His Majesty, the Scarecrow of Oz

This is the third and final film in Baum's personally produced Oz trilogy of 1914. The three pictures are all essentially the same childishness--with magic, a journey and animal costumes. The camera-work and pacing are static and primitive even by 1914 standards, while the performers are quite the opposite--both of which can get annoying and boring. We get poor framing, from a generally stationary position, and the shots linger on much longer than they should, while the performers, except for the literally cold-hearted princess, are in constant motion, mostly broadly gesticulating and doing some knockabout nonsense. Most of it has nothing to do with anything imaginative or with adventure, and I don't see how it could be humorous to anyone but a child. There is some trick photography, but nothing new; in fact, these tricks (superimpositions, stop substitutions, a fish tank between characters and the camera to represent being under the sea, a tilted camera to make them appear to be going up and down stream) had been in use for near a decade or more even by then. At least, the makers of this Oz trilogy put some care and energy, albeit a nauseating excess of it, in front of the camera although not behind it.

I wonder how popular these films were, although, apparently, they weren't popular enough, because Baum's production company was short lived. There doesn't seem to have been many movies back then which were so specifically targeted at children. The industry at the time, which was even before "The Birth of a Nation" (1915), was still struggling even to attract middle and upper class women to theatres. Times have certainly changed.

This was, of course, one of the early movies, and special effects were not an issue, for which we may be thankful in this day and age when many movies look more like video arcade games.

The plot is bizarre, to say the least. It borders between dream state and LSD trip. It would be interesting to know what early twentieth century audiences thought when they viewed this.

There a motley group of characters, and really, no one takes center stage all the time. People traipse aimlessly, meeting strange characters, and unique situations. Indeed, the wall of water would be a fresh idea as of the day of this critique.

There is a strange sexuality to this one. Super sexy witches dance around very sensually, and would be the envy of the scantily clad girls in today's movies. They are quite beautiful and striking. Again, audiences in this day must have been affected some way. It is too bad that the sexuality seems to be equated with witches, though. Sort of false advertising.

The music is probably too lame for today, and you may want to play your own while watching. Viewable mostly from an artistic perspective or in a social situation, and not as a sit down and watch movie.

His Majesty, the Scarecrow of Oz (1914)

*** (out of 4)

An evil King takes over and wants his daughter to make a no good but when the Scarecrow comes to life he has his eyes on the daughter as well. Here's a very interesting film written and directed by L. Frank Baum who was also the writer of the Oz stories. The visual effects are very effective especially one scene where the evil witch removes the heart of the Princess and then freezes it before putting it back in her body. Another great scene is one that the kiddies shouldn't see but the Scarecrow cuts off a head. This effect is done very well and effective. This is certainly the most "adult" version of Oz I've seen, which makes it quite interesting.

"His Majesty, the Scarecrow of Oz" is the best of L. Frank Baum's Oz movies! The plot is easily understandable without being boring and the characters are wonderfully acted, given their limitations. The special effects are marvelous, and some of the better ones rival even the technical marvels of the 1939 Movie, particularly the hilarious undersea bit with the Scarecrow and a swordfish and a mermaid! Violet MacMillan is an absolute delight as Dorothy. Despite her charming looks and thoroughly enchanting demeanor, the girlish actress was generally confined to roles as frank boys in Baum's films. She brings a great sparkle to the role as Dorothy, however. Another standout - or group of standouts, rather - is Mombi's whole cohort of witches. Funny and spooky at the same time, it seems as if they may have been the greatest inspiration for the way in which MGM chose to portray the Witch of the West in their take on Baum's first history of Oz. Either way, this movie is a can't miss, which I give a solid 9, a rating I am more than glad to give!

Baum's inept adaptation of a couple of his Oz books is a sad sight indeed. Shots are poorly framed, often excluding some of the actor's faces from view. The plot is moronic and the acting stale. The cast is much too large and he seems to throw in characters just to throw them in. The special effects are cheesy, especially when the Tin Woodsman chops off the Witch's head.

However, this silent film does feature an excellent performance by the man playing the Wizard and the young woman playing the Princess Ozma. There's a good, melodramatic concept, this young woman walking around with everyone left and right falling in love with her, and she being incapable of loving them back-- it makes for a good visual. But the rest of the film is just so incompetent that's it obscures its good points.