Im heutigen Los Angeles beginnen zwei Jahrtausende, die durch eine von sozialen Medien getriebene Hookup-Kultur navigieren, eine Beziehung, die sowohl emotionale als auch körperliche Grenzen... Alles lesenIm heutigen Los Angeles beginnen zwei Jahrtausende, die durch eine von sozialen Medien getriebene Hookup-Kultur navigieren, eine Beziehung, die sowohl emotionale als auch körperliche Grenzen überschreitet.Im heutigen Los Angeles beginnen zwei Jahrtausende, die durch eine von sozialen Medien getriebene Hookup-Kultur navigieren, eine Beziehung, die sowohl emotionale als auch körperliche Grenzen überschreitet.
- Robert Cartwright
- (as Thomas Stokes)
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That's something the older generations don't get, because back in time people used to date less and get married sooner. But for millennials, that's very relatable. People have dated other people, some times many other people. People have had sex with other people too. People have met other people's families - I could go on but you all already got it - and we have to deal with it. So that's why not everybody will understand.
I'm young and getting married soon. The story made me think a lot. I'm very sure of my decision on spending the rest of my life with my partner. Even knowing it's going to get boring eventually. Then we will figure it out. I'd never do what the characters do because I have different principles, but I totally understand their feelings.
Now, going back to the film. The actors were convincing. The way it was filmed was also particular. The camera wasn't steady, maybe purposefully to make it look like the videos we're used to see in social medias. Again, very close to younger generations. And about the end, I saw some people saying they don't like it, but this movie isn't about the end, it's about what they went through to get there. I wouldn't change a thing.
In my opinion, 6.4 doesn't do justice to this film, but, again, I can imagine people with different visions about life and relationships watching it and not getting it.
One set up shows closeness physically, but characters being as far apart as possible. It could have gone wrong, too cliche, but the symbolism of it really hits home (no pun intended). The movie generally has quite a few themes, with "newness" being one of them. The pleasure one has to enjoy that. But even with one character living in the past, the connection to "new" is still there. The other character may not want anything newer, but that plays into the theme too. Especially when things get mixed up.
The movie tries to analyze a bit and give us a look into the psyche, but it not a psychological study. You can read a couple of things into it, but it does try to stay in the drama department and the general flow of the movie. Good themes, good acting and a good script about a ... new sort of love story
So ... do you think that works out well for them?
This movie has some things going for it. Hoult and Costa are really quite good ... Costa especially ... and neither will disappoint in the film's numerous and quite explicit sex scenes. The style, impressionistic with very close, hand-held jittery cam, makes the early sequences pretty exciting, and the film goes quite some way towards recreating the rush of physical attraction and first love.
This relationship is not very interesting though. The really quite charming actors are not given characters that ever have much of interest to say, so it's tough to invest much in their relationship. Once the open relationship starts going south and Danny Huston enters the film, you're almost routing for the Huston/Costa pairing to prevail since he's actually given decent things to say. The film reaches a conclusion, but it's not a very compelling one since you don't really care about this couple and the issues that drove them into an open relationship are never really resolved anyway.
Wusstest du schon
- WissenswertesIn the end credits, director Drake Doremus dedicates the movie to Anton Yelchin who passed away in 2016 and co-starred in his movie Like Crazy (2011).
- Zitate
Gabi Silva: I think we're going to get bored of each other.
Martin Hallock: That's okay. You know, bored is okay.
Gabi Silva: We're going to resent each other, too.
Martin Hallock: We'll remind each other why we're worth it.
Gabi Silva: I will disappoint you.
Martin Hallock: I will disappoint you.
Gabi Silva: You promise?
Martin Hallock: Yes.
- Crazy CreditsThe dedication «for Anton "into the jungle"» might be related to actor Anton Yelchin who died in 2016 and was directed by Drake Doremus on Like Crazy (2011)
- SoundtracksCall it love (if you want to)
Performed by George Fitzgerald
Top-Auswahl
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- Weltweiter Bruttoertrag
- 124.783 $