IMDb-BEWERTUNG
6,4/10
14.189
IHRE BEWERTUNG
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- Auszeichnungen
- 3 Gewinne & 26 Nominierungen insgesamt
Lyric Ross
- Kat
- (Synchronisation)
Keegan-Michael Key
- Wendell
- (Synchronisation)
Jordan Peele
- Wild
- (Synchronisation)
Angela Bassett
- Sister Helley
- (Synchronisation)
James Hong
- Father Bests
- (Synchronisation)
Sam Zelaya
- Raul
- (Synchronisation)
Tamara Smart
- Siobhan
- (Synchronisation)
Seema Virdi
- Sloane
- (Synchronisation)
Ramona Young
- Sweetie
- (Synchronisation)
Ving Rhames
- Buffalo Belzer
- (Synchronisation)
Michele Mariana
- Sister Daley
- (Synchronisation)
- …
Natalie Martinez
- Marianna Cocolotl
- (Synchronisation)
Tantoo Cardinal
- Ms. Hunter
- (Synchronisation)
Gary Gatewood
- Delroy Elliot
- (Synchronisation)
Gabrielle Dennis
- Wilma Elliot
- (Synchronisation)
David Harewood
- Lane Klaxon
- (Synchronisation)
Maxine Peake
- Irmgard Klaxon
- (Synchronisation)
Empfohlene Bewertungen
I usually love Henry Selick's work. In fact the Nightmare Before Christmas and Coraline are two of my favourite movies. But this just didn't hit the mark.
There was far too much going on, and many of the additional story points feel unnecessary, which ultimately ends up taking away from the quality of a film that could've been great, but really wasn't.
This film would've been so much better if the story was simplified and streamlined a bit.
Pretty disappointing overall.
The animation style was nice though, although not my favourite of his work, and it was nice to have diversity in the characters.
There was far too much going on, and many of the additional story points feel unnecessary, which ultimately ends up taking away from the quality of a film that could've been great, but really wasn't.
This film would've been so much better if the story was simplified and streamlined a bit.
Pretty disappointing overall.
The animation style was nice though, although not my favourite of his work, and it was nice to have diversity in the characters.
I love Henry Selick's work in Stop Motion, Coraline is even one of my all time favorite films, however this new effort has unfortunately left me a little cold.
On the technical side it is certainly something great but the script is really simple with an unbalanced pace.
The ending comes all of a sudden and the viewer is not given time to empathize with what's going on.
The protagonists are nice even if some have a design that didn't drive me crazy. However, the film is not a bad film but thinking about past works it does not even reach those levels a bit.
Such a shame as I was very confident for Wendell & Wild.
On the technical side it is certainly something great but the script is really simple with an unbalanced pace.
The ending comes all of a sudden and the viewer is not given time to empathize with what's going on.
The protagonists are nice even if some have a design that didn't drive me crazy. However, the film is not a bad film but thinking about past works it does not even reach those levels a bit.
Such a shame as I was very confident for Wendell & Wild.
Henry Selick's welcome return to direction is expectedly visually splendorous. Though a lot more rudimentary in it's appearance than Coraline, Wendell & Wild is brimming with life in the design of every one of its memorable characters and sets.
The unique style and quirky designs add a great deal of vibrancy to the many, many creative ideas present in the story. It makes for a gleefully bizarre, oddly captivating experience. I can see this becoming a cult classic like some of Selick's other stop-motion animated films.
I thought the characters all had more than sufficient unique personality to keep the film effortlessly watchable and engaging.
But there is WAY too much going on here. And I'm starting to see this as a trend in screenplays involving Jordan Peele, as Nope had the same problem earlier this year.
Wendell and Wild as characters are actually barely in this movie, and they are woefully underdeveloped, given the bare minimum of motivations and rushed, shallow character growth. And it's because the writers felt the need to make room for a plethora of other characters and story beats that are never given their time to become impactful.
Kat has an "overcoming trauma" arc that is simplistically glossed over in one scene, and she has magical powers that are introduced with almost no build-up.
Some generically-written friends of Kat's are given even less development and some scenes try to highlight them only to have little to no impact on the story.
I could go on, but I'll lastly mention that there are way too many antagonist characters, and because there's no time to focus on them, they're disappointingly simplistic and cartoonish, and it results in the story's themes being delivered in such an on-the-nose manner that the film's conclusion is unfortunately disappointing.
