Red Christmas

I HAVE REVIEWED OVER 400 Christmas MOVIES.

BEWARE OF BOGUS REVIEWS. SOME REVIEWERS HAVE ONLY ONE REVIEW. WHEN ITS A POSITIVE REVIEW THAT TELLS ME THEY WERE INVOLVED WITH THE PRODUCTION. NOW I HAVE NO AGENDA! I AM HONEST! I REVIEW Christmas MOVIES AS A WAY TO KEEP TRACK OF WHAT I HAVE SEEN!

Horror legend Dee Wallace (The Hills Have Eyes, The Howling, E.T., Cujo, Critters) stars as the stressed-out mother of a squabbling family, gathered together in a remote Outback estate on Christmas Eve. When a mysterious, deformed young man named Cletus appears at their door, things soon change from petty insults to bloody, imaginatively orchestrated violence as Wallace attempts to protect her family from the vengeful intruder. The film deliriously infuses comedy, dark family secrets with outlandish gore and adds the always controversial subject of abortion in its blood-stained mix.

This film is amateur hour. The camera work is terrible. The director thinks his low angles and weird color schemes add mode but they are a distraction.

If you want to see a good horror film that has a Christmas setting then watch the original "Black Christmas"

Personally I don't think this film has a political agenda, either pro-life or pro-choice. All the characters are awful IMO. I think the reason for the bad reviews comes down to politics. Christmas + abortion. What a heartwarming combination! but if you can get past that, I actually really enjoyed the film. It wasn't as shallow as the typical hack and slash horror flick. No, not every scene was realistic, but so what? Very few horror films are. Recommended for anyone that isn't politically sensitive and enjoys horror.

A mother (Dee Wallace) must protect her family on Christmas Day from a demented stranger (Sam Campbell) who is hell-bent on tearing them apart after being rejected.

The 2016 Fantasia International Film Festival shattered my expectations, and not always in a good way. Two of the best surprises were Geoff Redknap's "The Unseen" and the conspiracy-themed "Man Underground". But then we had the proverbial stinkers. Takashi Miike added a dud to hid otherwise illustrious career with "Terraformars". And then there is "Red Christmas", a modern slasher.

First of all, I am a big fan of Christmas-themed horror films. Not all are winners ("Silent Night, Deadly Night II") but almost all are at least entertaining. And "Red Christmas" has Dee Wallace both starring and producing, which is a good thing – she has been a genre icon for over three decades thanks to "E.T.", "Cujo" and "The Hills Have Eyes", among others. But somehow these two strengths just do not carry the picture.

And then there are secondary considerations. I also love most slasher films, and you have to appreciate the design that went into Cletus. He is certainly one of the more refreshing masked killers we have seen in years, with no comparison in recent memory. And the idea of having an abortion clinic theme was very wise, as it makes you realize how much this is an untapped area for horror. There was John Carpenter's lackluster "Pro-Life" (2006), but no other horror movie touching on this taboo topic comes to mind. So these were some of the few strong points.

But the shortcomings just far outweigh the positives that everyone brought to the table. The dialogue seemed poorly scripted and delivered, while the pregnant woman looked like she was literally holding up a beach ball under her dress. Every character makes poor decisions; and while poor decisions are common in slasher films, these may be among the worst. The lighting – what is up with the neon lighting? I presume it is supposed to be Christmas lights, but it does not look like them (and how are they working if the power is out?). And let us not get started on the stereotypical, one-dimensional closeted Christian pastor.

One of the biggest downfalls is actually making the film a Christmas story. There is a bit of Christmas-related plot (the giving of gifts), but this is rather irrelevant to the story at large. Cletus could have shown up on any day of the year and it would have been just as well. The setting of Australia also seems wrong for Christmas, because an important part of Christmas horror is snow. I suppose this criticism might be unfair to Australians because it more or less suggests they cannot make Christmas horror films… but I think my point is really that if you are going for a Christmas theme, really make it somehow recognizable (hint: snow) or important to the plot. Instead, it seems like this was just pandering, trying to capitalize on a title that is similar to "Black Christmas"… and this film is not even as good as the "Black Christmas" remake, which is saying something.

