Der Cowboy

Go West is a movie that you seldom hear about and even Keaton did not consider it among his best. However, every time I see it, I cannot help but think that it is one of his funniest and most touching films. In his independent work, Keaton had an amazing ability to portray very unfortunate characters and yet not seem to be pandering to the audience for its pity. In this film, Keaton plays a character referred to as Friendless. The opening scenes of the film show him bouncing around from one unfortunate (and hilarious) situation to another. Yet rather than feel pity for him, the audience can root for this character and good-naturedly laugh at how Friendless reacts to and deals with his misfortunes. It's difficult not to admire the way he overcomes all challenges. When he finds a friend in a cow named Brown Eyes, his loyalty to her and the rancher that employed him precipitates an amazing sequence of events, culminating in an unbelievable cattle stampede through the streets of LA. Although, the scene may drag on a bit, I'll never forget the image of Buster Keaton running down a city street in a red devil's outfit being pursued by a giant herd of cattle. It is one of the most hilariously absurd scenes ever committed to film. There are great gags from beginning to end and, as usual for Keaton, the final sequence is very satisfying. In addition, the Kino release has an outstanding soundtrack which enhances the film considerably. I would highly recommend Go West to anyone as an introduction to Keaton, silent films, or comedies in general.

No, as most critics have said, this isn't one of Buster Keaton's better feature films, but it's not bad and surely it is better than what you might have read in some critic's book. It has its moments and is a bit different in way, if you consider a man and cow falling in love with each other! (This should be a "cult classic!")

Buster heeds the advice, "Go West, Young Man, Go West," and winds up out in the middle of nowhere after crawling inside a barrel and then the barrel falling out of a train.

He winds up taking discarded cowboy clothes and trying his hand at that profession but, of course, has no clue even how to ride a horse. His only accomplishment is taking a stone out of a cow's hoof. The cow is so grateful, it follows Buster around the rest of the movie and the two become quite attached.

After some low-key attempts at several projects, Buster winds up - I am really condensing this - back on a train with the cattle hoping to be sold so that the almost-destitute boss can get enough money to save his ranch. The train is robbed, the cattle derailed and the herd winds up in the middle of a big city!

That's the real fun part of the film, as it is in so many silent comedies. The adventures of seeing a herd of cattle going down the main city streets and then into barbershops, Turkish baths, Ladies Department Stores, etc., is very funny.

The ending was very clever and final punch-line not what the viewers anticipate. All in all, not a lot of laugh-out-loud scenes but a decent Keaton silent film and definitely worth a watch. I am glad most of the reviewers here appreciated this movie.

After trading all his belongings for a large sandwich, Keaton's nameless character hops on a train with the intent of leaving his small town for the big city. He quickly realizes that city life is no better for him as he's literally trampled underfoot by a crowd of people and jumps on the train again, this time with the intention of seeking his fortune as so many did in the west. He falls out near a large cattle ranch and manages to secure work there.

Of course he's quite unsuited for the ranch lifestyle as well. He befriends a cow that's nearly as unwanted as he is and spends most of his time on the ranch protecting his bovine protégé. All is not well at the ranch, however, as the proprietor must sell his herd right away or risk losing his business. Keaton's character accompanies the cows on their train ride and ends up attempting to drive the whole lot of them to the slaughterhouse all by himself. This is fraught with complication and the cattle run riot through the streets (and buildings!) of Los Angeles in an exciting set piece that includes Keaton dressing up in a red devil costume complete with horns and a tail.

The film is interesting in that it focuses on an area of Western life that gets less attention: the day to day lifestyle of ranchers and their hands. The first half of the film is full of humorous scenes that set up the character and the situation and the later half of the film has the most laughs as Keaton navigates his way through a series of wild cow in the city scenarios. The story is a bit on the slight side but the comedy works as well as always. This film is proof that even a minor work from a legend like Keaton is still near great.

"Go West" is an enjoyable change-of-pace from Keaton. It has a creative story that enables Buster to demonstrate some different acting skills, while still having plenty of his trademark slapstick, chases, and stunts, especially in the last half of the film. It's not one of his best-remembered films today, largely because it is rather old-fashioned and sometimes slow, but it has a great many merits for those who enjoy silent comedies.

Buster's character is down on his luck, and decides to head west. He winds up on a ranch, working as a cowhand. As he tries rather ineffectively to learn the trade, he becomes attached to a particular cow, 'Brown Eyes'. While trying to protect Brown Eyes from harm, he is caught in the middle of the desperate attempts of the rancher and the rancher's daughter to save their business. Keaton is very good in evoking sympathy for his character while still being amusing, and the story is touching at times while remaining pleasantly silly at others. There are times when it does move pretty slowly, but it is always pleasant to watch.

The film would be well worth seeing for the last portion alone. Everything comes together in a madcap stampede sequence that is extremely funny and that contains a lot of inventive gags. It's classic Keaton, and a great way to top off a rather different story.

If you are a fan of Buster or of silent comedy in general, make sure to give this one a try. It's not the kind of film that could be expected to attract a wide audience today, but it's a pleasant and enjoyable film, and you might like it as much as those of us on this page have enjoyed it.

Go West is a movie that you seldom hear about and even Keaton did not consider it among his best. However, every time I see it, I cannot help but think that it is one of his funniest and most touching films. In his independent work, Keaton had an amazing ability to portray very unfortunate characters and yet not seem to be pandering to the audience for its pity. In this film, Keaton plays a character referred to as Friendless. The opening scenes of the film show him bouncing around from one unfortunate (and hilarious) situation to another. Yet rather than feel pity for him, the audience can root for this character and good-naturedly laugh at how Friendless reacts to and deals with his misfortunes. It's difficult not to admire the way he overcomes all challenges. When he finds a friend in a cow named Brown Eyes, his loyalty to her and the rancher that employed him precipitates an amazing sequence of events, culminating in an unbelievable cattle stampede through the streets of LA. Although, the scene may drag on a bit, I'll never forget the image of Buster Keaton running down a city street in a red devil's outfit being pursued by a giant herd of cattle. It is one of the most hilariously absurd scenes ever committed to film. There are great gags from beginning to end and, as usual for Keaton, the final sequence is very satisfying. In addition, the Kino release has an outstanding soundtrack which enhances the film considerably. I would highly recommend Go West to anyone as an introduction to Keaton, silent films, or comedies in general.