The Silencing - Tod in den Wäldern

You can definitely tell the writer and the director were heavily influenced from the True detective series for this particular film which is a good thing imo. The visual style, thematics, and plotting aspects are executed in similar fashion as the show. The overall story is relatively run of the mill as far as the murder mystery, and seeking revenge in tracking down the killer. Still it stays interesting enough and never gets too stale with enough intensity and suspense to keep attention. The actors are all decent and keep a level of intrigue throughout. Also some very well done cinematography and fantastic scenery/settings. There are some moments that seem a tad cliché like a big reveal towards the end, but overall it does what it needs to as a basic thriller.

The story really moves along in the first two-thirds of the film, and the direction is not too shabby. However, the end is a let-down, and you certainly feel like you missed out. However, Nikolaj Coster-Waldau does a great job, as do most of the cast.

First of all comparing this to Wind River is not a useful critique. Wind River addresses the high rate at which Indigenous Women in North America/Canada go missing around exploratory mining sites.

This movie was a look at individuals who are flawed and who eek out their own idea of justice, to exact revenge or protect others. It's not a box office hit but it is underrated.

After 20 mins I forgot all about Jamie Lannister and Grace Shelby.

I recommend watching, if you enjoy story telling and can put away preconceptions.

It's always interesting to see what the stars of big and beloved shows do after their characters leave (or when the show ends, sometimes in a manner that's anything but beloved... Yes, Benioff and Weiss), so a thriller with Nikolaj Coster-Waldau (Game of Thrones) and Annabelle Wallis (Peaky Blinders) was anticipated with intrigue. The setting and plot topped the cake off with a cherry. And so, "The Silencing" is quite the decent thriller - never reached the stars and pales considerably in front of its spiritual similars and perhaps inspirations (True Detective, Wind River etc.), but no aspect really in this movie is below the average.

Nikolaj portrays Rayburn Swanson, a reformed hunter living in solitude in a wildlife sanctuary, troubled deeply by the disappearance of his daughter years ago. A deadly game of cat and mouse ensues, as he and the town Sheriff Alice (Annabelle Wallis) set out to track down a newly active serial killer who may have also kidnapped Rayburn's daughter. The story provides most of what one would expect, chases, clues, violence, investigative and other misconceptions, offering also some minor plot turns that could raise a couple eyebrows. Though serious and working on heavy themes, "The Silencing" lacks suspense and the atmosphere that could've been, as plot largely functions on familiar tropes and leads to a rather clichéd final act. Where the first feature screenplay by Micah Ranum doesn't realize its full potential, the performances, geographical backdrop and visual work tries their best to make up for it. I took some issue with the character of Alice, and Annabelle Wallis didn't have a whole lot to shine on, whereas Nikolaj's offering of Rayburn felt like the most fulfilled character, and acting performance within "The Silencing". Shot in Ontario, Canada, "The Silencing" utilizes the landscapes and small town's drab charms well, though this backdrop eventually plays a role smaller than I'd wish to see. Cinematography's solid if not exactly impressive, though throughout I was thinking it'd do better with a little less greys in color grading.

"The Silencing" feels lesser than it should've been, but it's never bad or truly boring. Decent, but forgettable, lands in the middle, one of those many movies that feel disappointing for... not being disappointing. Fans of rural thrillers, devious small town shenanigans and serial killer mysteries should be able to find a kick or two in "The Silencing". My rating: 6/10.

Decent directing, excellent cinematography, but the writing needed more "oomph" and a more cohesive plot with less plot holes and technical issues. A good watch, but nothing spectacular. Would've been better as a short film, as the 93 min runtime with the slow pacing made this film feel much longer.