Raubüberfälle und Autodiebstähle erschreckten die Gemeinden im pazifischen Nordwesten. Ein einsamer FBI-Agent glaubt, dass die Verbrechen nicht das Werk von finanziell motivierten Kriminelle... Alles lesenRaubüberfälle und Autodiebstähle erschreckten die Gemeinden im pazifischen Nordwesten. Ein einsamer FBI-Agent glaubt, dass die Verbrechen nicht das Werk von finanziell motivierten Kriminellen waren.Raubüberfälle und Autodiebstähle erschreckten die Gemeinden im pazifischen Nordwesten. Ein einsamer FBI-Agent glaubt, dass die Verbrechen nicht das Werk von finanziell motivierten Kriminellen waren.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 7 Nominierungen insgesamt
- Bank Manager
- (as Bryan McHale)
Zusammenfassung
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I don't have too much to say about this film since it's actually not really stand-out in any way. It's at its best when focused on the life and times of members in The Order and fleshing out this world of the rural pacific northwest. Nicholas Hoult is having a hell of a year and this is another great performance to add to the resume for the year. Everyone is was just okay performance-wise but there has to be some blame on the writers for leaning so deeply into the hard-boiled detective tropes. Sometimes the FBI officers just act way too-cool-for-school and it shows some laziness on the writers' part. A nice foil to that is Jamie (Tye Sheridan) who does a fantastically accurate impression of a small town cop. I'll be a defector and say that I actually enjoyed the action sequences, and I like that details within action plot points have actual effect later in the story. I'm getting a lot of No Country For Old Men influence, and that's a good thing.
The film has a really good handle on itself with a steady mix of tension building and discovery until the third act in which themes muddy significantly. There was some kind of two-sides-of-the-same-coin subtheme being attempted in the end between Terry and Bob that didn't really work for me, and cops suddenly lose all the discipline they had earlier in the film to do action hero things. There is a whole lot of world building in the film that adds to the whole rural aesthetic but I wonder if it contributed to its slow pacing. The film certainly felt long for a less than 2 hour movie.
Enjoyable crime thriller with some salient themes of racism and uprising to think about.
It's those kind of movies which are good but you feel like something is missing.
Jude law is amazing in this movie. He is carrying the whole movie on his shoulders and he does an amazing job.
Rest all are good.
Nicholas hoult had nothing more to do and anyone could have played that role.
Direction is fine and cinematography looks really good.
Apart from that there is nothing much to say about this movie.
It's a slow burn thriller. Watch it for the amazing acting and that's it.
Saw in AMC theater 12-14-2024.
Jude Law is really good in his role as this weary and seasoned FBI agent. I like the supporting cast members. I think Nicholas Hault actually looks a lot like Bob Matthews (based on his picture, which I saw on Wiki), and the young sheriff who works with Jude Law is good too. The movie's scenery is gorgeous, with the forests, mountains, and lake. I like the score too. There is an overall dark and gritty vibe throughout the film
The movie doesn't reach greatness because of the plot and predictability. I know that the events are based on a true story, so I get that the plot was limited since they had to follow the events that really occurred (note: I had never heard of Bob Matthews or the Turner diaries until I watched this movie). But they telegraphed some events, such as one character's death, way too obviously. I also feel that the film could've given more about the villain's motivations other than "they're evil racist white men." The movie early on shows a divide between Bob Matthews group and another white supremacist group: the latter believes that the right way to push white supremacy is through legal means, such as getting white supremacists elected to office. I feel this plot thread could have been explored more. The police scenes include some cliches too
Lastly - there was no need to insert politics at the very end, with a reference to January 6th, 2021.
What Nitram did though, and this film never managed, was it made me look at things from a different perspective. The concept that the person behind a mass shooting is, exactly that, a person, is just nothing I had given consideration to before. Easier to label a monster (which they are, but there are reasons behind this) and move on than to think about it.
I guess therefore I was expecting to try and understand something here. Like it was going to say something. But in the end it felt very procedural. Some white guys are racist because they are and some other guy hunts them down because he does. Honestly, that's about it.
I never felt for a second like I understood anything about Nicholas Holts character or why he was a complete (insert word rhyming with duck) head. I guess there is an argument that you don't want to give oxygen but I feel this film maker has had a lot more to say in the past and if you aren't going to say anything then probably don't say anything at all.
Anyway, not offensive but just very very average.
Wusstest du schon
- WissenswertesNicholas Hoult told reporters how he and Jude Law, adversaries in the film, did not speak or interact with each other for the first four weeks of filming in an attempt to distance themselves from each other.
- PatzerAgent Husk enters Torres' cell while wearing his firearm. No law enforcement or corrections official would enter an inmate's cell with a firearm. Husk, Carney, and Bowen would have had to secure their weapons before entering the area where prisoners were held. In the film, they're wearing their weapons.
- Zitate
Alan Berg: You know what my problem is with every fanatic fundamentalist, from the Catholics, to the Orthodox, to the KKK? The one thing you all have in common is, and you're too ignorant to see it, is that you're too inept to get by in the world, so your only recourse is to try and curtail the enjoyment of others.
- VerbindungenReferenced in Film Junk Podcast: Episode 974: Nosferatu (2025)
- SoundtracksKOA Radio Jingle
JAM Creative Productions, Inc.
Courtesy of Jonathan Wolfert
Used under license
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Box Office
- Bruttoertrag in den USA und Kanada
- 2.010.901 $
- Eröffnungswochenende in den USA und in Kanada
- 877.855 $
- 8. Dez. 2024
- Weltweiter Bruttoertrag
- 2.270.354 $
- Laufzeit1 Stunde 56 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1