All Hallows' Eve 2

Anthology can be a trick medium, you have many short stories told in such limited amount of time and with different direction. This formal is prone to consistency issue throughout, which is what happens to this particular anthology. The quality of each one is also varied, depending on the runtime as well as underlying concept, it can feel jarring and detached, especially on the longer less interesting ones.

This is a string of stories made in one theme, a woman watching a mysterious VHS of many strange occurrences. The similarity is vague, some stories might just end abruptly or simply too bizarre, creating a messy undertone. A couple of them even drag for a bit without too much pay off, this not only creates dull moments, it also hampers the pace for the other tales that follow.

At best it's a varied degree of successful short clips of campfire story. They don't have much depth in terms of narrative as many of them end in five or ten minutes, and the shocking revelations might not be satisfying. Others collection of short stories have presented nifty twists in the same amount of time, and while there is decent use of practical effect here, it's not the same level of dread.

The overall theme and quality displayed are not refined enough for more than average short bursts of thrill.

Anthology films are few and far between recently. This project uses the structure as a way of showcasing nine often very short vignettes independently created by a different team and shown as a collection of unsavoury tales collected on a videotape. The tape falls into the hands, or rather is left at the door, of a young woman (Andrea Monia). The purpose of the videotape forms the enveloping story-line.

I won't go into details about the instalments, because their originality is very satisfying and it would be a shame to spoil that. Sometimes, instead of any detailed story, they are simply moments, like in a dream, of surreal occurrences which are nevertheless detailed and grounded enough to satisfy on their own merits. There are moments that had me turning away due to the graphic special effects, but this is far from drenched in gore. Rather, each weird tale builds up an ambience that is deliberately uneven and unpredictable.

This is a sequel to the original 'All Hallows' Eve' (2013), which was directed and produced by a different team. According to some reviews, the original was superior to this. This excites me, because I haven't seen it, and for the most part, I found this refreshingly original and generally well made.

As a massive fan of Art the clown, from the first film and Terrifier, i was excited to watch this... He's on the picture, but not actually in the film, which is pretty disappointing, and this film lost a few stars from my rating because of it. Otherwise it's a good film, but still prefer the first!

My quick rating - 4,7/10. Another horror flick in the anthology format. If you are unfamiliar, these are short stories bundled together into one film, usually bound by an underlying central theme. This one, as the first one was (and also the "VHS" movies) is centered around a mysterious videotape appearing and the contents of it. That plot is nothing more then fodder to bring the stories on. This one had a few good shorts, some average, and the rest garbage. Pretty typical of anthology flicks. Not going to break them all down, that will be up to you but the first "All Hallows Eve" was definitely better and also had a much creepier encompassing story to it. Make sure on this Halloween to save some trick or treat candy for sweet tooth ;)

I like to watch a portmanteau style horror film every once in a while, so with an idle afternoon Amazon Prime recommended me "All Hallows Eve 2". I haven't seen the first one, I'm hoping that it doesn't matter. Unlike some other films like this, where the short stories were created specifically for the film, these appear to have been a selection of previously produced shorts, some even as much as 10 years old at the time the film was released. It is, as with a large proportion of films like this, mostly rubbish.

Calm to the point of idiocy, a woman (Andrea Monier) is delivered a VHS tape by a pumpkin masked madman, carrying a knife. She watches the tape, the stories of which make up the bulk of the film. Then the least surprising thing happens.

The first is "Jack Attack" in which a young boy Jack (Tyler Rossell) and his babysitter Elizabeth (Helen Rogers) are preparing a pumpkin for Halloween celebrations. Having roasted the seeds, they each eat some, but soon discover, to their horror that the pumpkins are growing inside them. The visual effects were pretty good on this one, but the story was over before it really got started.

The second "The Last Halloween" sees for young children trick or treating in a post-apocalyptic world. Though rewards are small, and danger is high, it's not until they're refused access by Jack (Rob Basch) and Kate (Emily Alatalo) that the true dangers of this world come to life. This was better, the effects work perhaps a bit less impressive but a better story. It also had Julian Richings in it, as the films first recognisable face.

"The Offering" sees a father (Bob Jaffe) and his adult son (Jared Mark Smith) driving to a remote location to prepare a ritual offering for an unseen force, arriving at the site, the father discovers that he has forgotten a key aspect of the offering and must made an unthinkable choice. All in the mind and the performances this one and was all the better for it.

"Descent" sees a woman, Andrea (April Adamson) discover her friends' body, and have to hide from the killer in a cupboard. Weeks later, she's trapped in a lift with the same man and has to maintain her composure, as she works other whether this is a co-incidence or something more sinister. A nice twist in the tail of this one, but the performances are so-so and the short (from 2004) has dated more than the others.

"M is for Masochist" is an ultra-short, where three young man stumble upon a circus and are offered the chance to hurt a "masochist" for the chance to win prizes. Two of the boys begin immediately, but Sam (Fin Kobler) is reluctant. When the masochist's mask comes free, Sam discovers that the victim is his father, who beats Sam at home. He takes his chance for revenge. It fills the running time, I suppose but it's not particularly interesting or well made.

"A Boys Life" was a confusing one. Lengthy and well shot, and starring a young Griffin Gluck, it felt like a psychological chiller, where a boy who hears a monster in his room and is scared sets traps to capture it. But it could just as likely be unprocessed grief over the death of his father, a military man. Until the last minute which, though classic horror fare, undermined the work that had been done before. It felt more like a proof of concept for a larger film, than any of the others.

"Mr Trickers Treat" sees Mr Tricker (Michael Serrato) torture and kill two men and then use them in his front garden Halloween display. It's . . . Not particularly well done - let's just leave it at that.

Finally, "Alexia" which despite being entirely in Spanish and presented without subtitles, was entirely the best. I'm guessing a bit at the plot here, a man (Sergio Beron) is closing down the facebook account of his girlfriend Alexia (Pilar Boyle), who has taken her own life. He has a conversation with his new lover, whom he has invited over and at the conclusion of that, his PC and then his flat is haunted by the ghost of his ex. The visual effects on this one were really well done and this is the really the only one I actually found at all scary.

So, as predicted the film is mostly a waste of time, but a couple of the films are worth your time, particularly Alexia and The Offering, maybe skip to those ones or hunt them down outside of this film.