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Der Vagabund

Originaltitel: The Vagabond
  • 1916
  • 24 Min.
IMDb-BEWERTUNG
6,8/10
3346
IHRE BEWERTUNG
Der Vagabund (1916)
ComedyDramaRomanceShort

Füge eine Handlung in deiner Sprache hinzuCharlie, the emotional violinist, flees to a gipsy camp, only to find himself playing for an abducted girl. Soon, a unique birthmark will pave the way for an unexpected rescue and a marvello... Alles lesenCharlie, the emotional violinist, flees to a gipsy camp, only to find himself playing for an abducted girl. Soon, a unique birthmark will pave the way for an unexpected rescue and a marvellous new life. But, will she forget him so easily?Charlie, the emotional violinist, flees to a gipsy camp, only to find himself playing for an abducted girl. Soon, a unique birthmark will pave the way for an unexpected rescue and a marvellous new life. But, will she forget him so easily?

  • Regie
    • Charles Chaplin
  • Drehbuch
    • Charles Chaplin
    • Vincent Bryan
    • Maverick Terrell
  • Hauptbesetzung
    • Charles Chaplin
    • Edna Purviance
    • Eric Campbell
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    3346
    IHRE BEWERTUNG
    • Regie
      • Charles Chaplin
    • Drehbuch
      • Charles Chaplin
      • Vincent Bryan
      • Maverick Terrell
    • Hauptbesetzung
      • Charles Chaplin
      • Edna Purviance
      • Eric Campbell
    • 20Benutzerrezensionen
    • 13Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos147

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    Topbesetzung13

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    Charles Chaplin
    Charles Chaplin
    • The Saloon Violinist
    Edna Purviance
    Edna Purviance
    • The Gypsy Drudge
    Eric Campbell
    Eric Campbell
    • The Gypsy Chief
    Charlotte Mineau
    Charlotte Mineau
    • The Mother
    Phyllis Allen
      Albert Austin
      Albert Austin
      • Trombonist
      • (Nicht genannt)
      Lloyd Bacon
      Lloyd Bacon
      • Artist
      • (Nicht genannt)
      Henry Bergman
      Henry Bergman
        Frank J. Coleman
        Frank J. Coleman
        • Musician
        • (Nicht genannt)
        • …
        Fred Goodwins
        • Percussionist
        • (Nicht genannt)
        • …
        James T. Kelley
        James T. Kelley
        • Musician
        • (Nicht genannt)
        • …
        John Rand
        John Rand
        • Trumpeter
        • (Nicht genannt)
        Leo White
        Leo White
        • Old Jew
        • (Nicht genannt)
        • …
        • Regie
          • Charles Chaplin
        • Drehbuch
          • Charles Chaplin
          • Vincent Bryan
          • Maverick Terrell
        • Komplette Besetzung und alle Crew-Mitglieder
        • Produktion, Einspielergebnisse & mehr bei IMDbPro

        Benutzerrezensionen20

        6,83.3K
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        Cineanalyst

        Early Chaplin: Shades of Pathos

        "The Vagabond" represents quite an evolution for Chaplin. He had already proved himself the funniest comedian on screen and was already in the process of distancing himself from the crude and frantic slapstick of Keystone. With this film, more than any afore, he recreated the tramp as a character worthy of pity. Here begins the pathetic hero whom audiences could invest their emotions in. At Mutual, adding this drama to his refinements in his comedy, he created in the tramp, cinema's most endearing and recognizable icon.

        In the film, the vagabond violinist saves the girl (Edna Purviance, as usual) from a terrible gypsy chieftain who whips her. Although Charlie saves her by hitting the gypsies over the heads with a log, there isn't much that's funny about this sequence; it's as purely dramatic as Chaplin's films ever get. And, it perfectly sets Chaplin up as the hero for the sentimental denouement. Additionally, rather than an equally rough and comic clown or a heavy as the tramp's competition for the girl, here, it's a handsome gentleman artist--leaving the tramp feeling inadequate--and to us, more sympathetic than ever.
        7springfieldrental

        Chaplin Amps Up the Melodramatics with Comedy

        Charlie Chaplin said the happiest he had ever been during his career was with his third film studio, Mutual Film Corporation. Film historians claim his best and most innovative movies Chaplin produced came out of his 18-month association with Mutual. The comedian was appreciative of the one-month period he was allowed to create each of his movies, a luxury he wasn't afforded with his previous employers.