The unique style and quirky designs add a great deal of vibrancy to the many, many creative ideas present in the story. It makes for a gleefully bizarre, oddly captivating experience. I can see this becoming a cult classic like some of Selick's other stop-motion animated films.
I thought the characters all had more than sufficient unique personality to keep the film effortlessly watchable and engaging.
But there is WAY too much going on here. And I'm starting to see this as a trend in screenplays involving Jordan Peele, as Nope had the same problem earlier this year.
Wendell and Wild as characters are actually barely in this movie, and they are woefully underdeveloped, given the bare minimum of motivations and rushed, shallow character growth. And it's because the writers felt the need to make room for a plethora of other characters and story beats that are never given their time to become impactful.
Kat has an "overcoming trauma" arc that is simplistically glossed over in one scene, and she has magical powers that are introduced with almost no build-up.
Some generically-written friends of Kat's are given even less development and some scenes try to highlight them only to have little to no impact on the story.
I could go on, but I'll lastly mention that there are way too many antagonist characters, and because there's no time to focus on them, they're disappointingly simplistic and cartoonish, and it results in the story's themes being delivered in such an on-the-nose manner that the film's conclusion is unfortunately disappointing.
When I first saw the trailer, I was really excited for this movie. Henry Selick has made two all-time animated classics with "Nightmare Before Christmas" and "Coraline". Having him team up with Jordan Peele, sounds like a match made in heaven. Ironic comparison given the subject of the movie.
The animation is very distinct. It catches you off guard at first, but you get used to it fairly quick. The movie has a lot of fun and unique characters and create a fascinating world. The characters, animation and moments of humor all work, where does it falter?
The story simply has way too much going on. As the movie tries to juggle these different story points, characters make stupid decisions or unprovoked changes solely for the purpose of moving the story towards a conclusion. And I may have complimented a lot of the characters, but I will say that the villains in this are awful. They are the same old tired villain cliché we've seen a hundred times, with nothing clever or funny to make them stand out.
I like the themes and morals the movie addresses, but just because I like the message, doesn't mean that I liked the way it was presented.
It's a shame because there's a great movie in here, it just doesn't come to its full potential. A good film with just one too many demons holding it back.
The animation is very distinct. It catches you off guard at first, but you get used to it fairly quick. The movie has a lot of fun and unique characters and create a fascinating world. The characters, animation and moments of humor all work, where does it falter?
The story simply has way too much going on. As the movie tries to juggle these different story points, characters make stupid decisions or unprovoked changes solely for the purpose of moving the story towards a conclusion. And I may have complimented a lot of the characters, but I will say that the villains in this are awful. They are the same old tired villain cliché we've seen a hundred times, with nothing clever or funny to make them stand out.
I like the themes and morals the movie addresses, but just because I like the message, doesn't mean that I liked the way it was presented.
It's a shame because there's a great movie in here, it just doesn't come to its full potential. A good film with just one too many demons holding it back.
The idea of Key&Peele as stop-motion characters was enough to draw me in, the problem with the movie is they're not the main characters even though the title says Wendell & Wild, the main character is the school girl Kat, and because her life's trauma left her cold, she hard to like, the animation has high production value, it looks good, but the story is about too many different things, and the title characters fade into the background, Kat is supposed to be some kind of hell something lol, and her mentor played by Angela Bassett has the same powers but it's not fleshed out enough to understand what the purpose of those powers are, overall a cute Halloween movie for a family to watch, parents turn off your brain and let the kids enjoy the animation.
Wusstest du schon
- WissenswertesJack Skellington from "The Nightmare Before Christmas" makes a brief cameo during the credits. In the scene going down in the ground, Jack's skull appears among other skulls. He is also seen as a topper on the antenna of the juvenile justice van.
- Crazy CreditsIn a post-credits scene, an animator working in the middle of the night films on his camera the model of Kat coming to life and is amused by it.
- VerbindungenFeatured in AniMat's Crazy Cartoon Cast: Mushroom Kingdom, Here We Come! (2022)
- SoundtracksMa and Pa
Written by Kendall Jones (as Kendall Rey Jones) and Angelo Moore (as Angelo Christopher Moore)
Performed by Fishbone
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Wendell y Wild
- Drehorte
- Portland, Oregon, USA(Studio)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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