AWOL

Okay, when I watched this movie THEN saw that it had 100% on Rotten Tomatoes, I thought surely I slipped into an alternate universe...then I realized only 6 people reviewed the movie. I'm going to assume those 6 are either related to the actors/writers OR they have been kept in an underground bunker since birth, devoid of human contact and without concept of language beyond guttural sounds and hand gestures. In a nutshell, this movie sucked at all levels..the acting...the story...the direction...the ending...the dialogue. I could go on. About the only thing that kept my interest was my discomfort with the cleanliness of mobile home and Reyna's unkempt hair. There was nothing "artistic" about this movie, in fact, I've watched people grab their luggage off a baggage carousel with more enthusiasm. BOO!

Joey shines. I wanted more from her and to a certain level, it performed. The rest of it was rather predictable. This movie should have been named Joey. She carries the film. Everything else is rather predictable in lesbian movies. Her main love interest is stuck in a loveless marriage and etc. What I do like is that it takes the extra effort to affirm a lesbian relationship in the early 2000s in the USA and Joey is here for it (for better or worse). I'm here for Joey, she is the star and the reason to watch this film.

... paired with a boring story line that many other movies used before. Sorry but really bad to watch.

I was not fact totally aware of the kind of movie I was watching.But as the time went on I came to realise the excitement hidden in this movie.I liked the acting and directing of this film.In fact,if am to recommend any relationship based story to anyone,it will be this title.It should receive positive reviews and I wouldn't be afraid to give it 100%

I have been following the progress of this film, eagerly anticipating its release. From the opening sequence, through to the final frame I was invested in the characters journey and the underlining themes of the story. Authentic directing from Shoval helped create space for the characters to build, only cutting and moving the camera when necessary. The queerness of the characters is not made out to be the central theme of the film, however, the love story is genuine. Kirke delivers an emotive performance that reflects a relatable, yet painful depiction of the reckless nature of a first love.