        Chaplin's combination of comedy and melodrama, a relatively new mixture for film comedy, took a huge leap in his July 1916 "The Vagabond." His Tramp is portrayed having deeper romanantic feelings than previously seen. The actor isn't playing the unemotional, violent hellion character seen so often during his Keystone and Essanay days--with notable exception to the movie "The Tramp." Sentimentalism for Chaplin gave the comedian a broader canvass to work his magic.

        "The Vagabond" is also noteworthy for showing the first time Chaplin playing the violin. Although not being a concert quality musician, Chaplin had a passion in strumming the strings. Every moment he had away from his movie-making, Chaplin would pick up his violin. The childhood hobby was an indication of his love of music and the role it would play in his future.
        drednm

        Funny Chaplin Short

        The Vagabond is a funny short film that features Charlie Chaplin as The Tramp. Here he's a wandering violinist who bizarrely finds himself in a gypsy camp, where The Gypsy Drudge--the lovely Edna Purviance--is slaving over a wash tub. He falls in love right away. Several funny episodes here and an oddly happy ending, but there is plenty of Chaplin's stock in trade: masterful comedy, sight gags, and that Victorian sweetness that makes his films so special. Chaplin was a master of creating laughter and tears, and his best films do both. The Kid and City Lights are among the most emotional films you'll ever see. Edna Purviance made more than 20 films with Chaplin and should have been a star in her own right. Eric Campbell, Albert Austin, Charlotte Mineau, and Leo White (as a the gypsy hag) co-star.
        7guisreis

        A short film slightly different from most of the Tramp's movies

        The first trait that called my attention in this short film is that it brings sequences of situations considerably independent to each other, although presented linearly. Besides that, forgive me if I am wrong, but I had the impression that this film is somewhat different from most of the Tramp's movies. Slapstick is Chaplin's trademark, off course, but in this movie, perhaps more than usual, he performs strongly cartoon-like scenes, with movements which really look like the ones shown in animated TV shows. Another interesting possible novelty is that Edna Purviance has a quite funny scene together with Charlie. She uses to be portrayed in Chaplin's movies as an unassailable beauty diva, but here she gets down the pedestal and makes we laugh at her bath. That is something very nice to see. The end is also somewhat unusual, although related to an issue that is present in almost all Chaplin's movies. These are the novelties, but, on the other hand, prejudice against gypsies is a serious drawback in my opinion. The violent kidnappers could have been non gypsies at no expense to the story. Anyway, the little tramp tried everything to make a living: even as a street musician he tried to get some coins!
        8lugonian

        Charlie and the Gypsy Girl

        THE VAGABOND (Mutual Studios, 1916), directed by Charlie Chaplin, stars the legendary Charlie Chaplin in his third comedy short for the studio. With Chaplin's attempt with improving himself with each passing film, rather than the usual twenty minutes of slapstick and chases, he deftly blends humor and sentiment, a standard that would later become associated by his technique in storytelling. Rather than playing a trouble-making tramp, this time Charlie's a violin playing drifter with more human qualities than before.

        The story opens in great comedy tradition as Charlie enters a bar to play his violin for the patrons. His music is drowned out by a German street band playing outside. As the band leader enters to collect money, he finds Charlie collecting the money instead. A brawl and chase ensues until the crowd loses themselves in the confusion, giving Charlie a chance to sneak away. Charlie next approaches a gypsy drudge where he plays for a gypsy girl (Edna Purviance) washing clothes. A brief cutaway of the plot shows a society matron (Charlotte Mineau), looking at an old photo of a little girl who, believed by its movie audience to have been abducted by gypsies many years ago. Now a young woman, the girl is shown to be an abused slave to the gypsy leader (Eric Campbell). Witnessing one of her brutal whippings that leaves her senseless, Charlie steps in to rescue her, leading to a wild escape down the road in a gypsy caravan. Resting in a secluded spot on a country road, Charlie, having assisted the gypsy girl with her every needs, finds himself in stiff competition when a struggling artist (Lloyd Bacon) enters the scene, inspired by the girl's beauty and uses her as a subject matter to his latest canvas painting, "The Living Shamrock."

