IMDb-BEWERTUNG
6,9/10
17.512
IHRE BEWERTUNG
Die Geschichte von Christine Chubbuck, einer TV-Reporterin der 70er Jahre, die mit Depressionen und beruflichen Frustrationen kämpfen musste, als sie ihre Karriere voranzutreiben versuchte.Die Geschichte von Christine Chubbuck, einer TV-Reporterin der 70er Jahre, die mit Depressionen und beruflichen Frustrationen kämpfen musste, als sie ihre Karriere voranzutreiben versuchte.Die Geschichte von Christine Chubbuck, einer TV-Reporterin der 70er Jahre, die mit Depressionen und beruflichen Frustrationen kämpfen musste, als sie ihre Karriere voranzutreiben versuchte.
- Auszeichnungen
- 6 Gewinne & 23 Nominierungen insgesamt
Empfohlene Bewertungen
I have a confession to make. I saw this during the Halloween period and wanted to watch the classic horror movie Christine from 1983. Instead I saw this film and by serendipitous good luck came across a powerful and sad drama that made me cry (to confuse matters this drama is set in the late 70s and is filmed with a filter to make it feel authentic. When a possessed car did not turn up around 20 minutes in, I knew then it was a different film!)
This is a powerful film because it tackles depression and lost hope but does not dwell in the melancholy of the situation. The ending is tragic and it dawned on me that Christine Chubbuck death was probably the provenance for the story in Network which followed 2 years later.
Rebecca Hall is supported by a wealth of talent and the acting is excellent from everyone. It felt so real, like watching a fly on the wall drama.
I am glad I saw this film because it reminded me that people (and I include myself) may look OK on the outside, but they could be screaming in the inside. A lot of dramas avoid mental health and well being because in many quarters it is still considered to be taboo, but more films like this need to me made and watched.
This is a powerful film because it tackles depression and lost hope but does not dwell in the melancholy of the situation. The ending is tragic and it dawned on me that Christine Chubbuck death was probably the provenance for the story in Network which followed 2 years later.
Rebecca Hall is supported by a wealth of talent and the acting is excellent from everyone. It felt so real, like watching a fly on the wall drama.
I am glad I saw this film because it reminded me that people (and I include myself) may look OK on the outside, but they could be screaming in the inside. A lot of dramas avoid mental health and well being because in many quarters it is still considered to be taboo, but more films like this need to me made and watched.
I hadn't really read anything about the plot of the film. I only heard the praise for Hall and so I decided to give it a go. A few minutes in and I realized what real-life event it was going to be about and it really soured my mood. It's just not a fun film to watch at all. I've read so much about the real life person that the whole thing was just a very depressing experience. It's hard for me o accurately judge the film as a whole but I can say that Rebecca Hall is devastatingly effective here. There are no false notes in her performance at all and I am tempted to say that it is one of the finest portrayals of depression I have ever seen in a film. She makes you absolutely feel her pain and her sorrow and it all becomes so powerful that it makes the whole thing even more grim. She should be getting all of the award nominations possible and the fact that she has flown so under the radar is absolutely criminal.
Christine (2016/I) was directed by Antonio Campos. Rebecca Hall plays Christine Chubbuck, a TV reporter in Sarasota, Florida. This is a fictionalized biography of Ms. Chubbuck. If you check Wikipedia, you'll know that much of what we see actually happened.
Christine Chubbuck was a person with depression, or possibly bipolar illness. She was well educated and financially comfortable, but her interpersonal life was in shambles. In the film, her behavior was strange and sometimes bizarre. People keep asking her, "Are you OK?" She always assures them that she's OK, and they believe her. Even if they don't fully believe her, they have their own problems, and they move on to other matters.
Rebecca Hall is an excellent actor. She resembles Christine Chubbuck physically. (That's probably one of the reasons she got the part.) She makes us believe in Christine and her problems, which is no easy task. (People who don't have mental illness find it hard to fake.)
This is a difficult movie to watch, but I felt that the acting was strong, and the message was important. I wish the producers had rolled a statement before the credits saying, "If you, or someone you know, feels and acts like Christine, call this hotline."
We saw the movie at the excellent Little Theatre in Rochester NY. It will work very well on the small screen.
Christine Chubbuck was a person with depression, or possibly bipolar illness. She was well educated and financially comfortable, but her interpersonal life was in shambles. In the film, her behavior was strange and sometimes bizarre. People keep asking her, "Are you OK?" She always assures them that she's OK, and they believe her. Even if they don't fully believe her, they have their own problems, and they move on to other matters.
Rebecca Hall is an excellent actor. She resembles Christine Chubbuck physically. (That's probably one of the reasons she got the part.) She makes us believe in Christine and her problems, which is no easy task. (People who don't have mental illness find it hard to fake.)
