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Die zweite Heimat

Originaltitel: Die zweite Heimat: Chronik einer Jugend
  • Fernsehserie
  • 1992
  • 12
  • 25 Std. 32 Min.
IMDb-BEWERTUNG
8,9/10
391
IHRE BEWERTUNG
Die zweite Heimat (1992)
DramaHistory

Der Film begleitet Hermann Simon, Maria Simons Sohn, der bereits in Heimat - Eine deutsche Chronik eine wichtige Rolle spielt, vom Abitur 1960 über das Musikstudium in München bis zu seiner ... Alles lesenDer Film begleitet Hermann Simon, Maria Simons Sohn, der bereits in Heimat - Eine deutsche Chronik eine wichtige Rolle spielt, vom Abitur 1960 über das Musikstudium in München bis zu seiner Rückkehr nach Schabbach 1970.Der Film begleitet Hermann Simon, Maria Simons Sohn, der bereits in Heimat - Eine deutsche Chronik eine wichtige Rolle spielt, vom Abitur 1960 über das Musikstudium in München bis zu seiner Rückkehr nach Schabbach 1970.

  • Hauptbesetzung
    • Henry Arnold
    • Salome Kammer
    • Frank Röth
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,9/10
    391
    IHRE BEWERTUNG
    • Hauptbesetzung
      • Henry Arnold
      • Salome Kammer
      • Frank Röth
    • 12Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 6 Gewinne & 1 Nominierung insgesamt

    Episoden13

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    HöchsteAm besten bewertet1 Jahreszeit1992

    Fotos6

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    Topbesetzung99+

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    Henry Arnold
    Henry Arnold
    • Hermann
    • 1992
    Salome Kammer
    • Clarissa
    • 1992
    Frank Röth
    Frank Röth
    • Stefan
    • 1992
    Armin Fuchs
    • Volker
    • 1992
    Noemi Steuer
    • Helga
    • 1992
    Daniel Smith
    • Juan
    • 1992
    Peter Weiß
    • Rob
    • 1992
    Lena Lessing
    • Olga
    • 1992
    Martin Maria Blau
    • Jean-Marie
    • 1992
    Franziska Traub
    Franziska Traub
    • Renate
    • 1992
    Michael Schönborn
    • Alex
    • 1992
    Hannelore Hoger
    Hannelore Hoger
    • Elisabeth Cerphal
    • 1992
    Holger Fuchs
    • Bernd
    • 1992
    Anke Sevenich
    Anke Sevenich
    • Schnüsschen
    • 1992
    László I. Kish
    László I. Kish
    • Reinhard
    • 1992
    Edith Behleit
    Edith Behleit
    • Mutter Lichtblau
    • 1992
    Manfred Andrae
    • Gattinger
    • 1992
    Michael Stephan
    • Clemens
    • 1992
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen12

    8,9391
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    Empfohlene Bewertungen

    Wilfie

    Thoughts and feelings of the best film of all time

    You could be forgiven for passing over this movie or not having seen it all because you won't see it up for rental in Blockbusters, or for sale in HMV. And even the local cultural film centre would think twice about screening it - all TWENTY-SIX HOURS! But I was one of the lucky ones fortunate enough to catch the 13 two hour episodes shown on BBC2 and will always remember a movie which captures beautifully the lives and loves of the youth of a post-war Germany, indecisive and confused at what went before them and what future lays ahead. To many this may seem political, too boring, but the narrative and direction is inspiring and addictive as you follow the paths of these young adults and watch them grow and learn about a brave new world, fighting their history to form a new identity. 10/10.
    10ZeddaZogenau

    Edgar REITZ and his German Master Series in 13 Movies

    In September 1992, something extraordinary happened at the Venice Film Festival: the festival audience from all over the world enthusiastically celebrated a quality German series.

    Don't worry, there's no mistake, even though HBO wasn't supposed to start with the "Sopranos" until 1999. Edgar Reitz consciously conceived his "mini-series" as a long feature film in 13 individual films and, like eight years before with "Heimat", essentially invented the streaming of quality series.

    THE SECOND HEIMAT accompanies Hermännche (Henry ARNOLD) from the Hunsrück village of Schabbach, which we had already gotten to know in HEIMAT, to study in the million-dollar village of Munich. And we were able to see how the good-looking village boy sleeps his way through many beds and gradually matures into a composer. We met fellow students of his who had so many talents that they were unsuccessful, and others who very gradually slipped into terrorism. The nights in Munich were filmed in color, while the gray everyday life appeared in black and white.

    Six months after the sensational success in Venice, the German television station ARD broadcast the 13 films of this extraordinary film experiment on 13 evenings during prime time with unusually low ratings. And those responsible for the ARD committee really stuck with it, but after that the great era of television experiments on German television was almost finally over. For me personally, DIE ZWEITE HEIMAT was a very important viewing experience at the time. At around the same age as the protagonists in the film, I was still stuck in my small town due to lack of money and was saving up for my long-awaited studies.

    Edgar REITZ knew exactly what he was talking about.
    10MaxBorg89

    26 hours of cinematic excellence

    In 1984, Edgar Reitz surprised film-lovers all over the world with his epic opus Heimat: A Chronicle of Germany. Eight years later, he came up with a sequel, The Second Heimat: Chronicle of a Youth, which is even more astounding than its predecessor.

    Actually, it's not really a sequel. It's more of a "midquel", as it covers events that took place between the ninth and eleventh episode of the first Heimat cycle.

