There must be some structure to language. We must agree on some aspects of it, and creating rules and definitions around those mutual agreements helpsThere must be some structure to language. We must agree on some aspects of it, and creating rules and definitions around those mutual agreements helps to foster intelligibility throughout the language.
Likewise, this agreement to abide by these rules means that we can teach communication. This does not mean only in the case of children, but it certainly simplifies it for them. This also means that writers can continue to learn, to interact, and to write understandably and not wastefully.
We take these rules from traditions, but also from common sense. Strunk's rulings on word use (especially amongst words with similar meanings) are based on the root words, and the original meanings. Strunk means to separate these similar words so that instead of synonyms, we have two similar but precise words.
This also prevents confusion, as various English dialects may take these words in different ways, but all share the same roots.
However, language changes constantly, so regulating it and placing rules on it is difficult. Many feel that it stifles creativity, or that it places hegemonic power in the hands of the elite. One benefit of this regulation is that we can read Shakespeare today with little trouble.
Dictionaries came into popularity around the time of Shakespeare, as did the study of philology. We have more trouble reading Chaucer, even though only two-hundred years separate Chaucer and Shakespeare, while twice that length separates Shakespeare from us.
The work of Strunk and White is not to close off language, nor to set it absolutely free, but to make a linguistic analysis of its forms, meanings and changes, but one that the layman can appreciate. The work is somewhat dated by today's standards, but this actually provides the perfect example for many of the book's observations on the mutability of language.
It likewise supports the assertion that language may change, but not as much as you might think. Strunk and White is just as useful to an author today as it was when it was compiled.
It is light-hearted and often humorous, and presents language and communication in a thoughtful way. Any writer should come away from this book with a new respect for language, and with a keener eye for seeing their own writing.
While the book sometimes seems severe in its regulations, this is only because misuse is so rampant and so ugly. Similarly, someone might tell you "under no circumstances should you balance on a chair on the edge of the roof of a ten story building". This rule is perfectly reasonable, despite the fact that some well-trained, adventurous individuals are quite capable of this feat.
The fact remains that for the majority, violating these simple rules will result in an unsightly mess. A talented and experienced writer can flaunt and even break the rules when it suits him. The greatest writers do, and this book gives examples of how and why they do it.
However, rules are how we create meaning. Whether you follow them or break them, you must know them and understand how they work in order to communicate to your reader. You cannot subvert and idea unless you understand it, and you cannot communicate anything to your reader that doesn't have a basis in their experiences and understanding.
There is no impressive act of creation that is not conscious and considered, because rebellion cannot happen in a void. It's the rule that proves the exception....more
Lynn Truss is a woman of wit and sophistication, but unfortunately, as is common to the aesthete, elite, and oligarch, is sometimes hoist by her own pLynn Truss is a woman of wit and sophistication, but unfortunately, as is common to the aesthete, elite, and oligarch, is sometimes hoist by her own petard.
Her explanation of the use of parts of speech was easy to understand, and ran the gamut from basic idea to more complex debates; and to her credit, Mme. Truss tended to stay out of the more heated ones. She also keeps the reader pleasantly amused with both the character of her writing and the literary bent of her many examples.
However, her analysis of the changes in language after the oft-bespoke Internet Revolution was somewhat simplistic. I understand that this is not entirely her area of expertise, and as the a member of the last generation to witness an age without the internet or personal computer, I am sympathetic. However, I still cannot forgive her for failing to come to the insight that this is a fundamental change to the medium as a whole. The future of publishing lies on the internet, along with the rest of our knowledge.
I do not begrudge her the nostalgia and love of books that she has, and with Sony's new paper displays, I would doubt that something like the book will not continue to be available. However, her crude abuse of the interrobang, that young but upright princeling of punctuation, cannot be forgiven....more
There may be none, outside of perhaps Rabelais, who may so decorously handle the refuse of the world. The Devil's Dictionary is a guidebook for the miThere may be none, outside of perhaps Rabelais, who may so decorously handle the refuse of the world. The Devil's Dictionary is a guidebook for the mind of man, and perhaps a certain delicacy becomes necessary when exploring something so rude and unappealing. There is perhaps no greater illustration that the answer of 'why do bad things happen to good people' is: because it is much funnier that way....more
J.G. Keely
>
Books:
reference
(9)