I may be coming down unusually hard on the film. After all, "Red Christmas" is better than many of the low-budget horror films that flood the market these days. And I have to give them credit for the practical effects; some are rough, but I'd rather see a bad practical effect than bad CGI. What really disappointed me, to be honest, was how this film made the cut for Fantasia. With the dozens of top-notch world premieres, it is a shame when something like this slips through. Critic Matt Donato really sums it up when he says the movie "falls short of being the next killer yuletide classic." Yep.

When first reviewing the film, I wrote, "Expect it to die a quiet death on video store shelves." This has since come to be half correct. On the one hand, it did not get a wider theatrical release. And for a movie that I saw in July 2016, it seems like October 2017 is an awful long time to go from festival to Blu-ray. However, the company that picked it up is Artsploitation, who have some solid titles under their belt (Jonas Govaerts' "Cub" comes to mind). Soclearly they believe there is something marketable here -- perhaps more than the derivative title and the star power of Wallace.

You do not have to take my word for it. Thanks to the power of Blu-ray, the film can now be yours, and with a nice batch of special features. There are a handful of interviews, and most crucially the feature-length commentary from the director. Commentaries can tell you the secrets of how good films are made, or perhaps in this case give the creator 90 minutes to defend himself. You be the judge.

I generally like aussie horror films a lot, quite a few gems in the outback and such & this one, despite the ratings, was a very intriguing choice - A directional debut by an aspiring filmmaker who put his all, financial and mental, in making a low-budget slasher about an aborted fetus seeking revenge on his family. How did it go? Considerably well, I'd say.

"Red Christmas" is, overall, quite the messy amateur horror flick, a comic slasher that's, for the most part, self-conscious enough. The plot is morally questionable, I suppose that's where some of the bad ratings come from - the movie tackles subjects of abortion and down syndrome in not exactly the most sophisticated ways. However, I'm not taking points away from it because of those themes. I take points away for the entirety of story simply being average. The first half an hour is decent, the dysfunctional family theme works, the introduction of the villain is decent - but all gets more murky as the movie goes on. Basically, in the core it's a Slasher, so, everyone's familiar with the tropes. I thought the cast did a pretty good job, there were definitely enough over-acting moments and the characters can be cartoon-ish, but the performances provided some entertainment. Dee Wallace gave her best as the life-tired and caring mother, confronted by her past traumas. "Red Christmas" has some cool and creative kills while also managing not to rely solely on violence - gorehounds will find something to their liking. Visually it was equal parts good and chaotic, muddled - we got dynamic and creative camera work that sometimes goes well overboard, candy-colored and contrastive cinematography with lighting that raises an eyebrow every now and then & inescapably, a vibe, a sense of student-like filmmaking.

I believe that by any general/objective standards "Red Christmas" is average at the most, but for the genre fans & b-movie fanatics it can be a fun holiday horror that smells like independence, effort and both defeated and lost filmmaking challenges. My rating: 5/10.

Red Christmas features a memorable character in the form of Cletus: rescued as a fetus from an abortion bin and raised to adulthood by a pro-life priest, he hides his deformed appearance under bandages and a big cloak, and goes in search of his mother, Diane (Dee Wallace), looking for some maternal love. But when mom rejects him (again), he picks up an axe and takes revenge by hacking his way through her dysfunctional family.

Like the elephant man, only uglier, Cletus is a sympathetic character driven to kill when all he wants is a motherly hug and some loving words; this makes him a rather unique movie maniac, but one deserving of a much better film. Writer/director Craig Anderson might have created an impressive killer, but he doesn't do the slobbering freak justice, his film suffering from a weak script and dreadful dialogue, crappy acting, horrible lighting (unnatural green, red and blue colours) and duff direction. Dee Wallace used to be a Hollywood A-lister, and it's a real shame to see her appearing in such rubbish, but she's only got herself to blame: she is the producer of the film, after all.

As for the whole Christmas setting, it is purely incidental, having no real bearing on the plot: Cletus could have turned up on Shrove Tuesday and it wouldn't have made much difference (except that the title wouldn't work so well and Anderson's garish lighting scheme would feel even more out of place).

3.5/10, rounded up to 4 for the scene where a guy has his head pushed onto some kind of spinning device (it was hard to make out exactly what it was) and his eyeballs turn to mush and burst out of the sockets.