Im frühen 18. Jahrhundert England, eine zerbrechliche Königin Anne nimmt den Thron und ihr enger Freund, Lady Sarah, regelt das Land in ihrer Stelle. Kommt ein neuer Diener, Abigail, ihrem C... Alles lesenIm frühen 18. Jahrhundert England, eine zerbrechliche Königin Anne nimmt den Thron und ihr enger Freund, Lady Sarah, regelt das Land in ihrer Stelle. Kommt ein neuer Diener, Abigail, ihrem Charme beliebt macht sie Sarah.Im frühen 18. Jahrhundert England, eine zerbrechliche Königin Anne nimmt den Thron und ihr enger Freund, Lady Sarah, regelt das Land in ihrer Stelle. Kommt ein neuer Diener, Abigail, ihrem Charme beliebt macht sie Sarah.
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- 1 Oscar gewonnen
- 187 Gewinne & 352 Nominierungen insgesamt
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This is a wonderful competition of female relationships. It is deliciously passive-aggressive. All three performances are amazing. The visual style is impeccable. It is a movie of singular vision and great actors.
Lots of scheming and devious deceitfulness at the court of Queen Anne as two competitive opportunists compete for the sovereign's ear (amongst other things). Great performances and brilliantly directed and presented.
Director Yorgos Lanthimos adds a rich period setting and visual flourishes. He keeps his camera moving and has lot of fisheye views.
Underneath it all is a power play between three women in 18th Century England. Two of them vie to be Queen Anne's favourite even if this means massaging more than her legs.
Abigail (Emma Stone) has fallen on hard times. She arrives at Court hoping for employment from her cousin, Lady Sarah (Rachel Weisz.) She is the Queen's trusted adviser, lady in waiting, confidante and even lover.
Queen Anne (Olivia Colman) is ill. She has gout, she is mentally unstable. She lost 17 children and she has 17 rabbits that she plays with. Governing the country is something she finds difficult especially as Britain is at war with France.
Abigail wants to ingratiate herself with Queen Anne and climb the greasy pole to secure her position. Over time Abigail and Lady Sarah fight, dirtily to be the Queen's favourite.
The Favourite is a crude, grimy, seedy, bawdy drama in tone and language. Lanthimos is certainly not interested in showing a wholesome chocolate box portrait of 18th century life.
This is a sumptuous looking costume drama about fragile cruel people and egos. People who are desperate to get to the top and remain there.
The film unravels in the second half and gets bogged down. At the end Abigail may not be quiet in control as she thinks, I did think the ending was weak and disappointing.
I enjoyed the other movies directed by Lanthimos that I've seen (Dogtooth, The Lobster, The Killing of a Sacred Deer), but he strikes new ground here, turning in his most accessible movie to date and perhaps his most polished. There are shades of Kubrick in the editing and cinematography, both of which are excellent. The use of natural light and distorted lenses is visually interesting. The costumes are also top notch, as one would expect from a period piece.
The performances are the main event, with all three women turning in at or near career bests. Colman won the Best Actress Oscar, but her's is the most in line with a supporting turn, as the film is told from the points-of-view of Weisz and Stone. Their increasingly nasty one upmanship is hilarious. Lanthimos throws in some anachronistic touches (the dance scene is very amusing), the dialogue is sharp as a dagger, and the film isn't afraid to go grotesque. Recommended.
Coleman, Stone and Weisz all deliver good performances, the settings are lavish, the costumes great, but it just a bit boring.
The humour is all a bit meh and misses rather hits the mark. Saying the word a lot doesn't make it funny. Overall, it's OK, just not great, it's not going to be a Favourite of mine.
The Surprising Films That Inspired 'The Favourite'
The Surprising Films That Inspired 'The Favourite'
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- WissenswertesMost of the costumes and wigs were made from scratch. The budget was very tight, so renting them was not feasible. The early 18th century is rarely depicted on film, so few costume houses had much appropriate stock available. Clothes and wigs were custom built, then deconstructed and re-used in other scenes.
- PatzerIn the film, Robert Harley is a young man. In real life, he was 47-49 years old during this period. His youthful portrayal is probably inspired by William Pitt the Younger, who became Prime Minister at 24 in 1783.
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Lady Sarah: Abigail has done this. She does not love you.
Queen Anne: Because how could anyone? She wants nothing from me. Unlike you.
Lady Sarah: She wants nothing from you. And yet somehow she is a lady. With 2000 a year, and Harley sits on your knee most nights.
Queen Anne: I wish you could love me as she does!
Lady Sarah: You wish me to lie to you? "Oh you look like an angel fallen from heaven, your majesty." No. Sometimes, you look like a badger. And you can rely on me to tell you.
Queen Anne: Why?
Lady Sarah: Because I will not lie! That is love!
- Crazy Credits"Fastest Duck in the City : Horatio"
- VerbindungenFeatured in WatchMojo: Top 10 Early Oscar Contenders You NEED to See (2018)
- SoundtracksConcerto Grosso, Op. 6, No. 7 in B - Flat Major, I. Largo
Composed by George Frideric Handel
Performed by Alexander Titov & Orchestra
Classical Music Studio, St Petersburg
Courtesy of Cugate Ltd.
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- The Favourite
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- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 34.366.783 $
- Eröffnungswochenende in den USA und in Kanada
- 422.410 $
- 25. Nov. 2018
- Weltweiter Bruttoertrag
- 95.918.706 $
- Laufzeit
- 1 Std. 59 Min.(119 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1