ParaNorman

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The makers of Coraline and the beautifully crafted but story-lacking 9 brought us another animated movie that did not disappoint. Paranorman was in fact a surprising movie. Unlike any other animated movie, this one picks a new sort of approach, that would probably entertain both adults and children.

The film was shot using a Canon 5D Mark II DSLR Camera. To generate the 3D effect, the camera was mounted on a special rig that would take one shot, then slide to a slightly viewpoint to take another shot. However, to generate all the different faces needed for the characters, the film company Laika used 3D printers.

The movie takes place in the creepy town of Blithe Hollow, whose name is a mash up of two other ghost stories, Noel Coward's Blithe Spirit(1945) and Washington Irving's The Legend of The Sleepy Hollow(1949). Paranorman tells the story of 11 years-old Norman (voiced by Kodi Smit- McPhee), who can speak to ghosts. Unfortunately, Norman has no friends because people think he's weird. Even his father (voiced by Jeff Garlin) regrets how his son turned out to be. The movie is a little too horror oriented, but funny and suitable for children nonetheless.

The characters are well drawn, so you can understand each of their personalities: you have the nice fat kid called Neil (voiced by Tucker Albrizzi), the usual blonde teen (voiced by Anna Kendrick), the bully (voiced by Christopher Mintz-Plasse), and the dumb jock (voiced by Casey Affleck). To be honest, my favorite was Neil.

To end with, Paranorman weaves a fantastically dazzling, consistently engaging and touching story. I really appreciated the level of maturity that has gone into this impressive stop-motion animation. A good movie in about every regard, that is fun and entertaining to watch, for both children and adults.

Laika Entertainment, the stop-motion studio behind the modern classics Corpse Bride and Coraline, are back with their latest spooky tale, ParaNorman. Like its predecessors, ParaNorman is a beautiful claymation wonder. Every single frame is filled with such a vast amount of detail it would take several repeat views to catch all the hidden gems.

ParaNorman is also filled with humor. The talented voice actors that bring the clay characters to life provide most of the laughs. From Anna Kendrick's (Up In The Air, 50/50) ditzy cheerleader, to Casey Affleck's (Gone Baby Gone, Ocean's Eleven) dumb jock, to Christopher Mintz-Plasse (Superbad, Kick-Ass) getting to play against his 'McLovin' typecast as the angry school bully. But the biggest laughs by far are dished out by child actor Tucker Albrizzi who is perfectly cast as the voice of Norman's chubby best friend, Neil.

ParaNorman is a visual and comedic force. Despite the tedious and demanding workload and easier computer rendering technology, Laika Entertainment continues the tradition of making stop-motion movies the hard way. With films as stunning as ParaNorman hopefully the technique will live on forever.

The thing of it is, ParaNorman is pretty scary stuff for a PG movie, so you've been properly warned. This isn't some over-sanitized Disney movie. Everything from the lighting to the characters to the tense plot adds up to something you wouldn't want your six-year-old to drag you to, unless you don't mind paying for some therapy. But it's a terrific movie, with a style all its own and a madcap sense of ghoulish delight.

Norman (voice of Kodi Smith-McPhee) is an outcast. Know why? He talks to dead people. And indeed, we see them as well, chatting with our hero along his walk to school. Oh, and his grandmother (voice of Elaine Stritch) talks to him all the time while sitting on the couch in the living room. No one understands poor Norman, who's as resignedly freaked out as Haley Joel Osment in the Sixth Sense, so he has no one to talk to, not his parents (Jeff Garlin and Leslie Mann), not his sister (Anna Kendrick), and not the school bully (Christopher Mintz-Plasse) for sure.

It's only when Norman has an episode during the production of a school play (not coincidentally, about an old legend surrounding the town's dark past) that he gains a friend - another outcast, the portly Neil (Tucker Albrizzi), who teaches Norman that it's best not to let people bother you, to not let them get under your skin. Had the story ended there, we may have had a nice, tidy after-school special. Oh, but it does not! From out of almost nowhere, Norman's black-sheep uncle, Mr. Prenderghast (John Goodman), a heavily bearded, slightly loony chap, informs Norman that he - Norman! - must take the mantle of He Who Holds Off the Witch's Curse. Mr. P. has been doing it for all these years, but he thinks he's about to go. He warns Norman that it's all up to him and he must read from the book and then he dies. That was an intentional run-on sentence, for your pleasure.

Thereby our plot is set in motion! Norman must extricate said book from the dead uncle and then read it by the witch's grave in order to break the curse that no one really believes is real. They don't believe it on account of Mr. Dead Uncle has been reading from the book for his entire life, and someone before him, and so on. But now Dead Uncle is, you know, demised, and just before the witch is to rise from the ashes and wreak havoc! Oh, I should note that the curse goes like this - a little girl was suspected of witchcraft by the town elders and sentenced to death. So you can see why she might want to haunt those elders and the town itself for all eternity.

There are people raised from the dead, and the imagery is quite striking; bones, stringy hair, rent clothing, and the ability to remove an appendage and reattach it. Are these - uh - zombies - out to lay waste to the town? Or are they victims of their own device? It's up to Norman, his brain, and his innate ability to talk to dead people to somehow save the day. Despite being grounded, of course.

