IMDb-BEWERTUNG
6,3/10
15.993
IHRE BEWERTUNG
Wenn eine Austauschschülerin in einer kleinen Stadt im Hinterland von New York ankommt, stellt sie die Dynamik der Beziehungen ihrer Gastfamilie in Frage und verändert ihr Leben für immer.Wenn eine Austauschschülerin in einer kleinen Stadt im Hinterland von New York ankommt, stellt sie die Dynamik der Beziehungen ihrer Gastfamilie in Frage und verändert ihr Leben für immer.Wenn eine Austauschschülerin in einer kleinen Stadt im Hinterland von New York ankommt, stellt sie die Dynamik der Beziehungen ihrer Gastfamilie in Frage und verändert ihr Leben für immer.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
Alexandra Wentworth
- Wendy Sebeck
- (as Ali Wentworth)
Annie Q. Riegel
- Chloe
- (as Annie Q)
Empfohlene Bewertungen
I could watch Guy Pearce in anything but didn't finish this. Director kept us from involvement with characters by intrusive camerawork and faltering conversations.
Breathe In (2013)
An exquisitely written story that belies its simple arc of a plot. On the surface this looks like a story of a married man falling for one of his students—been there done that so many times it might not survive another iteration. But here that basic hook is used to dig rather deeply into the problem of this man's life—not only why he might be tempted into a foolish affair, but why, in a weird way, it isn't (for him) foolish. The first half of this movie plays this out with finesse.
The teacher is worked to a delicate balance by Guy Pearce, an ever thoughtful actor who seems perfectly cast. He's a musician who has turned to teaching music to make a living, and he clearly appreciates art and good music, always for the poetic depth it gives him. His wife (Amy Ryan) is superficial to a perfect degree—her interest is collecting cookie jars. And their daughter is a swimming star, cheerful but not a bit deep. Neither of them gives him a bit of what he really needs.
So when a foreign exchange high school student—a budding pianist—arrives in their house, an obvious opportunity arises. And I don't mean for some fun or an emotional sidetrip, but for a revival of honest feelings for life. Felicity Jones plays this out with an expected mix of shy expectance and seductive depth.
The second half of the movie, unfortunately, lets some of the restraint and delicacy crumble, and the more it descends (or rises, if you like excess) into unlikely extremes, the more it is just a story told for its plot twists. For me that became less interesting, especially because I so much liked the subtle writing in the beginning.
The final scene brings home that the point of the movie really is about that pretense of happiness upper middle class (or upper class) families work so hard to keep. To everyone's detriment. There is a lot here to like in an ultimately compromised plot.
An exquisitely written story that belies its simple arc of a plot. On the surface this looks like a story of a married man falling for one of his students—been there done that so many times it might not survive another iteration. But here that basic hook is used to dig rather deeply into the problem of this man's life—not only why he might be tempted into a foolish affair, but why, in a weird way, it isn't (for him) foolish. The first half of this movie plays this out with finesse.
The teacher is worked to a delicate balance by Guy Pearce, an ever thoughtful actor who seems perfectly cast. He's a musician who has turned to teaching music to make a living, and he clearly appreciates art and good music, always for the poetic depth it gives him. His wife (Amy Ryan) is superficial to a perfect degree—her interest is collecting cookie jars. And their daughter is a swimming star, cheerful but not a bit deep. Neither of them gives him a bit of what he really needs.
So when a foreign exchange high school student—a budding pianist—arrives in their house, an obvious opportunity arises. And I don't mean for some fun or an emotional sidetrip, but for a revival of honest feelings for life. Felicity Jones plays this out with an expected mix of shy expectance and seductive depth.
The second half of the movie, unfortunately, lets some of the restraint and delicacy crumble, and the more it descends (or rises, if you like excess) into unlikely extremes, the more it is just a story told for its plot twists. For me that became less interesting, especially because I so much liked the subtle writing in the beginning.
The final scene brings home that the point of the movie really is about that pretense of happiness upper middle class (or upper class) families work so hard to keep. To everyone's detriment. There is a lot here to like in an ultimately compromised plot.
10Siren555
No mere love story, "Breathe In" is a quietly powerful film about two people who are eloquently and achingly swept up in a deep "connection" that defies description. To label this honest and beautiful film a "family drama" does it an injustice, but if that's what it is, then "Breathe In" is the best family drama I have ever seen. Felicity Jones as Sophie, the visitor, is captivating -- insightful, kind, and vaguely troubled. Sophie also happens to be a piano prodigy, perhaps an allusion to being a sort of "prodigal daughter." The film's atmosphere is masterful,an outstanding collaboration of cinematography, production design, and music. Breathe In maintains tension without ever becoming shrill,oppressive, or melodramatic, a balance that has been difficult to strike in so many of the "family dramas" that have come before it.
Breathe In will suck the desire to sit through this movie right out of you early on, with irritating direction by Drake Doremus that employs repetitive, redundant symbolism shots of objects and elements of nature as if this were somehow a revelation. Instead, it's headache inducing, and drags this painful movie out even longer.
The amateurish direction is joined by a collection of characters so unlikable that you can't root for any of them.
Felicity Jones can usually melt anyone with her smile alone, and is usually fun to watch in anything she does. But even her presence can't save this disastrous film.
The amateurish direction is joined by a collection of characters so unlikable that you can't root for any of them.
Felicity Jones can usually melt anyone with her smile alone, and is usually fun to watch in anything she does. But even her presence can't save this disastrous film.
Every moment between stars Guy Pearce and Felicity Jones is memorable, unfortunately, even a great cast, fine performances and solid cinematography couldn't combat against a weak script.
Wusstest du schon
- WissenswertesAlthough Felicity Jones depicts a high school teenager in this film, she was actually 27-28 when it was filmed and 30 when it was released in the US.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Breathe In
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 89.661 $
- Eröffnungswochenende in den USA und in Kanada
- 15.324 $
- 30. März 2014
- Weltweiter Bruttoertrag
- 500.207 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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