The Magic Cloak

Just finished watching The Magic Cloak of Oz (1914) and it was an interesting proof of concept.

Positives for The Magic Cloak of Oz (1914): There is a lot of intrigue to be had with this proof of concept. The initial idea can lead to some interesting adaptations or version of the stories that can be told in different forms of media. And finally, it was cool to see this ideas brought to life as a silent film.

Negatives for The Magic of Cloak (1914): Because it is a proof of concept, there isn't a lot to explore in this version of the story. Aside from the concept itself, this was a little dull to watch.

Overall, The Magic Cloak of Oz (1914) is an interesting and unique story to tell on screen and I would love to see a modern day version of this story be tolded to a modern audience someday.

Whoa....I guess I need to get around to reading those Oz books by Frank L Baum! I haven't yet, but boy are they different from the stuff you saw in the 1939 film!! This film finds a mythical kingdom without a king. Since the dead king had no heirs, the law says that the 47th person to pass through a certain gate will be their new ruler! And, unfortunately, it's Bud--a kid who would rather spend the country's treasury on toys than do anything to help his new subjects. In the meantime, there's a story about a donkey and other animals that are really people dressed up in odd costumes and there is a plot involving a magic cloak. All of this is pretty weird but also pretty entertaining because it is so incredibly strange and oddly entertaining. Overall, it's a really weird but engaging film that made me smile several times due to it's kitschy style and charm. It's NOT a film, however, to show to those unfamiliar with silent films--it might just be too strange and might scare them away from an awesome genre. Fun and weird.

Writing for children is arguably the hardest job for anyone. It involves so much speculation regarding the child's psyche, that the author, despite a richness of childhood experience, feels helpless at the task; that is if he/she intends to write good children literature. L. Frank Baum never seemed to have this handicap.

'The Magic Cloak of Oz', lost in its complete version, lacks the power of a great piece of work, and yet it is somewhat touching. The sets and the costumes are rich and beautiful; the cinematography is pleasant (Mildred Harris' mirrors scene deserves commending). On the acting front, Fred Woodward's physical performance is rather successful, and Juanita Hansen provides reasonable attempts not to overact.

The film is definitely dated, and it seems hard to imagine that the children of our times can really appreciate it. J. Farrell MacDonald, or Baum himself (according to some records), has provided a feeling of playfulness and sheer childhood joy in the story however. One has to imagine how great would it be for a kid to have the entire national budget spent on toys! Maybe, the film has the magic of the irresponsible days, a feature we learn to loose in time.

Fairies weave a magic cloak capable of granting its wearer one wish but cannot decide who should receive it. Finally the Man in the Moon suggests they give it to the unhappiest person they can find. This person as it turns out is Fluff (played by Mildred Harris), on her way to the land of Noland with her brother Bud (as played by Violet MacMillan), their Aunt Rivette and their pet mule Nickodemus to make a new life having just recently lost her {and Bud's} father. After receiving the cloak from the fairies, Fluff wishes for happiness and Bud as luck should have walks right into inheriting a kingdom, making Fluff a princess. Things are well until their pet mule Nickodemus gets captured by robbers and the 683 year old beguiling Queen Zixi of Ix decides to come looking for the cloak, wishing to make herself appear as young and beautiful in her own mirror as others already see her.

The main problem with this movie is it seems to lack focus. While entitled "The Magic Cloak of Oz", the title should probably instead read "The Startling Adventures of Nickodemus the Mule" since Nickodemus (wonderfully brought to life by Fred Woodward) and his animal friends garner most of the attention during this one's running time. Now Nickodemus is often delightfully amusing to watch and really his scenes tend to provide this one's funniest moments. Another problem for some may be there's not enough familiar Oz style characters in this one, aside from the animals and the demanding, soup-eating Rolly Rogues. All in all though, this one's flaws ultimately prove somewhat forgivable since it's such an imaginative journey into a childlike fantasy world.

This adaptation of L. Frank Baum's "The Magic Cloak of Oz" is an enjoyable fantasy feature that is also quite resourceful for its era. The settings and costumes are often lavish, and most of the special visual effects work well. The story is complex and lively, making for good entertainment.

A number of sources indicate that Baum himself directed this feature, replacing J. Farrell MacDonald after the first of the three Oz features in this 1914 series. Whether or not Baum actually did the direction, he certainly had a clear image of what he wanted the Oz world to look like, and you can clearly see his influence in the way that the characters and the Oz locations are brought to life.

The story, like all of the Oz stories, is a fun one that takes numerous exaggerated, imaginative characters and weaves them into the same narrative. As the main plot device, the magic cloak is the focus of the characters, and the story wisely makes restrained use of its actual powers so as to keep the focus on the characters themselves.

The cast includes several performers who also appeared in one or both of the other features in the series. Mildred Harris and Violet MacMillan, as Fluff and Bud, make sympathetic main characters. As Nikodemus, Fred Woodward gets the chance to show his skill with animal costumes, and several other good costume animals also appear. Juanita Hansen as Queen Zixi, the silly-looking Rolly Rogues, and the rest of the characters all get some moments of their own.

The movie features plenty of imaginative details, and the settings work well in bringing you into Baum's fantasy world. Although this is not quite a full-length feature, it's quite a bit longer than the average film was in 1914, and much of the production is creative and innovative for its time. It's an enjoyable movie that still holds up rather well for those who enjoy silent movies.