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Origin and history of alto

alto(n.)

1784, "man with an alto voice," literally "high," from Italian alto (canto), from Latin altus "high" (literally "grown tall," from PIE root *al- (2) "to grow, nourish"). Originally a man's high voice; now more commonly applied to the lower range of women's voices (which is more strictly the contralto), an extension attested by 1848. It is so called because higher than the tenor, which in old music had the melody.

The alto in a man is totally distinct from the contralto in a woman. The tone is utterly different — the best notes of the one are certainly not the best notes of the other; and although in certain cases a contralto may sing with good effect music written for a male alto (e.g. in some oratorios), yet the converse is scarcely ever true. ["How to Sing," 1890]

As a type of saxophone, from 1869. Also an old name for the viola (1833), from Italian.

Entries linking to alto

"voice intermediary between the soprano and the tenor, lowest female voice," 1730, contralt, from Italian contralto, from contra, from Latin contra "against, opposite" (see contra) + alto (see alto). As "person with a contralto voice," 1776; as an adjective, 1769.

In medieval music, in which the melody was either in a middle voice or passed from one voice to another, and which utilized only male singers, the upper voice was naturally called altus. As music for mixed voices developed, that female voice which was nearest the altus, and thus most contrasted with it, was called contr' alto. [Century Dictionary]

c. 1300, tenour, "general meaning, prevailing course, purpose, drift," of a thought, saying, etc., from Old French tenor "substance, contents, meaning, sense; tenor part in music" (13c. Modern French teneur), from Latin tenorem (nominative tenor) "a course," originally "continuance, uninterrupted course, a holding on," from tenere "to hold" (see tenet).

In English, the musical sense of "highest adult male voice" is attested from late 14c.; it is so-called because the tenor's part carried the "sustained melody" (canto fermo) in medieval choral music. Medieval Latin used tenor literally for "chief melody," and the word was extended to the voice to which that part was assigned.

The meaning "singer with a tenor voice" is attested from late 15c. As an adjective, "of or pertaining to the (musical) tenor," by 1520s.

Proto-Indo-European root meaning "to grow, nourish."

It might form all or part of: abolish; adolescent; adult; alderman; aliment; alimony; Alma; alma mater; alt (2) "high tone;" alti-; altimeter; altitude; alto; alumnus; auld; coalesce; elder (adj., n.1); eldest; Eldred; enhance; exalt; haught; haughty; hautboy; hawser; oboe; old; proletarian; proliferation; prolific; world.

It might also be the source of: Greek aldaino "make grow, strengthen," althein, althainein "to get well;" Latin alere "to feed, nourish, suckle; bring up, increase," altus "high," literally "grown tall," almus "nurturing, nourishing," alumnus "fosterling, step-child;" Gothic alþeis, Dutch oud, German alt "old;" Gothic alan "to grow up," Old Norse ala "to nourish;" Old Irish alim "I nourish."

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