This is a difficult movie to watch, but I felt that the acting was strong, and the message was important. I wish the producers had rolled a statement before the credits saying, "If you, or someone you know, feels and acts like Christine, call this hotline."
We saw the movie at the excellent Little Theatre in Rochester NY. It will work very well on the small screen.
I'm going to write this review as if you had not heard the sensational and tragic story of Christine Chubbuck. If you are unfamiliar with Christine's story then I suggest you do not read into it before seeing this film. I shall reveal very little of it here.
The story concerns the real life story of Christine Chubbuck, a reporter in Florida in the 1970s. As an opportunity opens up at a bigger news station, Christine finds herself attempting to adopt the station manager's sensationalist approach to the news. The film details her struggle with depression and it's impact on her personal life and work.
The depression is seen as both the result and cause of Christine 's difficulty in connecting with others. Many characters throughout the film reach out to her only for her to pull away. The cyclical nature of depression is all too familiar but what's interesting here is that each character who reaches out to Christine is well meaning but insist on viewing her depression in their own way instead of actually speaking with Christine.
At one point Christine screams "why is no one listening to me?!" and it's true. No one listens to Christine. Her mother is certain that she just needs a man. The anchor on her news show is certain she just needs therapy. Her friend at the station is certain that she just needs ice cream. Everyone is so quick to offer possible remedies and solutions that Christine is actually overlooked.
This is exemplified in the "Yes, but" game as seen in the trailer for the film. In the game the speaker tells the listener their problems. The listener then suggests a solution to which the speaker replies "yes, but" and points out the issues with that solution. The idea may be to get to the heart of the speaker's problems or for them to simply run out of problems and start thinking about solutions but the effect is clear. The issues and concerns of the speaker are being dismissed, one by one. Often with just a few words.
This portrayal of the isolating effects of depression is very affecting. We see Christine attempt to bury herself in work, buying a radio scanner to listen in on police frequencies in an attempt to find the gruesome story she needs to gain recognition. As we see her hunched over her notepad listening to two police officers brag about sexual conquests, we can see the cracks starting to appear.
The entire film hinges on Rebecca Hall's ability to play a character who is simultaneously spiralling out of control and deeply sympathetic and fortunately she accomplishes this extremely well. She is magnetic to watch even as she shrinks into the backgrounds of the scenes in which Christine finds herself. Her awkwardness and frustration are told through tiny movements and gestures.
The film takes some liberties with the real life of Christine Chubbuck. Some people on her life have been omitted and some incidents have been made to occur later than they actually did for dramatic effect. However if you walk into this film without knowing how Christine's story ended then I am sure you will be as shocked as the world was back in 1975 and hopefully you will reflect on how you personally react to depression, in yourself and others. If you're anything like me you will emerge from the cinema desperate to know more about this enigmatic and tragic young woman.
The film is a very tense and uncomfortable slow burn with some surprisingly funny moments. Performances are excellent all round but this really is Hall's show and is an excellent showcase for her talents as a screen presence.
The story concerns the real life story of Christine Chubbuck, a reporter in Florida in the 1970s. As an opportunity opens up at a bigger news station, Christine finds herself attempting to adopt the station manager's sensationalist approach to the news. The film details her struggle with depression and it's impact on her personal life and work.
The depression is seen as both the result and cause of Christine 's difficulty in connecting with others. Many characters throughout the film reach out to her only for her to pull away. The cyclical nature of depression is all too familiar but what's interesting here is that each character who reaches out to Christine is well meaning but insist on viewing her depression in their own way instead of actually speaking with Christine.
At one point Christine screams "why is no one listening to me?!" and it's true. No one listens to Christine. Her mother is certain that she just needs a man. The anchor on her news show is certain she just needs therapy. Her friend at the station is certain that she just needs ice cream. Everyone is so quick to offer possible remedies and solutions that Christine is actually overlooked.
This is exemplified in the "Yes, but" game as seen in the trailer for the film. In the game the speaker tells the listener their problems. The listener then suggests a solution to which the speaker replies "yes, but" and points out the issues with that solution. The idea may be to get to the heart of the speaker's problems or for them to simply run out of problems and start thinking about solutions but the effect is clear. The issues and concerns of the speaker are being dismissed, one by one. Often with just a few words.
This portrayal of the isolating effects of depression is very affecting. We see Christine attempt to bury herself in work, buying a radio scanner to listen in on police frequencies in an attempt to find the gruesome story she needs to gain recognition. As we see her hunched over her notepad listening to two police officers brag about sexual conquests, we can see the cracks starting to appear.
The entire film hinges on Rebecca Hall's ability to play a character who is simultaneously spiralling out of control and deeply sympathetic and fortunately she accomplishes this extremely well. She is magnetic to watch even as she shrinks into the backgrounds of the scenes in which Christine finds herself. Her awkwardness and frustration are told through tiny movements and gestures.
