IMDb-BEWERTUNG
6,1/10
6495
IHRE BEWERTUNG
Als eines Tages die berühmte Fotografin Christina Eames völlig unerwartet stirbt, hinterlässt sie mit Mae eine von ihrer Mutter entfremdete, wütende und voller Fragen steckende Tochter.Als eines Tages die berühmte Fotografin Christina Eames völlig unerwartet stirbt, hinterlässt sie mit Mae eine von ihrer Mutter entfremdete, wütende und voller Fragen steckende Tochter.Als eines Tages die berühmte Fotografin Christina Eames völlig unerwartet stirbt, hinterlässt sie mit Mae eine von ihrer Mutter entfremdete, wütende und voller Fragen steckende Tochter.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Phoenix Noelle
- Sophia
- (as Phoenix Noelle Reece)
Empfohlene Bewertungen
Production: Pretty basic all around. Nothing really stands out, but it isn't bad. Some continuity issues just like every other film. The music really sets the tone of the film. The script is a little dull/generic. 6/10.
On Screen: The acting was okay. Lakeith Stanfield made his character Michael Block, believable but, on the other hand, Issa Rae's character Mae Morton, wasn't. She didn't really have acting range. It's like she is uncomfortable the entire film. Additionally, the secondary characters are just cookie cutouts typical love movie motifs. Also, there are some plot holes that made the secondary story a little confusing. 6/10.
Content/Impact: To see black love portrayed in film is a rarity in itself. The best way to describe this film is love. The love that they show between black men and women, black women, and black men in a positive light, for the most part, is essential to tell our stories from a normalized perspective. This is what happens when we tell our own stories. 8/10.
Overall: It's a solid Valentine's day film to see with your loved ones, but because of the slow nature of this film, the performances needs to be outstanding and this falls short. I'll give it an 6.6/10.
On Screen: The acting was okay. Lakeith Stanfield made his character Michael Block, believable but, on the other hand, Issa Rae's character Mae Morton, wasn't. She didn't really have acting range. It's like she is uncomfortable the entire film. Additionally, the secondary characters are just cookie cutouts typical love movie motifs. Also, there are some plot holes that made the secondary story a little confusing. 6/10.
Content/Impact: To see black love portrayed in film is a rarity in itself. The best way to describe this film is love. The love that they show between black men and women, black women, and black men in a positive light, for the most part, is essential to tell our stories from a normalized perspective. This is what happens when we tell our own stories. 8/10.
Overall: It's a solid Valentine's day film to see with your loved ones, but because of the slow nature of this film, the performances needs to be outstanding and this falls short. I'll give it an 6.6/10.
Fueled by the fiery chemistry between Issa Rae and Lakeith Stanfield, "The Photograph" gives viewers a love story that transcends time and is worth sticking around for.
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In this romantic drama, the estranged daughter of a famous photographer falls in love with the journalist who is investigating her late mother's life.
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Beautifully shot, wonderfully acted and even original at times, "The Photograph" is slow paced and won't be for everyone but the pay out is worth it. Issa Rae and Lakeith Stanfield burn up the screen with their intense performances, you'd think they were actually a couple. I thought the premise was interesting and even though "The Photograph" is not perfect, it felt good to watch a romantic drama; a genre that isn't as tackled in this day and age of film.
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The soundtrack to this movie is the smoothest I've heard in a long time. This was a slick movie to listen to and to watch. A Love Jones redux if you will. The acting by Lakeith and Issa was solid although, I feel that Lakeith was given more to do. We get two stories that intertwine but the problem is that I didn't feel for the lead characters (the mom, and Issa Rae's character). I wanted to root and cheer for them, but we weren't given much to go on.
The script was like the shell of a house. Great start, but then you forgot to add the plumbing, floors, doors, insulation, etc... There are a lot of stolen glances, soft touches, and sip and smiles but I didn't care about the relationship between Issa and Lakeith either way. I realllllly wanted to like the film more than I did, but I just felt indifferent about it. And for a movie in the romance genre, you really need to have characters you cheer for, even if they don't end up together.
I saw this movie on Valentine's Day with my besties, and we were all enamored by the film. Strong nuanced characters and good writing. Oh, and the souundtrack was amazing. It was two love stories in one and both narratives unfolded in a charming way.
Finally a film showing beautiful brown actors in normal, healthy and mature relationships, telling a romantic story where neither race, violence nor toxic, dysfunctional behavior are used as crux. Love scenes between the characters and the family portrayals were far more realistic than we've seen with typical films featuring people of color. In fact the fact that the characters were people of color made absolutely no difference- it's as it should be. The musical soundtrack really resonates by subtly showcasing many iconic 80s and contemporary R&B tracks that are generally not in frequent rotation; these brought back so many wonderful, long-forgotten memories.
There was no cgi, no gun or other violence, no angry foul behavior ... and we need more films like this. I felt great during and after watching this film and I can't say that about many films these days. Well done.
'The Photograph' Cast Shares Most Romantic Movie Picks
'The Photograph' Cast Shares Most Romantic Movie Picks
Issa Rae, LaKeith Stanfield, and more of The Photograph cast share why they wanted to put this story on the screen and the movies they turn on to get into a romantic mood.
Wusstest du schon
- WissenswertesLaKeith Stanfield and Lil Rel Howery both appeared in Jordan Peele's film Get Out (2017). They did not share any scenes together.
- PatzerWhen Isaac takes the photo of Christina, he holds the camera in landscape (horizontal) orientation, but the photo when first printed in the darkroom is in portrait (vertical) orientation.
- VerbindungenFeatured in MsMojo: Top 10 Best Movies for a First Date (2024)
- SoundtracksCome Home
Written by Anderson .Paak (as Brandon Anderson), André 3000 (as Andre Benjamin), Jairus Mozee
Performed by Anderson .Paak feat. André 3000 (as André 3000)
Courtesy of Aftermath Entertainment, exclusively distributed by 12 Tone Music, LLC
By arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Tấm Ảnh
- Drehorte
- Queens Museum, Queens, New York, USA(A Filming location in trailer)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 16.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.578.185 $
- Eröffnungswochenende in den USA und in Kanada
- 12.181.865 $
- 16. Feb. 2020
- Weltweiter Bruttoertrag
- 20.690.779 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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