    The Second Heimat begins in 1960, four years after Hermann Simon (Henry Arnold) was separated from his first love, Klarchen, courtesy of his intolerant mother and elder brother (the controversy had to do with him being a minor, while she was about 25). Still angered by those events, the young man vows never to fall in love again (a grandiose, if creepy scene), and decides to move to Munich (like the director himself did in approximately the same period), hoping to become a professional composer after a few years spent at the music academy. He stays in Munich for ten years, and the thirteen two-hour episodes of Heimat 2 cover that time-frame, each of them focusing on a different person among Hermann's fellow students, people who, like him, are searching for a "second home country", be it music, film or something else, in which they can finally live peacefully.

    Like the first Heimat, this second cycle is a perfect union of film and television: the episodic structure and the various romantic subplots make it look like a soap opera, in fact The Second Heimat needs to be seen in its entirety to be successfully embraced, whereas some chapters of Heimat 1 could be viewed as separate stories (in particular, the one concerning Hermann's teenage years). The style and content, however, is pure auteur cinema, with the familiar black and white/color transitions (actually, a tad more predictable this time around) and ambiguous characters, the latter element being underlined by the relationship between Hermann and cello player Clarissa Lichtblau (Salome Kammer): they clearly love each other, yet they keep embarking on affairs with other people, delaying the inevitable until it's too late. This time, Reitz seems to be more pessimistic regarding his characters ( at one point, Hermann is so disillusioned he says: "The Beatles are much better than us!"), building entire episodes around dark, controversial themes such as abortion and suicide. The decade he's exploring is not suitable for everyone, as some are scarred in dramatic ways by the pivotal events of the '60s (the '68 revolution especially).

    Reitz also seems to have made this mini-series specifically for movie-buffs, given the numerous film references (including a brilliant Casablanca quote) and clever in-jokes (one episode is set in Venice, whose film festival had an important part in the Heimat saga's success). And since 1992, film-lovers have never ceased to thank him for delivering 26 of the most compelling hours ever committed to celluloid.
    ilkay

    Best movie of Winter 1993 in Rome

    This film was the most important event in Rome in 1993. The film was shown during 13 weeks in the Movie Theater "Sacher" of Nanni Moretti. A week for each episode. The description of students' life in Germany between 1963 and 1968 was extremely informative and poetic. I cannot mention an episode that I liked best, everything in the 6 episodes I saw was wonderful. The images, the music, the plot, the characters touched the heart. It was very exciting seeing the director and the two main stars in the movie theater one night. Italy did not distribute this film on TV so I want to thank Nanni Moretti to have made the screenings possible. Many people I am sure all over the world would be interested in seeing those movies again...
    ChWasser

    Better than "Heimat" ... or is it?

    As much as I admire the artistic quality of these 13 films, I still like the original series of 11 "Heimat" films from the 80s even more and I think there's a reason why "Die zweite Heimat" was shown only once on German TV while there have been several reruns of "Heimat". Actually there are 2 reasons:

    1) The TV scene in Germany has changed dramatically between 1983 and 1993: the two (+ one local) public channels back then are in competition with more than 15 private channels now. This was not a good thing for the attention span of the audience and the quality of the programming.

    2) Apart from this general reason there's a problem with "Die zweite Heimat" itself IMO. Almost all the protagonists are ambitious artists (in various fields like music or film) with a high political awareness. In this sense they form an active avantgarde of Germany's society in the 60s, which is quite in contrast to the mostly passive protagonists of "Heimat", who just react to the turbulent times they live in. Although this gives Edgar Reitz the chance to paint an even more precise and detailed picture (because he was part of this avantgarde and knew people like Clarissa, Juan or Reinhard), it's harder for the viewer to identify with these people. An example: the girl from Detmold (can't remember her name) is on her way to become a left-wing extremist (RAF-terrorist?) long before 'ordinary' people join the APO in 1968. Being so much ahead of your time makes it very hard for your contemporaries (let alone the viewer of the films), to understand your feelings and motivations.

    Nevertheless these films belong to the best German films of the 90s and I would love to see them again. If you also like this 'chronicle'-genre let me recommend two other German series made for TV which are nearly just as good IMO and deserve to be better known: "Rote Erde" is about some families who go through the changes in the Ruhr-area mining industry between about 1890 and 1919 (first 9 episodes) resp. 1923 and the 50s (second 4 episodes). "Löwengrube" is about a policeman's family in Munich over three generations in the 20th century (32 episodes).

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    Handlung

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    • Wissenswertes
      With a total running time of 25 hrs 32 min, it holds the Guinness World Record for 'Longest Film Commercially Shown In Its Entirety' as it premiered on theater screens in Munich, Germany in September 1992.
    • Patzer
      Alle Einträge enthalten Spoiler
    • Verbindungen
      Edited into Heimat-Fragmente: Die Frauen (2006)

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    FAQ

    • How many seasons does Heimat 2: Chronicle of a Generation have?
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    Details

    Ändern
    • Erscheinungsdatum
      • 4. März 1992 (Deutschland)
    • Herkunftsländer
      • Deutschland
      • Vereinigtes Königreich
      • Spanien
      • Schweden
      • Frankreich
      • Norwegen
      • Finnland
      • Österreich
      • Australien
      • Dänemark
    • Sprache
      • Deutsch
    • Auch bekannt als
      • Die Zweite Heimat - Chronik Einer Jugend
    • Drehorte
      • Amsterdam, Noord-Holland, Niederlande
    • Produktionsfirmen
      • Edgar Reitz Film (ERF)
      • Westdeutscher Rundfunk (WDR)
      • Sender Freies Berlin (SFB)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      25 Stunden 32 Minuten
    • Farbe
      • Black and White
      • Color
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.33 : 1

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