The film takes some liberties with the real life of Christine Chubbuck. Some people on her life have been omitted and some incidents have been made to occur later than they actually did for dramatic effect. However if you walk into this film without knowing how Christine's story ended then I am sure you will be as shocked as the world was back in 1975 and hopefully you will reflect on how you personally react to depression, in yourself and others. If you're anything like me you will emerge from the cinema desperate to know more about this enigmatic and tragic young woman.
The film is a very tense and uncomfortable slow burn with some surprisingly funny moments. Performances are excellent all round but this really is Hall's show and is an excellent showcase for her talents as a screen presence.
"Christine" (2016 release; 115 min.) is a movie about the final days of TV news reporter Christine Chubbuck. As the movie opens, we see Christine conduct an imaginary interview with President Nixon, who is under fire for Watergate. It is the summer of 1974, and Christine is a reporter at a small TV station in Sarasota, FL. She is not happy with her role at the station (dreaming to be promoted to a bigger anchoring role), and not happy with her life in general (living with her mom, no romantic interest in her life, etc.). At this point, we are 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this movie, "based on true events" we are reminded at the beginning, is a stunning look at the downward spiral of a lonely but ambitious woman, who is determined to make it 'big' in the TV news business, yet seemingly can't catch a break. Director Antonio Campos does an excellent job, capturing the zeitgeist of the nation at that time, replicating the looks and feel of the summer of 1974 almost to perfection (including a bunch of radio hits from that era--now sounding pretty horrible). Even though Christine finds some outlets (volunteering at the local children's hospital), it isn't nearly enough to prevent the sad and horrifying ending. Since we all know going in how this is going to end, it makes for a pretty depressing experience, even though the movie itself is quite good. Rebecca Hall shines as Christine, and she carries the movie on her shoulders from start to finish, but equally outstanding is Tracy Lets as her boss Michael, the TV station's manager who keeps urging Christine to "just make your stories juicy" and "if it bleeds, it leads". Guess he never imagined Christine would take that to its ultimate conclusion...
"Christine" opened this weekend at my local art-house theater here in Cincinnati, and I couldn't wait to see it. The Saturday early evening screening where I saw this at was attended okay, somewhat to my surprise. It looks like there is some interest out there to find out what drove this woman to do what she did. I don't know that I can recommend this movie all that strongly, since this is an utterly depressing viewing experience, but let me be clear that "Christine" is a well-made and well-acted movie for sure.
Couple of comments: this movie, "based on true events" we are reminded at the beginning, is a stunning look at the downward spiral of a lonely but ambitious woman, who is determined to make it 'big' in the TV news business, yet seemingly can't catch a break. Director Antonio Campos does an excellent job, capturing the zeitgeist of the nation at that time, replicating the looks and feel of the summer of 1974 almost to perfection (including a bunch of radio hits from that era--now sounding pretty horrible). Even though Christine finds some outlets (volunteering at the local children's hospital), it isn't nearly enough to prevent the sad and horrifying ending. Since we all know going in how this is going to end, it makes for a pretty depressing experience, even though the movie itself is quite good. Rebecca Hall shines as Christine, and she carries the movie on her shoulders from start to finish, but equally outstanding is Tracy Lets as her boss Michael, the TV station's manager who keeps urging Christine to "just make your stories juicy" and "if it bleeds, it leads". Guess he never imagined Christine would take that to its ultimate conclusion...
"Christine" opened this weekend at my local art-house theater here in Cincinnati, and I couldn't wait to see it. The Saturday early evening screening where I saw this at was attended okay, somewhat to my surprise. It looks like there is some interest out there to find out what drove this woman to do what she did. I don't know that I can recommend this movie all that strongly, since this is an utterly depressing viewing experience, but let me be clear that "Christine" is a well-made and well-acted movie for sure.
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- WissenswertesThe owner of the company that cut the film's trailer, Robert "Smitty" Smith at In Sync Advertising, was an actual intern at WXLT-TV who knew and was friends with Christine Chubbuck. He sought out the job when he found out about the film and saw it at Sundance; incidentally, the creators had tried to seek him out for interviews during the research phases, but were unable to locate him due to the ubiquity of his name.
- PatzerThough the movie suggests that Christine was avoiding the ovary surgery, the real-life Christine had her one bad ovary removed a year prior to her suicide.
- Crazy CreditsEnd credits end in a white screen with a beep tone.
- VerbindungenFeatured in Film '72: Folge #46.2 (2017)
- SoundtracksAnnie's Song
Written by John Denver
Performed by John Denver
Published by Kobalt Music Publishing America
Courtesy of RCA Records
By arrangement with Sony Music Licensing
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Кристин
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 298.525 $
- Eröffnungswochenende in den USA und in Kanada
- 13.384 $
- 16. Okt. 2016
- Weltweiter Bruttoertrag
- 313.465 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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