IMDb-BEWERTUNG
6,1/10
2160
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA recently released former convict becomes involved with a married woman with an abusive husband.A recently released former convict becomes involved with a married woman with an abusive husband.A recently released former convict becomes involved with a married woman with an abusive husband.
- Auszeichnungen
- 2 Nominierungen insgesamt
Stephen Louis Grush
- John
- (as Stephen L. Grush)
Jimmy Gonzales
- Cop #2
- (as Jimmy Gonzalez)
Jean Claude Leuyer
- Rufus
- (as JC Leuyer)
Jon Arthur
- Police Officer
- (Nicht genannt)
Nazeema Bartek
- Passenger on bus
- (Nicht genannt)
Tony Beard
- Bus Passenger
- (Nicht genannt)
Empfohlene Bewertungen
Having read mixed reviews I wasn't sure what to expect but watched it mainly for Elizabeth Moss. Pretty simple and predictable story but the performances of the two leads lifts this movie, I thought it was a brilliant piece of movie making.
No spoilers. This is a well-acted, well-written, real-world drama with a merciful lack of super hero clichés. The ending isn't what you expect. Which I like. This is more art film than action hero folks. So don't waste your time if you need that fix. It's a rare example of good American indie.
This has to be one of the most intelligent moving all encompassing films I have seen in many years. It was a movie about survival in a world that is morally bankrupt. There are so many aspects of it to dissect but I'll focus only on a few. Having an underlying storyline of end of life for dogs was a perfect metaphor. At the point that they come to the shelter, everything has irrevocably changed for these pups and it happens most times due to no error or fault of the dog. It's just that inevitable stage of their lives when no matter how happy or unhappy their prior life, this is now. There's no going back (a line used later in the movie - how clever) The scene where the protagonist comforts a newly arrived dog is very powerful.
As forecasted by the dog storyline, the movie is also about broken systems and their impacts on human life. How they bring you to the brink. But there is, if not healing, then redemption. I appreciated the distinction made about 2 of our primary religions. I don't have to delve further because I'm not searching for a religion, but I appreciated the insight into what Islam at its best and most personal can mean. There's brokenness everywhere, and sadly often at the hands of white men, who seem to act with impunity and arrogance. But here's the surprise -the protagonist is white and he is the antithesis to that stereotype. Elizabeth Moss was amazing - so much depth over and beyond her Mad Men days. I get the love story although at times it felt implausible or rushed. But otherwise, truly excellent movie. I hope there is a book behind it somewhere.
As forecasted by the dog storyline, the movie is also about broken systems and their impacts on human life. How they bring you to the brink. But there is, if not healing, then redemption. I appreciated the distinction made about 2 of our primary religions. I don't have to delve further because I'm not searching for a religion, but I appreciated the insight into what Islam at its best and most personal can mean. There's brokenness everywhere, and sadly often at the hands of white men, who seem to act with impunity and arrogance. But here's the surprise -the protagonist is white and he is the antithesis to that stereotype. Elizabeth Moss was amazing - so much depth over and beyond her Mad Men days. I get the love story although at times it felt implausible or rushed. But otherwise, truly excellent movie. I hope there is a book behind it somewhere.
I am genuinely surprised by the negative/indifferent reviews of this film.
I found the story line original and well- paced. The performances by the two leads were exceptional, entirely plausible and soulful. Whilst I have seen criticism for the lack of character depth, it must be said that the movie's length did not allow for this. In any case, I think that it is not difficult for the audience to grasp both characters' 'back stories' and identify with the innocence of their mutual affection; the male lead having been incarcerated most of his adult life and the female lead seeing him as her saviour.
A warm, well-acted film with an "oh no!!!!" moment at the end.
I do hesitate to label anything a 'chick flick' but I anticipate the story line may appeal to a more sensitive audience.
I found the story line original and well- paced. The performances by the two leads were exceptional, entirely plausible and soulful. Whilst I have seen criticism for the lack of character depth, it must be said that the movie's length did not allow for this. In any case, I think that it is not difficult for the audience to grasp both characters' 'back stories' and identify with the innocence of their mutual affection; the male lead having been incarcerated most of his adult life and the female lead seeing him as her saviour.
A warm, well-acted film with an "oh no!!!!" moment at the end.
I do hesitate to label anything a 'chick flick' but I anticipate the story line may appeal to a more sensitive audience.
Really surprised to see how good this movie for a such an underrated one. Beautiful story, wonderful script, great directing, and wonderful performance from actors. Even though the genre is drama, the story has a very nice flow that doesn't let the audience look away even for a moment. And most of the credit should go to the actors, specially the two leading actor and actress. Great work.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Özgür Dünya
- Drehorte
- Louisiana, USA(bayous)
- Produktionsfirmen
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- Laufzeit1 Stunde 40 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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