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Flora And Fauna Quotes

Quotes tagged as "flora-and-fauna" Showing 1-12 of 12
Thomas Henry Huxley
“There can be no doubt that the existing Fauna and Flora is but the last term of a long series of equally numerous contemporary species, which have succeeded one another, by the slow and gradual substitution of species for species, in the vast interval of time which has elapsed between the deposition of the earliest fossiliferous strata and the present day.”
Thomas Henry Huxley, Advance of Science in the Last Half-Century, The

Delia Owens
“She knew the shapes of all the trees; still some seemed to dart here and there, moving with the moon. For a while she was so stiff she couldn't swallow, but on cue, the familiar songs of tree frogs and katydids filled the night. More comforting than three blind mice with a carving knife. The darkness held an odor of sweetness, the earthy breath of frogs and salamanders who'd made it through one more stinky-hot day. The marsh snuggled in closer with a low fog, and she slept.”
Delia Owens, Where the Crawdads Sing

Delia Owens
“When her lagoon opened before them, the delicate details of every mossy branch and brilliant leaf reflected in the clear dark water. Dragonflies and snowy egrets lifted briefly at his strange boat, then resettled gracefully on silent wings.”
Delia Owens, Where the Crawdads Sing

Elizabeth Bard
“There was a florist at the corner, closed for the night. I stopped in my tracks. Along with the heavy branches of lilacs and tangled stems of forsythia was a fluffy mound of tiny sleeping chicks- a living, breathing Easter basket. Paris continued to surprise me; instead of the slick consumerism of a twenty-first-century world capital, it was the little things, the living things, that made me smile.”
Elizabeth Bard, Lunch in Paris: A Love Story, with Recipes

Delia Owens
“Here- instead of the estuaries and enormous sweeps of grass as in her marsh- clear water flowed as far as she could see through a bright and open cypress forest. Brilliant white herons and storks stood among the water lilies and floating plants so green they seemed to glow. Hunched up on cypress knees as large as easy chairs, they ate pimento-cheese sandwiches and potato chips, grinning as geese glided just below their toes.”
Delia Owens, Where the Crawdads Sing

Karen Essex
“I could see into the shadows, where the very blades of grass and the leaves and buds of plants were sharply defined though it was a dark night. I was acutely aware of my ears, hot, pulsing, and humming. Now fragrance took command, and I was struck with the scents of the evening. Unable to resist, I rolled on the ground, breathing in the wet tang of dewy grass and the musk of the mud in which it grew. I glided my muzzle through the blades, letting each soft edge tickle my nose. When I lifted it, I caught the delicate fragrance of wildflowers and the powdery sweetness of red clover. The aromas permeated my body as if I could smell with my eyes, my toes, and my tail. I detected the essence of living fowl on the feathers of a fallen bird, but was quickly distracted by the blood-warm effluvia of rabbits and voles wafting up from a small hole in the ground.
The air carried the scent of wet leaves after a forest rain. My senses were torn in two, with one thing calling my attention into the air and another, even more compelling, back down to the earth. The miasma of fetid earth, God's creatures, and the aromatic night air swirled in my head and through my body, competing with a cacophony of noises that grew louder and louder. The muffled sound of my paws as they made contact with the ground resonated in my ears. I felt in my body the vibration of all things touching the earth- animals small and large, as they interacted with the same soil that I was treading. The rustle of leaves in the trees, the screech of the wind blowing the hairs on my face, the fluttering of bees' wings, the distant cry of an owl- I heard each as a distinct, sharp sound. My senses were in control of my body. I was a living machine that processed sights, smells, and sounds.”
Karen Essex, Dracula in Love

Lisa Kleypas
“...whenever you find a clearing like this," Beatrix said, leading Christopher to a small, sun-dappled meadow, "it's most likely an ancient field enclosure from the Bronze Age. They knew nothing about fertilizing, so when a patch of land became unproductive, they simply cleared a new area. And the old areas became covered with gorse and bracken and heather. And here-" she showed him the cavity of an oak tree near the clearing- "is where I watched a hobby chick hatch in early summer. Hobbies don't build their own nests, they use ones made by other birds. They're so fast when they fly, they look like sickles cutting through the air."
Christopher listened attentively. With the breeze playing lightly in his dark gold hair, and a slight smile on his lips, he was so handsome that it was difficult not to gape at him. "You know all the secrets of this forest, don't you?" he asked gently.
"There's so much to learn, I've only scratched the surface. I've filled books with sketches of animals and plants, and I keep finding new ones to study.”
Lisa Kleypas, Love in the Afternoon

Lisa Kleypas
“The sun struck off the water with brilliant glints, while tiny black beetles crawled along stalks of spiny gorse. The pungency of sun-warmed thistle and marsh marigold mingled with the fecund smell of the river. Numbly she stared at the water, tracking the progress of a crested grebe as it paddled by industriously with a slimy clump of weed clamped in its beak.”
Lisa Kleypas, Again the Magic

Tilly Lawless
“Diamond pythons in the roof, bats nesting in my cupboard, satin bowerbirds at the fruit bowl, green tree frogs in the toilet, goanna chasing me on the verandah. That green on green on green. Ferns mark soggy bits of ground, a crossing in the creek, the cool place I like to sit. When it rains the house fills with huntsmans and mole crickets.”
Tilly Lawless, Nothing but My Body

“Over the course of its more than ten-thousand-year life-span," she proclaimed, "Białowieża Forest has offered shelter not only to Europe's sole surviving megafauna and the royals who legislated its exclusive use, but also to boreal owls, dwarf marsh violets, black storks, gray wolves, snakes (as we have witnessed), the world's only population of Agrilus pseudocyaneus, around two hundred types of moss, two hundred eighty-three kinds of lichens, and over eighteen hundred fungal species, of which nine hundred forty-three are classified as being at risk. Of which two hundred can be found nowhere else in Poland. I am saying that there are two hundred different kinds of fungi here in Białowieża that are, everywhere else, probably already extinct.”
Jennifer Croft, The Extinction of Irena Rey

“To our right there was a gentle burst of sedge grass completely surrounded by nettles, backed by a row of wild bergamot. Beech-trees hovered over every earthly thing in that direction, spiking into the regathering clouds. To our left were the spruces where the firecrests and the dunnocks and the three-toed woodpeckers lived.”
Jennifer Croft, The Extinction of Irena Rey