Railroad Tigers

I went to see RAILROAD TIGERS because Jackie Chan is in it... and found a nice mix of comedy and drama as an inept group of railroad thieves during the Second World War discovered they were Chinese first and out for themselves second.

I have been watching a goodly number of Chinese movies in the theaters over the last few years and have been impressed by the manner in which those movies mix and match elements from genres that, for more other national cinemas, seem impossible; a movie might start as a Noir caper, turn into a coming-of-age romance and mutate into a time-travel story. So, looking at RAILROAD TIGERS, I don't see much stretching. Service comedies began to penetrate the cinema with WHAT PRICE GLORY? in the 1920s; comedies in which thieves and con men discover a love of country so fierce that they are willing to die for it were handled well in the 1940s with MR. LUCKY; so this movie, which starts off as slapstick and ends in a desperate, deadly battle, is neither disrespectful nor unprecedented. It is simply well done, thanks to Mr. Chan and and a cast and crew that includes a fine performance by Kai Wang as the former warlord's soldier who finds his commitment to China in the face of Japanese oppression.

An action/comedy/war/drama film with a heart and actually funny moments, dialogues and acting.. Laughed out loud many times..

Don't know who rated it this low, probably the people who think comedies should have sex to be funny...

Extremely entertaining.. Criminally underrated...

7.5+/10

The Bad: I'll start with the Bad because that's sort of how Railroad Tigers starts...badly. Within the first 30 minutes, we get at least 15 unnecessary character title cards, detailing every single person involved in the narrative. It's clunky, ugly, and distracting, as is the incessant editing. My GOD, does Ding Sheng love cutting. There are so many unnecessary cuts that it actively makes the film feel longer than it is.

The movie takes a while to get going, but I'd say the when Jackie Chan and his band of brothers go to steal explosives from the Japanese Army, the film finds its footing. But man, the first bit of this movie is very rough. It's hard to tell what's happening, we're constantly getting introduced to characters, and no scene is ever left to breathe. I also felt the film had a few too many characters, not all of whom are given time to develop.

The Good: But, Railroad Tigers transforms into a genuinely fun, interesting, often hilarious action comedy when the train gets rolling. I was impressed with the stunts and physical comedy; the slapstick is an art Hollywood has long forgotten, but I'm happy to see it's alive and well in Asia.

I like how lighthearted the film is, despite the heavy setting. It deftly manages its tone; being serious when necessary, funny when it has to be. The Japanese are not presented as hyper incompetent (so you question how they ever conquered so much of China in the first place, ala RRR and the British) but they are made fun of constantly and tastefully. It's poking the eye of fascists, but ensuring they are still a formidable threat. Hiroyuki Ikeuichi may be typecast as an OP Japanese general, but he's a genuinely fun villain.

Chan and his band of brothers are great. I really grew to like these guys and felt genuinely moved by their dedicated to their country, putting themselves and their personal interests aside for the greater good. It is an admirable moment in Chinese history and i think it's a story - especially in our world of rising geopolitical tensions - many non-Chinese viewers could benefit from as well. In that spirit, Jackie Chan is *in* this movie, but it's not a Jackie Chan movie. He's one part of a whole - and barely a main character at times - and the film is better for it.

I also liked how tasteful the violence was; it was realistic at points, funny and slapstick at others, but didn't go overboard with the gore. I find a lot of Chinese films have this issue (The Mermaid, anyone?) where they are tonally inconsistent because the filmmakers insist of a bevy of blood and gore, for no reason. Thankfully, we're spared that here.

The Ugly: I love scallion pancakes, and if you do too, you'll be disappointed by how they're depicted in this movie. These guys eat A LOT of them, and you're expecting a golden brown, crispy pancake with little flicks of green scallion and deep brown hoisin sauce, right? Well, here they appear more like folded paper with big sticks of celery. A shame. These things should be presented as gloriously as they taste.

A good Jackie Chan movie is about the slapstick action scene and the death defying stunt works and this movie have some of it but the rest is pretty disappointed.Directed by Ding Sheng who you may familiar with movie like:Little Big Solder(his best works yet) and Police Story Lockdown.Railroad Tigers is one again a action war comedy movie staring Jackie Chan as the leader of a bunch of railroad worker fighting again The Japanese in China 1941.With a plot sound very historic and epic the movie we got is a slow pacing movie over 2 hours full of dull character when they make unfunny jokes and bad decision left to right both from the good guys to bad guys.The horrible CGI train robbery to weird movie jump cut scene through out the movie almost make this unwatchable but thank to Jackie Chan movie charm on screen,a couple of good stunt work and a epic shootout scene in the finale saving this this movie from becoming a disaster

If you've seen 'Little Big Soldier' or 'Police Story 2013', you'll know better than to expect Jackie Chan's third collaboration with Mainland filmmaker Ding Sheng to be a martial arts showcase of the former's acrobatic stunts. And sure enough, despite being billed as 'a Jackie Chan action-comedy blockbuster', 'Railroad Tigers' is really an ensemble piece set against the backdrop of the Japanese invasion of East China in the early 1940s. Based upon true events, Chan plays a humble railroad worker named Ma Yuan who leads a ragtag team from his village to blow up a critical transportation route across the Hanzhuang bridge for the Japanese to send supplies to their troops at the frontlines.

