IMDb-BEWERTUNG
6,1/10
7882
IHRE BEWERTUNG
Ein junger Rettungssanitäter durchlebt sein erstes Berufsjahr in New York City.Ein junger Rettungssanitäter durchlebt sein erstes Berufsjahr in New York City.Ein junger Rettungssanitäter durchlebt sein erstes Berufsjahr in New York City.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Michael Pitt
- Lafontaine
- (as Michael C. Pitt)
Kareemeh Odeh
- Live Poultry Employee
- (as Kareemah Odeh)
Empfohlene Bewertungen
Sean Penn is great in this dark New York City drama. The film is centered around two paramedics one seasoned and one new to the game that then become partners. They work the overnight shift in New York City as paramedics, so they see some crazy intense stuff along the way. Either I am missing it or I am not properly following it, but the film does not seem to have much of a plot other than to shoe how gritty the city is to these paramedics and it shows two men young and older on how they deal with it. I don't think the plot was there until about the last 30 minutes which is a huge flaw of this film.
I can't tell if that's a step up for Mike or a step down for Sean Penn. Unfortunately for Penn, I need to say the latter. This movie came and went without any promotion for it, despite what a great film it is. Tye Sheridan got to flex his acting muscle sparing with Sean Penn and of course Mike Tyson, who was fit for the role so it made sense. The film kept reminding me of the Martina Scorsese film Brining up the Dead, which starred Nicolas Cage in a role similar to Sean Penn, in fact, the concept of both movies almost makes Asphalt City a sequel. It does not help that there are not enough movies about the subject to think otherwise.
Anyway, this movie is too good to be hidden away like it seems to be.
Anyway, this movie is too good to be hidden away like it seems to be.
Some excellent acting all round (even Mike Tyson was believable), and not enough props given to the actor that played Lafontaine, Michael Pitt.
While I don't need a film neatly served up to me, there was just a little too much flip-flopping around, including things that are brought up and never explained- eg. Swapping Cross and Rutkovsky around with who took the baby, so you are uncertain for a while, who did what.
The misery is relentless- the hostility from the patients with mental illness or other issues I sort of get (the amount of gang members they pick up, and have to deal with abuse from their friends is unreal), but constant harassment/bullying from their own team not to mention some of the police. Is it really this dysfunctional?
Still, enjoyed the film nonetheless, always good to see something original about a role we don't see on the silver screen that often.
Nice to see Gbenga Akinnagbe (Chris Partlow from The Wire), albeit in a small role.
While I don't need a film neatly served up to me, there was just a little too much flip-flopping around, including things that are brought up and never explained- eg. Swapping Cross and Rutkovsky around with who took the baby, so you are uncertain for a while, who did what.
The misery is relentless- the hostility from the patients with mental illness or other issues I sort of get (the amount of gang members they pick up, and have to deal with abuse from their friends is unreal), but constant harassment/bullying from their own team not to mention some of the police. Is it really this dysfunctional?
Still, enjoyed the film nonetheless, always good to see something original about a role we don't see on the silver screen that often.
Nice to see Gbenga Akinnagbe (Chris Partlow from The Wire), albeit in a small role.
There is absolutely no doubt that 'Black Flies' is a grim movie. I confess I hadn't even heard of it and it seems to have slipped under the radar but for all of it's gloom and doom it is well worth watching. One thing the movie does very well is to make the viewer fully aware of just how horrendous being a paramedic can be and boy will you respect them more after this.
This is a well acted film with the two leads showing good chemistry and at times some ad-libbing if I'm not mistaken. One thing I absolutely hated though is the totally unnecessary nudity from one actress which added nothing to the movie apart from cheap thrills. It got to the stage where I was actually yelling at the screen 'put some cloths on love for crying out loud'. Rant over, this is a good effort, bleak but pretty decent.
This is a well acted film with the two leads showing good chemistry and at times some ad-libbing if I'm not mistaken. One thing I absolutely hated though is the totally unnecessary nudity from one actress which added nothing to the movie apart from cheap thrills. It got to the stage where I was actually yelling at the screen 'put some cloths on love for crying out loud'. Rant over, this is a good effort, bleak but pretty decent.
"You can't save everyone."
That's the most important lesson that rookie FDNY paramedic Ollie Cross (Tye Sheridan) needs to learn from his veteran partner Gene Rutkovsky (Sean Penn) in the dark and edgy new film, Asphalt City.
The pressure of knowing you're the only thing that might be keeping a victim from turning into a fatality haunts the duo as they drive the overnight shift on the mean streets of East New York.
