Gier nach Geld

It's pretty tiresome to watch four hours of a black and white silent movie, which was cut to two hours seventy years ago and then, in our time, restored to original length by using photos from shooting to replace lost material... But it is definitely worth your patience. In the beginning, it may seem too stretched and even boring, but as you watch for some time it starts to pull you in and all shortcomings slowly fade from sight until you are left with a strong impression.

7/10

A film almost as powerful as it is famous, Greed is pretty straight-forward about its theme: Greed. And what it does to people.

This would not be a silent film known for its subtlety, but a large part of that is the fact that it's really only a tenth of the film it was supposed to be. Entire reels have been cut down to single cue-cards, entire years jump by that were obviously supposed to be shown. In terms of the general "rules" of narrative, it works out well enough that it's still a quite clear story that follows a reasonable pace, but the lack of a lot of the character development and the like is pretty apparent.

Still, the music used on the film and the general story itself is powerful enough, it's definitely worth your time.

A man and a woman marry. The man is a simpleton, the woman is a hoarder. When she wins a $5000 lottery, she vows never to spend a cent of it... something that sets her husband and their common friend at odds as they all want the cash... but not necessarily to spend it. Entire relationships and lives are ripped asunder as they all grapple for their rights to "their" property: their greed.

This movie has been praised for its realism, but that couldn't be further from the truth. This movie is romanticized to the level of absurdity, the characters are so full-blown they are often hard to relate to. This comes from the fact that 80% of their development has been lost in the final cut. I don't want this to seem like a bad thing: because of their incredible antics, the movie takes you to places almost entirely unheard of and definitely unexpected.

It's one deep thrill after the other, backed up by some very beautiful imagery and intense music. It's just unfortunately not what the director intended. Even back in the day, people just didn't have a big enough attention span, and I find that very tragic. I want to see the ten-hour version.

--PolarisDiB

Although I am not a big fan of classics, I know a good movie when I see one. However the legendary butchering of the film is more interesting than the movie itself. The original film was over nine hours long and was trimmed down to just over two and a half hours. Director Erich von Stroheim condemned the newly formed Metro-Goldwyn-Mayer (MGM) for slashing his film. Continuity and subplots were torn from the masterpiece. Turner later tried to restore the film with publicity stills and new dialogue cards. This helped the film regain continuity and bring to light some of the subplots in the film. Turners new version is four hours and is splendidly done.

The film is about a miner named John McTeague who becomes a dentist through an apprenticeship. He soon opens his own business and meets a woman already involved with his friend Marcus. Marcus agrees to step aside since McTeague is obviously in love with the woman. After the woman named Trina wins $5000 in a lottery the story really takes off in what can only be described as a serious case of "Greed." I can tell no more without spoiling the film, but if you can stomach silent films this is one of the best.

I saw the Turner Classic Movies version of this with the still pictures implanted in missing scenes. Although a certain flow is lost, it comes across as a great film. What a shame that so much was destroyed. It tells the story of two pretty good people who should never have got together. Zasu Pitts who looks pretty glamorous at first, is obsessed with money. This obsession ends up destroying her life and McTeagues. There are scenes that are just uncomfortable and others that are horrible. The jockeying for position in the family with the husband willing to bend only so far leads to tragic consequences. Avarice will eventually take one down and Von Stroheim showed this to us. The scene with the two men fighting it out in the desert at the end is one of the most painful ever. Neither can ever hope to survive, yet their fixation on gold goes beyond their love of life. It is so pathetic. Even with all that missing footage, everyone should see this for the masterful presentation of the sick and dying characters. Deep down inside, I've always hoped that someone will open a vault or a supply cabinet, and there will be the rest of Von Stroheim's masterpiece. We can only hope, can't we.

Erich von Stroheim made his film version of Frank Norris' novel ‘McTeague', and, as is well-known, it lasted over eight hours. The version which has survived is obviously nothing near that length, and cuts out many of the subplots from the book which had been planned and filmed.

What has survived is a broken masterpiece, starring Gibson Gowland, ZaSu Pitts, and Jean Hersholt, which is full of memorable images (not just the final sequences in the desert, but the trip out where McTeague and Trina fall awkwardly in love, and the scene where Trina rolls literally in the golden coins strewn on her bed) and makes you long for more of this film to turn up from the vaults.

There is a marvellous book available which reconstructs much of the lost material through stills, and much of this was amalgamated with the existing footage to ‘restore' the film during the late 1990s. Even in its butchered state, Greed is well worth a look.