Once again assuming both writing and directing duties, Ding Sheng keeps the premise appealingly simple. Not content to toil for the invading Japanese in their respective jobs, Ma Yuan and his fellow railroad workers as well as a bunch of other working-class village folk take to robbing them every now and then – indeed, it is in the midst of one such daring midday robbery of a passenger train carrying a group of Japanese soldiers and their pillages that the members of the titular ragtag team are introduced via title cards. An Eighth Route army soldier Daguo (Darren Wang) stumbles into Ma Yuan's humble but cosy village house one night while evading capture by the Japanese, the former recounting how his platoon had tried but failed to detonate the aforementioned bridge. Upon his recovery, Daguo insists on returning to his platoon. Alas, Daguo fails to make it back before being shot by the Japanese, so Ma Yuan decides to assemble the team to complete his assignment – and in so doing, realises their collective hopes of 'doing something big' or '干票大 的'.

Though his previous movies seemed to demonstrate his predilection for character-driven storytelling, Ding Sheng is all out for visual spectacle here, structuring his narrative around a series of extended action sequences– the opening train robbery is an ambitious start that also sets a playful tone, followed by a raid on the armoury warehouse at Shaguo station to procure the explosives needed to blow up the bridge, then a heroic attempt to rescue Ma Yuan and his associate Rui (Jaycee Chan) imprisoned by the Japanese in a square metal cell on board another moving train, and last but not least the loudest, longest and undeniably overblown (pardon the pun) setpiece to hijack a Japanese military transport locomotive intended as the very 'bomb' itself. In between are scenes meant to emphasise the camaraderie between the ragtag team of revolutionaries, arguably too short and too sparse for any individual character – except Ma Yuan and Rui – to make much impression.

That said, 'Railroad Tigers' probably bears the least character work among all of Ding Sheng's movies so far. Ma Yuan's status as leader seems premised solely on his age and paternal instincts, and other than hinting at a slow-burn romance with the village pancake seller Auntie Qin, there is little else that defines him. The same goes for the other railroad workers Rui and Dagui (Ping Sang) as well as the other members of the 'Tigers' – amateur tailor Dahai (Huang Zitao), handywoman Xing'er (Xu Fan) and serial pickpocketer San Laizi (Alan Ng). Because Chan plays Ma Yuan low-key and unassuming, it is former warlord bodyguard Fan Chuan (Wang Kai) who steals his thunder whenever the latter is on screen, putting his sharpshooting skills to good use especially during shootouts with the Japanese. Next to the Tigers, the Japanese are defined by the cocky military police captain Yamaguchi (Hiroyuki Ikeuchi), his stern no-nonsense female colleague Yuko (Zhang Lanxin) and to a lesser extent the bumbling station master Sakamoto (Kôji Yano). With the sheer number of characters, it is not difficult to see why there is little time to develop any of them, such that each becomes known by and large by his or her relation to the unfolding narrative.

Like we said earlier, the action takes centrestage, interspersed now and then with slapstick gags that do not always hit the mark. Chan's good-natured goofiness is still amusing, but the humour borders on childish at times, and undercuts the build-up of dramatic tension especially during the supposedly tense and dangerous situations. In fact, an extended gag that sees Yamaguchi consume not one but two drugged pancakes prepared by Auntie Qin which causes him fall asleep while the Tigers act to rescue Ma Yuan and Rui as well as turn lecherous against the male deputy station master held for interrogation is downright farcical – besides raising suspicions of the filmmakers' disdain towards the Japanese, it also diminishes the intended display of bravery of the Tigers.

It doesn't matter that 'Railroad Tigers' contains next to none of Jackie Chan's death-defying stunts; in fact, true fans of the martial arts actor should be happy that his films are not solely defined by how high he jumps or how far he leaps. Oh no, Ding Sheng's latest collaboration with Chan is underwhelming because it seems no more than an excuse for the former to live out his childhood fantasies of trains in a big-budget motion picture, disguising his fancies under a purported celebration of the heroism of a group of ordinary civilians displayed in the anti-Japanese war effort. Ironically, his latest film could have benefited with more of the self-seriousness in 'Police Story 2013' (which was accused of being too sombre), instead of letting the often foolish and even self-indulgent humour to dilute the action and drama. Ding's inspiration is also the Hollywood Westerns of trains and train heists, and on that level alone, 'Railroad Tigers' is certainly watchable; but for a Jackie Chan movie, it is undeniably disappointing, not least because Chan doesn't even get to do much beyond appearing next to his son and/or a whole bunch of other Mainland actors.