Gunshot victims, heart attacks, premature births, dog bites, gang violence, and schizophrenics are just a sample of the people who we briefly meet and are just as quickly dismissed and disguarded in Director Jean-Stephane Sauvaire's new film. Like the EMT crew, we're never given time to care about these people, especially those who may be one short push from the grave.
And that's the point that Rutkovsky continually tries to impress on his new partner. Do what you can, in the time that you have, and move on. Don't remember their faces. Don't remember their families. Because to carry that with you will drive you insane. Above all, don't feel responsible because you didn't put them on the ground with a fatal gunshot wound in their femoral artery.
Unfortunately, as the movie unfolds, "Rut" has a change in his personal circumstances and takes one case too much to heart. Meanwhile, Cross is struggling to keep his head above water. Between the low pay, his horrible living situation, and the lack of friends or family, Cross feel he is continually drowning in unending tragedies. He has zero confidence in his ability to save anything - not a gunshot victim, not even a dog.
One has to wonder, are the people who seek these jobs craving the absolute psychosis that comes with it, or are they made psychotic by the stream of crazy?
Cross does have a goal: to pass the MCAT and leave this dark, depressing world behind for the more regulated system of a hospital. But it's obvious that he's learning far more with his on-the-job training than he'll learn in any study guide.
Mike Tyson pops up as Cross and Rut's superior officer. Michael C. Pitt is cast as the EMT who's chiefly entertained by picking on the new guy. Every one of the EMT's seems to be walking PTSD victims.
Gritty. There's no better word for Asphalt City. It's a film as gritty as the city it portrays. You'll be exhausted, but go for the rush.
That's the most important lesson that rookie FDNY paramedic Ollie Cross (Tye Sheridan) needs to learn from his veteran partner Gene Rutkovsky (Sean Penn) in the dark and edgy new film, Asphalt City.
The pressure of knowing you're the only thing that might be keeping a victim from turning into a fatality haunts the duo as they drive the overnight shift on the mean streets of East New York.
Gunshot victims, heart attacks, premature births, dog bites, gang violence, and schizophrenics are just a sample of the people who we briefly meet and are just as quickly dismissed and disguarded in Director Jean-Stephane Sauvaire's new film. Like the EMT crew, we're never given time to care about these people, especially those who may be one short push from the grave.
And that's the point that Rutkovsky continually tries to impress on his new partner. Do what you can, in the time that you have, and move on. Don't remember their faces. Don't remember their families. Because to carry that with you will drive you insane. Above all, don't feel responsible because you didn't put them on the ground with a fatal gunshot wound in their femoral artery.
Unfortunately, as the movie unfolds, "Rut" has a change in his personal circumstances and takes one case too much to heart. Meanwhile, Cross is struggling to keep his head above water. Between the low pay, his horrible living situation, and the lack of friends or family, Cross feel he is continually drowning in unending tragedies. He has zero confidence in his ability to save anything - not a gunshot victim, not even a dog.
One has to wonder, are the people who seek these jobs craving the absolute psychosis that comes with it, or are they made psychotic by the stream of crazy?
Cross does have a goal: to pass the MCAT and leave this dark, depressing world behind for the more regulated system of a hospital. But it's obvious that he's learning far more with his on-the-job training than he'll learn in any study guide.
Mike Tyson pops up as Cross and Rut's superior officer. Michael C. Pitt is cast as the EMT who's chiefly entertained by picking on the new guy. Every one of the EMT's seems to be walking PTSD victims.
Gritty. There's no better word for Asphalt City. It's a film as gritty as the city it portrays. You'll be exhausted, but go for the rush.
Wusstest du schon
- WissenswertesMel Gibson was initially cast as the character "Rutkovsky". During the pre-production process he was re-cast by Sean Penn.
- Zitate
Chief Burroughs: How's it out there with Rutovsky?
Ollie Cross: He's a good partner
Chief Burroughs: And a great medic but no one can do it forever
- SoundtracksCan't Kill The Devil
performed by Metal Allegiance ft. Chuck Billy
Top-Auswahl
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- How long is Asphalt City?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Black Flies
- Drehorte
- 1155 Gerard Ave, Bronx, NY, USA(Hopscotch scene outside Nancy's apartment building.)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 220.970 $
- Eröffnungswochenende in den USA und in Kanada
- 132.898 $
- 31. März 2024
- Weltweiter Bruttoertrag
- 492.711 $
- Laufzeit
- 2 Std. 5 Min.(125 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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