Die mittelalterlichen Missgeschicke einer trinkfesten Prinzessin, ihrer lebhaften Elfe und ihres persönlichen Dämons.Die mittelalterlichen Missgeschicke einer trinkfesten Prinzessin, ihrer lebhaften Elfe und ihres persönlichen Dämons.Die mittelalterlichen Missgeschicke einer trinkfesten Prinzessin, ihrer lebhaften Elfe und ihres persönlichen Dämons.
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Season 1 began with an episodic construct that was similar to any fraction of Futurama or The Simpsons. At the eleventh hour, it suddenly gained a multi-episode narrative that finished off with a Game of Thrones-esque cliffhanger, and suddenly it became a strange, if not interesting departure from the formulaic sitcom it made itself out to be.
Season 2 picks up right where they left off, and not only kept the narrative, but proved that it also gained a personality somewhere along the way.
Don't get me wrong, I love the first season. The plots are endearing, it's easy to binge, it's nice to look at, and the world is interesting. Is it Game of Thrones? No. Do I want it to be Game of Thrones? Absolutely no. When I see Futurama in medieval times, I want it to be Futurama in medieval times.
Futurama and The Simpsons are meant to be "soup of the day" shows, and people enjoy that. Some people have enjoyed that for 30 years. It's situational antics and shameless social commentary, and that junk is candy for the eyes and ears of your average viewer, myself included. What makes Disenchantment different from Futurama or the Simpsons (apart from only having 20 episodes so far, and a season-long plot, to boot) however, is the fact that both of those programs don't have a main character that lives to make an important statement.
I love Bean and everything she stands for. She's meant to not only be someone who rocks the proverbial boat (especially given the medieval-fantasy setting of the show), but someone who is pained, confused, complex, strong and often has valid points to make; shes a real person. She's a great character. And while I love how Homer Simpson can have a heart sometimes, I really love how Bean has a heart all of the time. She can be mean and she can make mistakes, but she can also learn, care about things deeply, and throw a punch at someone who wrongs her. I think that's someone that a lot of people secretly wish they could be.
The second season has a lot of heart, made me frustrated a lot, probably ended episodes rather abruptly at times but still managed to be really interesting story-wise, and develops the characters nicely to the point where I want season 3 to premier yesterday.
Season 2 picks up right where they left off, and not only kept the narrative, but proved that it also gained a personality somewhere along the way.
Don't get me wrong, I love the first season. The plots are endearing, it's easy to binge, it's nice to look at, and the world is interesting. Is it Game of Thrones? No. Do I want it to be Game of Thrones? Absolutely no. When I see Futurama in medieval times, I want it to be Futurama in medieval times.
Futurama and The Simpsons are meant to be "soup of the day" shows, and people enjoy that. Some people have enjoyed that for 30 years. It's situational antics and shameless social commentary, and that junk is candy for the eyes and ears of your average viewer, myself included. What makes Disenchantment different from Futurama or the Simpsons (apart from only having 20 episodes so far, and a season-long plot, to boot) however, is the fact that both of those programs don't have a main character that lives to make an important statement.
I love Bean and everything she stands for. She's meant to not only be someone who rocks the proverbial boat (especially given the medieval-fantasy setting of the show), but someone who is pained, confused, complex, strong and often has valid points to make; shes a real person. She's a great character. And while I love how Homer Simpson can have a heart sometimes, I really love how Bean has a heart all of the time. She can be mean and she can make mistakes, but she can also learn, care about things deeply, and throw a punch at someone who wrongs her. I think that's someone that a lot of people secretly wish they could be.
The second season has a lot of heart, made me frustrated a lot, probably ended episodes rather abruptly at times but still managed to be really interesting story-wise, and develops the characters nicely to the point where I want season 3 to premier yesterday.
With this show being from the creator of "The Simpsons" and "Futurama", I was of course curious enough to give it a watch, and I thought it would be as outrageous and hilarious as those earlier shows. While I didn't think the show was terrible, it is to a degree somewhat disappointing.
First, the good stuff in the show. Technically, the show is first rate, with good animation and art design. The premise and the characters are pretty original, making the show not feel like a clone of any past TV shows. The show is certainly not boring, and is somewhat amusing at times.
However, "somewhat amusing" is about as funny as the show gets. The humor of the show lacks significant comic jabs to make it truly laugh-out-loud funny. The show seems to be content to move along with an amiable attitude instead of really trying to be hilarious. There are other problems with the writing as well. The creators of the show seem to be having difficultly moving from a 22 minute episode format to a longer version; you can really feel some blatant padding at times, especially with the first episode of the show. Also, the show is very slow in explaining details of the characters and situation at times. For example, Bean's half-brother is not clearly identified or given a chance to speak until about halfway through the show's first ten episodes.
This is not a bad show, but currently it's not reaching its full potential. It's possible the writers will manage to improve things should the show be renewed. Until then, I would say give the show a chance by watching the first three episodes. If you like what you see there, you'll probably find the rest of the episodes amusing enough. If not, then I would say skip the other episodes.
