TJ's Reviews > The Woman in White
The Woman in White
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This book is an amazing teaching tool. Not because it conveys any great lessons in life or exhibits profound understanding and insight but because it so clearly delineates the beauty and differences in 19th century writing and 21st century writing.
The story is definitely very gothic and one of the best mysteries available. It is in the length of the story - most especially the length of the writing that will probably cause many readers to balk. The descriptions, the conversations, the ideas... virtually everything is pondered at length. Reading this in today's society, where TV, the internet, pictures, videos etc. etc. grant us instant understanding and gratification, can be a tedious and boring job. In order to truly appreciate Collins writing, one must put themselves in the shoes of a reader amid 19th century standards. Most people knew little of life outside their small communities. Few traveled or had experience with people and places beyond the immediate. Thus the need for long explanations and descriptions. It was the only door open for a reader to experience life beyond.
A perfect example would be the description of Count Fosco, a very large Italian man. His description was so intricate and detailed as to take pages (not paragraphs - pages.) To us, that description might seem never-ending. To one who had probably never seen, let alone known an Italian man - good or bad - it described one so perfectly that the reader (without our modern day photography) could picture him with ease.
Therefore, any accurate review of this book must allow for those differences. Readers who enjoy the beauty of the written word just for itself will absolutely revel in this story. Those who are more story driven will need to put on their patience caps to get through it. The story itself is immaculately well-done, it is dark without being terrifying, riveting without being graphic. It is just couched within a style long forgotten and truly appreciated.
The story is definitely very gothic and one of the best mysteries available. It is in the length of the story - most especially the length of the writing that will probably cause many readers to balk. The descriptions, the conversations, the ideas... virtually everything is pondered at length. Reading this in today's society, where TV, the internet, pictures, videos etc. etc. grant us instant understanding and gratification, can be a tedious and boring job. In order to truly appreciate Collins writing, one must put themselves in the shoes of a reader amid 19th century standards. Most people knew little of life outside their small communities. Few traveled or had experience with people and places beyond the immediate. Thus the need for long explanations and descriptions. It was the only door open for a reader to experience life beyond.
A perfect example would be the description of Count Fosco, a very large Italian man. His description was so intricate and detailed as to take pages (not paragraphs - pages.) To us, that description might seem never-ending. To one who had probably never seen, let alone known an Italian man - good or bad - it described one so perfectly that the reader (without our modern day photography) could picture him with ease.
Therefore, any accurate review of this book must allow for those differences. Readers who enjoy the beauty of the written word just for itself will absolutely revel in this story. Those who are more story driven will need to put on their patience caps to get through it. The story itself is immaculately well-done, it is dark without being terrifying, riveting without being graphic. It is just couched within a style long forgotten and truly appreciated.
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Reading Progress
January 11, 2011
– Shelved
January 11, 2011
– Shelved as:
book-club
May 16, 2011
–
Started Reading
October 26, 2011
–
Finished Reading
Comments Showing 1-22 of 22 (22 new)
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Tammy
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12 jan. 2011 05:09
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I love Wilkie Collins, but I have yet to read this one. Great review, and perfect point about the descriptions serving the limited experiences of the readers.
Kelly wrote: "I agree with Karla. Makes a lot of sense, and yet was something none of my English teachers ever talked about when teaching 19th century literature."
Same here! All about SYMBOLISM, instead of practical matters. :P
Same here! All about SYMBOLISM, instead of practical matters. :P
Criticism from Dickens about being excessively wordy is, well....words fail. :D
I TOTALLY agree with everything you are saying. It was actually as I was pondering the Dickens/Collins propensities that the motivation behind them dawned on me. We already know all the stuff they are droning on about because we've seen it on TV a million times but their audience had only words to enlighten them. Still... gosh! they were wordy!
@Karla, This was my first Collins, I highly recommend this one if you like him. What has been your favorite?