjoyed seeing the camaraderie between the disparate racial and immigrant population, among them Irish, Greek, Italian, Jewish, Chinese and black. Showing this kind of unity is especially touching in today's increased tribalism, nationalism, and anti-immigrant sentiment.
Through the course of the story, Annie finds herself in numerous kinds of situations, and several sides of her character come out. She has a tomboyish, boisterous side, yet she can plead with her father on behalf of a misunderstood friend. The scene where she prepares her father's birthday party could very easily have become unbearably cloying or melodramatic, yet she handles it very well, making use of the best possibilities available rather than resorting to cheap sentiment. (In that particular scene, a couple of creative camera shots also help it to work.)
There are very few actresses, especially in the present, who could make so many different things work believably and without undue emoting. While much of the movie is simple and sometimes even a bit contrived, It's still worth seeing as one of many chances to see such a fine actress at work.
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- WissenswertesHugh Allan, a handsome but very inexperienced young actor, was originally cast in the lead male role. He proved unable to carry the part, so the producers let him go, covering with a fake story that he had broken his arm during production. He even got a fake cast for a publicity photo. Allan was grateful for Mary Pickford's kindness and remained on good terms with her.
- PatzerWhen the kids decide to put on a play, there's a close-up of the title on the sign: "The Sheriff and His Faithful Horse." But then in long shot, it reads, "Deadeye Dick and His Horse."
- Zitate
Title card: Up town a gang calls itself 'Society' - down town a gang calls itself a 'Gang' and lets it go at that - LET'S GO DOWN TOWN!
- Alternative VersionenThe print shown on Turner Classic Movies prior to October 4, 2016 was a restored version (by Karl Malkames) copyrighted in 1976 by Killiam Shows, Inc. and distributed by Blackhawk Films. It had an original piano score by William Perry and ran 94 minutes.
- VerbindungenFeatured in Hollywood - Geschichten aus der Stummfilmzeit (1980)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Little Annie Rooney
- Drehorte
- Alameda Street and East 2nd Street, Los Angeles, Kalifornien, USA(Anne and Joe drive by Haas, Baruch & Co. warehouse in his new truck at the end of the film, where Tim is directing traffic)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.100.000 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1