First, the good stuff in the show. Technically, the show is first rate, with good animation and art design. The premise and the characters are pretty original, making the show not feel like a clone of any past TV shows. The show is certainly not boring, and is somewhat amusing at times.
However, "somewhat amusing" is about as funny as the show gets. The humor of the show lacks significant comic jabs to make it truly laugh-out-loud funny. The show seems to be content to move along with an amiable attitude instead of really trying to be hilarious. There are other problems with the writing as well. The creators of the show seem to be having difficultly moving from a 22 minute episode format to a longer version; you can really feel some blatant padding at times, especially with the first episode of the show. Also, the show is very slow in explaining details of the characters and situation at times. For example, Bean's half-brother is not clearly identified or given a chance to speak until about halfway through the show's first ten episodes.
This is not a bad show, but currently it's not reaching its full potential. It's possible the writers will manage to improve things should the show be renewed. Until then, I would say give the show a chance by watching the first three episodes. If you like what you see there, you'll probably find the rest of the episodes amusing enough. If not, then I would say skip the other episodes.
It's a struggle watching Disenchantment - I have a deep and endearing love for Rough Draft studios and their animation game is strong here. In fact, Groening's aesthetic has never looked nicer - beautifully painted backgrounds, huge complex CGI sequences seamlessly integrated with the 2D stuff. You've got all your favourite voice actors and some nice cult British comedy casting, you've got the legendary Mark Mothersbaugh crafting a fun score to keep it rattling along. It's a serious shame then that it's so let down by some wildly inconsistent plotting and some absurdly sketchy characterwork.
In trying to flex from a syndicated-style comedy animation to a multi-part fantasy epic Disenchantment manages neither very well - and the weight of the story is let down by the flailing plot tendrils and stop-start character arcs that drift in and out of focus seemingly entirely randomly. It's like a big fantasy book where each chapter is being written by different people who each had a brief half-forgotten conversation with the person who wrote the chapter before. It's frustrating, and you find yourself going "wait, but what about this thing from seven episodes ago? Did they forget about it? Will it ever be referred to again?! IT SEEMED IMPORTANT AT THE TIME."
So it's a hodge-podge show really - magnificently polished on the one hand - but incredibly sketchy on the other. Like when a load of artists fold over paper and pass it to another to draw a strange hybrid creature, sure it all sticks together but it doesn't quite work as a whole. It's a show sort of fighting itself and my own mind is doing the exact same thing when I'm watching it. Was Futurama this frequently awkward and hit-and-miss? Is my whole life a lie?! Well perhaps but I'll stick with it for as long as Netflix does (or will the resurrection of Futurama on Hulu spell the end?) - for a deep love of what was and what may or may not ever end up coming to pass.
In trying to flex from a syndicated-style comedy animation to a multi-part fantasy epic Disenchantment manages neither very well - and the weight of the story is let down by the flailing plot tendrils and stop-start character arcs that drift in and out of focus seemingly entirely randomly. It's like a big fantasy book where each chapter is being written by different people who each had a brief half-forgotten conversation with the person who wrote the chapter before. It's frustrating, and you find yourself going "wait, but what about this thing from seven episodes ago? Did they forget about it? Will it ever be referred to again?! IT SEEMED IMPORTANT AT THE TIME."
So it's a hodge-podge show really - magnificently polished on the one hand - but incredibly sketchy on the other. Like when a load of artists fold over paper and pass it to another to draw a strange hybrid creature, sure it all sticks together but it doesn't quite work as a whole. It's a show sort of fighting itself and my own mind is doing the exact same thing when I'm watching it. Was Futurama this frequently awkward and hit-and-miss? Is my whole life a lie?! Well perhaps but I'll stick with it for as long as Netflix does (or will the resurrection of Futurama on Hulu spell the end?) - for a deep love of what was and what may or may not ever end up coming to pass.
And now I'm waiting for the third season. Its not funny, its not something special but its fun to watch and i really like the animations.
This show is not a comedy! It's a story and character driven fantasy show with jokes. And I love it! Every time the focus is on the characters or the story and world, it's awesome!!! Don't treat this show as a comedy, and kind of suffer through most of season 1, still enjoyable, but mostly one offs. This show is fun!
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- WissenswertesUnlike the other Groening cartoons, all of the human characters in this series have five fingers on their hands. The mythical creatures, such as Elfo, have only four, and the demon and Bean's stepmother have three fingers.
- PatzerIt is mentioned several times that the only elf to leave Elfwood, was Leavo. Later Elfo's Dad talks about his time as a Traveling Salesman who traveled outside of Elfwood.
- Zitate
Elves: Our minds are blank, but our hearts are free!
- Crazy CreditsThe opening of each episode features animatic/abstract previews of scenes from that episode.
- VerbindungenFeatured in AniMat's Crazy Cartoon Cast: Grooming Show Dog Balls (2018)
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