Yun's Reviews > Daisy Jones & The Six

If Evelyn Hugo put Taylor Jenkins Reid on the map, then surely Daisy Jones is the one that cements her dominance over the expansive landscape of fictional memoirs.

When you think about, what is the difference between fiction and nonfiction? Well, that's an easy question. One is real and the other is made up. Okay, but how do you differentiate between them while you're actually in the midst of a story? Ah, and herein lies the crux of what makes TJR's stories so special.

Told via interview transcripts, Daisy Jones & The Six chronicles the rise of the eponymous band that came to define rock 'n' roll in the late 1970s, as well as the troubles that subsequently led to the band splitting up seemingly overnight and never playing together again. The thing is though, this band and their entire story is fictional, but it sure doesn't feel like it.

The narrative is raw and evocative, filled with sweet, complicated characters I can't help but cheer for. There's complexity and nuance in the way TJR captures the relationships between the band members, each flawed in their own way with their individual personalities, quirks, and baggage.

Every character in here, every interaction, every thought and emotion, even the lyrics and the technical factors that go into making a band, all come together to heighten the sensation that what we're reading is real. The amount of details in here is staggering, and I applaud the author for having done so much meticulous research to build out her fictional world. The result is as authentic and gripping as the real deal.

I was captivated. I fell head first into this band and this world, and I had trouble resurfacing. There's this reader's high that you only get in the most immersive of reads—where the real world fades out and the one on the pages sharpens until it takes over your mind—and I got it here. I absolutely inhaled this whole thing, and I didn't stop, couldn't stop, until it was all done.

Going in, a lot has been made of the story's interview format; some love it, some hate it. I wasn't sure where I would fall. But of course I needn't have worried. I was hooked right from the start. It reads like an intimate first person account, allowing us to see right into the hearts and minds of every character. We lived every moment with them, feeling every emotion as if it were our own.

I will say, rock and roll is not my preferred music genre, so I was definitely a bit taken aback by how deeply invested I was in this story. I wasn't alive during the 1970s, and it would be multiple decades after that that I even began to notice American music. But that's TJR for you. She has this way of making me care deeply about things which I know nothing about and quite frankly have never given a farthing of thought to before.

Perhaps my only small quibble is that this felt almost too real. And just like real life, not everything was wrapped up in a neat bow, not everyone got the happily ever after that they deserved. In fact, no one got everything, just like real life and maybe that left me feeling a bit wistful and yearning, but for what, I don't really know.

I think to say to an author, I loved your story so much I wish it were real and I'm sad it's not and I don't want it to end, is about the highest compliment I can give. So I pay that highest compliment to TJR here. This story really showcases the range of her skills and abilities. She isn't just a writer of generic women's fiction. She can take any topic and build out a convincing, technically rich world around it, and make us see it as real. That's so impressive, and I cannot wait to see what she tackles next.

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See also, my thoughts on:
The Seven Husbands of Evelyn Hugo
Carrie Soto Is Back
Malibu Rising
Atmosphere
After I Do
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