ParaNorman works on many levels. Adults will love the stylish, almost Gothic atmosphere; older teens will love the menace of both the zombies and the townspeople, not to mention the witch herself. There are, for an animated film, plenty of scares and dark themes - slightly offset by the themes of loneliness, friendship, heroism, and getting adults to just listen to you. For once! Ahem. Anyway, there's a sort of beauty in ParaNorman, as horror and light comedy are somehow blended to form a rich animated film.

I recently watched again, and reviewed here, MONSTER HOUSE, which is, like PARANORMAN, an animated horror movie for kids (actually, both feature as main character a boy who has a fat-and-funny friend). I'm not sure if MONSTER HOUSE appeared in the great Fangoria magazine, but PARANORMAN did. I was already interested in watching it on the big screen when I found out the Fangoria coverage, which was just the plus. I was interested for the obvious reason: stop-motion material from the people responsible of CORALINE (not Henry Selick tough). This is clearly the sort-of little stop-motion film of year (and I said sort-of little since it had a pretty big publicity campaign here in Mexico City) while Tim Burton's upcoming FRANKENWEENIE is like the big and long-awaited one.

There is some good news. While we wait to found out if Burton finally does something great after almost 10 years, here we have a film that will give movie geeks really cool stuff. Needless to say, kids won't enjoy some of the elements that most likely you will, fellow reader. Well, you will if you're into very cool horror tributes, in the way Quentin Tarantino would be proud, and nice takes on witch-hunt… and into zombies, of course. Talking about the zombies here, well, I recalled what Guillermo Del Toro's said about CRONOS; he said basically that the vampire from his film is like the saddest vampire ever. I won't say much, only that here we can think in the zombies as sad and confused human beings. The main character Norman is not the classic happy kid as well; you'll love him by just seeing his liking for horror – actually, not every day we have an animated movie that opens like something out of a Grindhouse. And there's good humor (and McLovin as a bully with stretched piercing – I watched the 2D Spanish dubbed version tough), so yes, it's worth watching!

*Watched it on 08 August, 2012

I came into ParaNorman with a sense of cautious optimism. I absolutely adore stop motion animation, and I genuinely fell in love with Coraline, LAIKA's previous effort, but the trailers for the film didn't capture my interest in the story in the way I hoped they would and this film also didn't have the benefit of being helmed by the brilliant Henry Selick (Nightmare Before Christmas, James and the Giant Peach, Coraline). That being said, I am extremely happy to report that ParaNorman absolutely delivers on every level you could hope for.

ParaNorman tells a story about a young boy named Norman who has the unusual ability to see and talk to the dead, an ability which has led him to be ostracized by the other members of his community, including his own family. The New England town in which he lives is famous for a historic witch execution, along with the legend of a curse that the witch put upon those who sentenced her to death. It turns out that the legend of the curse is true, and that Norman, with his ability to talk to the dead, is the only one who can prevent the curse from raising the dead. Unfortunately, Norman is unable to act fast enough and the Witch's curse begins to wreak havoc on the town.

ParaNorman is a film with many strengths. Stop motion animation is always a beautiful and fascinating process, and with new technological advances the filmmakers have been able to bring it to a level of detail and expression that are simply astounding. While the scope of the story may be smaller than something like Coraline or Nightmare Before Christmas, the scale of the stop motion sets for this town are truly incredible. The film absolutely immerses you in this world that feels like a living, breathing, place. As beautiful as the animation in Brave was, ParaNorman is easily the most visually impressive film I have seen this year.

As beautiful as the film is, it never falls into the trap of so many other animated films by simply being visual spectacle with no narrative soul. The story of the film is fun, intelligent, and heartfelt, and is supported by a great cast of characters. The odd kid who is misunderstood is a common trope in kids' movies, but what makes Norman stand out is that he's never mopey about it. He is ostracized, bullied, and rejected, but he's come to a kind of acceptance about the whole thing. He's certainly not happy about it, but at this point he's not trying to fit in, he's really just trying to keep his head down and get through the daily grind. This is part of what makes his relationship with the other characters in the film work so well. For instance Neil genuinely accepts Norman for who he is and it's obvious that this throws Norman for a loop and he doesn't really know how to interact with someone who "gets him." This is never spoken, but it plays out naturally through the performances of the characters.

As the narrative progresses it takes some really interesting turns, and at times is genuinely surprising and emotional. Without spoiling anything, I'll just say that a large part of the narrative revolves around assumptions and misunderstanding, and it brilliantly uses the audience's assumptions and expectations about the genre and its conventions against them.

It's also worth mentioning that this is one of the rare films which decidedly benefits from the addition of 3D. There's some fun play with perspective, and being able to see the dimension that exists in these sets adds a lot to the experience.

I genuinely loved ParaNorman and it's easily one of my favorite films this year. It's not a movie for everyone, but if any of the trailers gave you even a glimmer of interest I would definitely recommend checking this one out. LAIKA is certainly beginning to make a name for themselves in the animation scene and I'm really looking forward to whatever their next project will be. I think I still prefer Coraline which definitely benefited from the combination of Neil Gaiman's fantastic story and Henry Selick's experienced hand, but ParaNorman is a truly fantastic film and it's definitely worth a look.

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