        THE VAGABOND may not be one of Chaplin's most memorable of his comedy shorts for the Mutual Studios, but it represents him here more as a comic-actor rather than a just a slapstick one. Though scripted by Chaplin himself, the story seems to have some influence to Michael Balfe opera, "The Bohemian Girl," which also involves gypsies. While THE VAGABOND could very well have become a straight dramatic story for the possible choices of a Lillian Gish and Robert Harron under D.W. Griffith's direction, instead, it's Chaplin being both Griffith and Harron, and Purviance being Gish. Because its a two-reel comedy, it leaves very little detail for plot and character development. There are moments found in the film where it looks heavily edited. Usually when comedians do drama, or mix comedy with drama, the attempt fails. Fortunately for Chaplin, his method is believable and acceptable as long as he doesn't stray too far from his usual standard of comedy. Of the Chaplin stock players, including Leo White and Frank J. Coleman, Eric Campbell, later known as "Chaplin's Goliath," stands out as the hefty villainous gypsy with the whip, while the funniest performance comes from a character playing an old white-haired gypsy hag. No screen credit is given for his or her work. If played by an actor in drag, all the funnier. And the young artist, played by Lloyd Bacon, the same Bacon who would become a notable movie director himself.

        Presented on commercial television in the sixties as part of "Charlie Chaplin Theater," and unseen on public broadcasting television since the 1970s, THE VAGABOND was later resurrected a decade later on cable channels and home video. Though various editions have different underscoring, ranging from orchestration to jazz rhythm and blues, Blackhawk Video's edition consisted of reissue prints presented in theaters of the 1930s with the use of sound effects and instrumental scoring to "The Vagabond Lover" and theme scoring used for the independent feature, VANITY FAIR (Allied Pictures, 1932) starring Myrna Loy. When shown on Turner Classic Movies (TCM premiere: December 6, 1999) as part of its "star of the month" tribute to Charlie Chaplin, THE VAGABOND and other Mutual shorts were broadcast in restored clear visuals, new scoring and in accurate silent film speed extending the standard 22 minute short to 34 minutes. Though that's all well and good, poor scoring most of all takes away the enjoyment of the film, leaving the most preferred viewing from Blackhawk (later Republic) Home Video. Next Chaplin short: ONE A.M. (1916) (***)

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        • Wissenswertes
          Restoration work was carried out at L'Immagine Ritrovata laboratory in 2013.

          Der Vagabund (1916) has been restored by Fondazione Cineteca di Bologna and Lobster Films, from a nitrate print preserved at the Cinémathèque Royale de Belgique.

          Intertitles have been reconstructed according to the original Mutual Film intertitles and documents of the Library of Congress.
        • Patzer
          Charlie loses his hat outside the bar, is seen inside wearing it, then picks it up where he lost it when he leaves. When he escapes from the gypsy, he is hatless at first, but the next shot shows the hat suddenly back in place.
        • Alternative Versionen
          Kino International distributes a set of videos containing all the 12 Mutual short films made by Chaplin in 1915 - 1917. They are presented by David Shepard, who copyrighted the versions in 1984, and has a music soundtrack composed and performed by Michael Mortilla who copyrighted his score in 1989. The running time of this film is 26 minutes.
        • Verbindungen
          Featured in Chaplin: A Character is Born (1976)

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        Details

        Ändern
        • Erscheinungsdatum
          • 10. Juli 1916 (Vereinigte Staaten)
        • Herkunftsland
          • Vereinigte Staaten
        • Offizielle Standorte
          • Instagram
          • Official Site
        • Sprachen
          • Noon
          • Englisch
        • Auch bekannt als
          • Gipsy Life
        • Drehorte
          • Lone Star Studio - 1751 Glendale Boulevard, Hollywood, Los Angeles, Kalifornien, USA(Studio)
        • Produktionsfirma
          • Lone Star Corporation
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        Technische Daten

        Ändern
        • Laufzeit
          24 Minuten
        • Farbe
          • Black and White
        • Sound-Mix
          • Silent
        • Seitenverhältnis
          • 1.33 : 1

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        By what name was Der Vagabund (1916) officially released in Canada in English?
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