Ein 16-jähriges Mädchen besucht im Sommer ihre Tante in Chicago. Während ihres Aufenthalts verliebt sie sich in ein anderes Mädchen, und sie und ihre Tante fordern das Geschlecht und den Gei... Alles lesenEin 16-jähriges Mädchen besucht im Sommer ihre Tante in Chicago. Während ihres Aufenthalts verliebt sie sich in ein anderes Mädchen, und sie und ihre Tante fordern das Geschlecht und den Geist des jeweils anderen heraus.Ein 16-jähriges Mädchen besucht im Sommer ihre Tante in Chicago. Während ihres Aufenthalts verliebt sie sich in ein anderes Mädchen, und sie und ihre Tante fordern das Geschlecht und den Geist des jeweils anderen heraus.
- Auszeichnungen
- 3 Gewinne & 2 Nominierungen insgesamt
- 911 Operator
- (Synchronisation)
- Soccer Coach
- (as Paul Fagen)
- Student Filmmaker
- (as Eddie Sanchez)
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A beautiful gem of a story.
It is by no means terrible. In fact, on the surface it should have been my kind of flick. The central teen character is struggling with her bisexual identity. I did that when I was her age. She goes to stay with her offbeat bohemian aunt who is a celebrated author, academic, and general all-round intellectual. Well, I used to stay with my offbeat bohemian grandma, who was a celebrated author, academic, and general all-round intellectual. So I should have, at least to some extent, related to this film.
But from the outset the whole movie just reeked of intellectual masturbation, of the sort frequently perpetrated by film students.
Technically it is more competent than a student film, although many of the secondary characters are played by actors who seem inexperienced and lacking technique.
The script is uneven, and way too verbose - to the point that it seems to be deliberately alienating the audience, rather than drawing them in. The direction does the same thing (no surprise since it was directed by the writer), and the first two thirds of the movie lurched from unfinished thought to unrealised idea, with jarring edits that confuse the narrative and create a near-constant state of discomfort in the viewer.
At first I wondered if the awkward and discordant storytelling was intentional, and if, perhaps, the writer-director wanted to discomfort his audience as a way of proving some deeper point. But by the end of the film I still can't figure out what that point might be.
I should have connected with the story, because of the specific parallels with my own life, and the fact that it has wider resonances with the human experience. But I wasn't able to settle into it until it was nearly over, and then, after a few good scenes, it lurched into a rushed and clunky ending.
Ultimately I can only put it down to poor filmmaking, from initial script to final edit.
I've watched a lot of indie dramas through my life and rarely have I come across one that felt as satisfying as this by the closing credits. Poignant without being saccharine, intelligent without being "clever", slow but well paced. Mostly though, I was impressed at the choices made by the writer/director, and very probably the editor, to avoid dramatic cliches and over-used tropes. There's a sense of quiet subversion at work here, a sense of veering off in a new direction at the moments we've been trained to think 'Ohhh, I know exactly where this is about to go, and ohhh I wish it wasn't.' Pleasantly surprising. I don't want to give much away, let others be equally surprised.
If you like films that make you feel you haven't seen them before, that show restraint and intelligent plotting, well you could do a hell of a lot worse than Princess Cyd. I kinda loved it. 8/10 is high for me.
Wusstest du schon
- PatzerCyd and Katie have noticeably different body-types. Katie's tux, pants and shirt would be too short and skinny to fit Cyd properly.
- Zitate
Miranda Ruth: It is not a handicap to have one thing, but not another. To be one way, and not another. We are different shapes and ways, and our happiness is unique. There are no rules of balance.
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Details
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1