Die schönste Zeit unseres Lebens

Aging Victor is down on his luck: he's unemployed and he has been kicked out of his own home as his wife has left him for his former boss, the man who fired him. Then he is offered a chance to recreate a moment in time and he chooses the moment in 1974 when he and his wife first met.

An interesting, entertaining and emotional film. Great in its application of nostalgia and our desires to relive our fondest moments. The central plot is quite basic and ends fairly predictably, though emotionally. However, some of the sub-plots are quite interesting, especially the Antoine-Margot-Victor relationship. There's also some very funny moments: the assistant director gets some great scenes and one-liners.

Not always engaging though. The plot does seem unfocused at times and some scenes and sub-plots go nowhere.

Can't fault the casting: the big names, Daniel Auteuil and Fanny Ardant, are great and nobody puts a foot wrong. Doria Tillier, as Margot, steals the show though.

We play different roles in our lives, and sometimes we forget which one we are playing. The characters speak truths about themselves when acting, and wish they could act like they enjoy their real life. It is a film which is all the more touching because it evokes sympathy (for Victor) without being sad; it is dramatic without being indulgent (Antoine's fierce perfectionism that is distracted by Margot); it is sentimental without being nostalgic (They are not 'lost' in the past, and the pop culture references are spot-on). The script is tightly written and the wit comes through even to a non-francophone audience. It is an immensely satisfying film because all the characters grow, and come to an understanding of themselves and who/what they love in the end, bringing much laughter and tears to the audience along the way. The music is also perfect at each juncture. Bravo.

My own personal 'Belle Époque' would have been my student days in the late 60s, most especially '69, when I fell amazingly in love, so I was 5 years ahead of Victor, but I can so much identify with the nostalgia, and the desire to go back. Indeed, I often visit those days in my dreams, with the sort of distortion of events that only dreams can do. So if I could pay to be magically transformed completely to 1969, to live its fabulous intensity all over again, only my bank balance would hold me back. To return to relive a time when the world lay ahead of me, everything seemed possible, and I was not old and cynical, now wouldn't that be marvellous? It is so refreshing to watch a movie that involves genuine acting, and Daniel Auteuil is magnificent, as always, his eyes alone capable of expressing so much emotion. And it sets 21st century and possibly futuristic technology against a backdrop of 1974, when life really was all so much simpler. The movie does at times become dream-like in its depiction of Victor's recreation of his youthful journey, and most certainly surreal, definitely bewildering in places for him, and the whole story is cleverly handled with wit and elegance. Well worth seeing, and I will give it a faultless 10/10

I really enjoyed watching this movie. It's fresh and keeps the viewers well connected with the characters. Exceptional acting. It makes the viewer appreciate the true power of performing a movie within a movie. A clever script, in my oppinion, with a blend of old and new to match. For me, though, it would've been even more gripping if the reenactment had taken place at Marianne's request, rather than Victor's choice. That way, he could've been unaware of everything going on behind the scene, so they can relive their happiest moments, as an attempt to save their marriage. Too cliche? Maybe. Anyway, that's just a thought. I like it all the same.

Nicolas Bedos' La Belle Époque has distinctive French flavor and is somewhat old-fashioned.

The film is really light-hearted and is all about love.

And yet it is fascinating and can easily bring you to tears.

Many viewers may recognize Nicolas Bedos in the movies like Love Is in the Air (Amour et turbulences) or Love Lasts Three Years (L'Amour dure trois ans). Still, he is first and foremost a writer and a director, and he is as good at those crafts as in the romantic films being an actor.

His new film combines drama and comedy, restraint and passion, romance and real life.

The main characters of the film are Victor, an illustrator, and Marianne, a psychologist. Both of them are not young, but have completely different outlooks. Victor is stuck somewhere in the distant past, whereas his wife Marianne still wants to take more from life.

The film constantly maintains a fast emotional pace. The tension becomes palpable. The relationships of the couple are on the verge of collapse. They are drifting apart being constantly annoyed. It seems that they just do not want to be close any more, but they might as well not realize how much they really want to be together. Nobody wants to concede and they have to decide whether they are moving on together or separately.

Perhaps, when everything goes wrong it is worth recalling how it used to be. What were you like, what were you both like? In such a way you might revive some stimulating ideas, your love or just find yourself. The only thing you need is a small push.

Victor has got a chance to check it out. His son gave him a present - an incredible journey into the past. He can choose any era and the team of professionals will transfer him to the chosen place and time.

The puppeteer of the business which aims at bringing hope is Antoine (Guillaume Canet). He is a sheer perfectionist who creates authentic historical installations where you can meet Napoleon, Maupassant, or even your own deceased father.

Such an expert would surely have been welcomed in the Ridley Scott's crew when filming Gladiator or Quentin Tarantino's crew when making Inglourious Basterds. However, taken into account Antoine's temper, they would probably have not got along. Just like Antoine's team can hardly stand his annoying behavior.

Antoine is ready to fulfill any of Victor's whim. The latter has chosen to travel back in time into his own past, namely the day he met the love of his life. It was the time when he was breathing freely; he was drawing and was the person he wanted to be.

Someone might find such choice a bit weird. Nevertheless, the main hero has made a decision to live his life again, to make up for the lost time. And the big game starts.

At first, Victor is amused by small inaccuracies of what is going on around him. However, in some time he becomes engrossed into this fictitious world. A completely innocent, at first glance, the game grows into something much bigger.

Victor changes. A fire lights up in his eyes again. He starts a struggle with himself without being fully conscious of that.

Leading this fight you need to stop in time and understand that whiskey is not as tasty as it could be because instead of it you are drinking water. Love is present not only in that one specific day, but it is also inside us.

In La Belle Époque, the characters quarrel and reconcile, love and hate, admire and despise. Despite that, love is prevalent in the given chain of emotions. It is the key even if you need to create the whole new world to save or find it.