Die Kur

This is one of the more dated of Chaplin's short comedies, but it still has some funny parts. A great deal of the humor comes from elements that either do not seem quite as funny today (habitual drunkenness) or that are not as familiar today (gout, "taking the cure"), but there are other parts that demonstrate Chaplin's usual comic genius. Charlie is a rich idler who is at a spa to "take the cure", but he is most reluctant to give up his dissolute ways. The best moments are probably the scenes with a wobbly Charlie and a gouty Eric Campbell trying to negotiate a revolving door - they get a lot of laughs out of a simple gag.

While dated, there are still enough very funny parts to make "The Cure" worth a look.

This is an odd film from the outset, as Chaplin doesn't play the Little Tramp--the poor but decent soul he usually played. Instead, he's a rich alcoholic who goes to a spa to "take the cure"; i.e., rest, drink lots of mineral water and kick his booze habit. It's obvious, though, that he's not the least bit motivated as his luggage consists of dozens of bottles of booze. When the staff find them, they throw them out the window and accidentally into the spring--thus "fortifying" the water significantly. Everyone there gets drunk and Charlie finds, for the first time, he actually LIKES water! Highly ridiculous and silly, but that's slapstick for you. All-in-all, a very good film but quite a departure for Chaplin.

By the way, some time after I first saw and reviewed this movie I saw the documentary "Unknown Chaplin" and a significant portion of the first part of this interesting British show was about THE CURE. It was very interesting to see how the film evolved. In the beginning, Charlie cast himself as a bellhop and another person as the drunk. But after seeing many takes and re-takes, he apparently decided to do the drunk role himself. Many of the bellboy scenes were re-shot--now with Charlie doing them as the drunk. This documentary is a must-see for Chaplin fans.

In "The Cure", one of those 12 marvelous shorts he made during his time at Mutual Films, Charlie Chaplin turns away for once again from his 'little tramp' image that had already become his 'trademark', and returns to a role he'd played LOTS of times back in England in his theater days: that of the wealthy drunkard. And of course, not only his great experience in this field, but also all the HILARIOUSLY funny ideas he fits into those two reels of sheer, GREAT comedy, provides today's audience with JUST the same amount of laughter as it did 100 years ago - Chaplin's films NEVER 'age'...

So our tipsy 'gentleman' arrives at the sanitarium, where he's supposed to get used to drinking water instead of whiskey; he makes us ROAR with laughter with the unbelievable things he does with the revolving entrance door, he flirts with Edna Purviance, just like huge Eric Campbell does (and for a short while, Charlie actually thinks it's HIM who's Campbell's love interest!), turns the massage by Henry Bergman into a wrestling match... While at the same time, the porter starts emptying the liquor bottles Charlie's brought along with him just in case - but that's not all: he throws the remainders of the bottles out of the window right into the sanitarium's water well...

In short: "The Cure" is certainly one of the VERY best silent comedy shorts; and so it's not only a REAL treat for Chaplin fans, but also an IDEAL way for today's audiences, both grown-ups and kids, to discover the magic world of silent movies!

Out of all of Chaplin's short films, this is the one I could watch over and over again. Chaplin is at his absolute best as a reluctant guest at a spa. His daring escape from a massage, and the funniest use I have ever seen of an escalator are the highlights of this gem.

When Chaplin was in production for his April 1917's "The Cure," American politicians were concerned about the overindulgence of alcohol in the country and were seriously considering enacting a ban on its sales, as some individual states were increasingly doing on their own. Three years after "The Cure" was released, the United States enacted its Prohibition on all alcoholic beverages.

Chaplin, in a number of films, showed his Tramp character drunk. But the times now were calling for sensitivity for the lower and middle-classes on the issue, so he created his character here into an upperclass dandy who rooms at a health spa. Trouble is, he brings a luggage crate full of liquor bottles, which ends up being thrown into an accessible well. Originally, Chaplin had intended to use a fountain for the bottles to be tossed into by the spa's staff, but after 77 takes, Chaplin realized it was easier to fall into a well built on the surface than in an elevated fountain.

Chaplin continued to be a master of using props and situations for belly laughs. The revolving door at the spa's entrance serves as a merry-go-round of human inescapability. And the massage parlor sequence proves to be a cat-and-mouse chase sequence between a hulking powerhouse masseuse and the scrawny Chaplin.