Das Leben einer Gruppe von Teenager Freunden wird auf den Kopf gestellt durch die Wunder und Schrecken der Pubertät.Das Leben einer Gruppe von Teenager Freunden wird auf den Kopf gestellt durch die Wunder und Schrecken der Pubertät.Das Leben einer Gruppe von Teenager Freunden wird auf den Kopf gestellt durch die Wunder und Schrecken der Pubertät.
- 4 Primetime Emmys gewonnen
- 12 Gewinne & 58 Nominierungen insgesamt
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Writing a review based upon your own preferences of comedy isn't really being true or fair to a show. So unlike what other people have posted, I'll give it to you straight, this show is not for everyone. But, provided you have an open mind to comedy and are not easily offended it does offer a few laughs and a good little show to pass the time.
I feel like the creators of Big Mouth dove right into my brain and heart to make this show. It is so incredibly gross in the most real way, and it totally stole my heart. I swear this is the best animated show ever made. It isn't lame, generally offensive comedy like shows like Family Guy. It's real comedy about our bodies and brains as teens that is so blunt and honest, and gross because that's how life is! I hope this show never ever ends. Also, I need to know who the ponytail killers is.
The first five minutes made me open my eyes in disbelief. I'm so happy I finally found a show that was brutally honest and funny to the bone(r). The first episode doesn't give up. There is just one ridiculously true situation of satire after an another. I really enjoy this show for its "in your face" honesty and brilliant conception. Finally, we have a show without barriers that is true to the core of one's inner fluidity.
I think this is pretty funny, I identified with the characters struggles of going through puberty when I was young. I like the voice acting, I like the subject matter, and I like that they aren't afraid to address a subject that is uncomfortable for poorly adjusted adults.
It's crude but not for no reason like Brickleberry, it's crude because it's about teenagers and preteens and the monsters are hilarious embodiment of teen angst.
If you liked the league you might like this as well because it has Nick Kroll (Ruxin) and RAPHY!
It's crude but not for no reason like Brickleberry, it's crude because it's about teenagers and preteens and the monsters are hilarious embodiment of teen angst.
If you liked the league you might like this as well because it has Nick Kroll (Ruxin) and RAPHY!
I hate Big Mouth. I don't want to like this show. It is everything I think isn't funny on television, but makes me consistently laugh more than almost anything else I've seen. The entire basis of its humour is crass sexual jokes, some of which are so blatant and undisguised its almost a slap in the face to watch them. The basic premise (high schoolers going through puberty alongside their "hormone monster" partners) is the ideal vessel to allow these jokes to flow freely, and provide the groundwork for some quality comedy to also shine through.
Do not be confused - this is not a show for children, even though the animation style would suggest so. The cartoonish graphics mean that the more conceptual storylines can really come to life, which is where Big Mouth earns its money. Unafraid to break the fourth wall or joke about current events/Netflix/anything else controversial, the best of the humour really shines through in these spots, propelled by the exemplary voice acting. Nick Kroll is the mastermind, but other talents include John Mulaney, Jessi Klein, Jason Mantzoukas (who plays Jay, my personal favourite character) and Jenny Slate, all of whom are excellent. Another draw is the parallels the writers have made with the real experience of growing up; even small similarities with the experiences of others makes Big Mouth so much easier to sympathise with.
Strangely enough, the music for Big Mouth is also top-notch: rarely do you find Frank Ocean, The Ramones and Biggie Smalls all feature in a television show without the creative direction being severely misaligned, but this show strikes the balance really well. The in-jokes that develop throughout the show are also worth paying attention to, and more perceptive fans will see so many more niche references as the series progresses.
Do not be confused - this is not a show for children, even though the animation style would suggest so. The cartoonish graphics mean that the more conceptual storylines can really come to life, which is where Big Mouth earns its money. Unafraid to break the fourth wall or joke about current events/Netflix/anything else controversial, the best of the humour really shines through in these spots, propelled by the exemplary voice acting. Nick Kroll is the mastermind, but other talents include John Mulaney, Jessi Klein, Jason Mantzoukas (who plays Jay, my personal favourite character) and Jenny Slate, all of whom are excellent. Another draw is the parallels the writers have made with the real experience of growing up; even small similarities with the experiences of others makes Big Mouth so much easier to sympathise with.
Strangely enough, the music for Big Mouth is also top-notch: rarely do you find Frank Ocean, The Ramones and Biggie Smalls all feature in a television show without the creative direction being severely misaligned, but this show strikes the balance really well. The in-jokes that develop throughout the show are also worth paying attention to, and more perceptive fans will see so many more niche references as the series progresses.
Nick Kroll Regrets Nothing About "Big Mouth"
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- WissenswertesMissy's parents, Cyrus and Monica, are played by Jordan Peele and Chelsea Peretti, who are married in real life.
- Zitate
Several characters: [Repeated line to Jay] Stop quoting your dad's law commercials!
- VerbindungenFeatured in WatchMojo: Top 10 Best TV Shows This Fall (2017)
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