Car Quotes
Quotes tagged as "car"
Showing 181-207 of 207
“Life punishes those who have things in abundance by making them worry about petty things like: what to wear, or, which car to drive.”
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“Mrs. Winalski owned a candy-apple-red 1965 Mustang GT convertible, and she drove it like she could die at any minute and needed to get five things done before that happened.”
― Hold Me Closer, Necromancer
― Hold Me Closer, Necromancer
“Well, good afternoon, sunshine. How are you feeling?"
"Like something the cat dragged in, then dragged back outside to leave in the rain, and mud, then the lightning hit it, and burned it, and the cat came back to tear it into pieces, before burying it.”
― Racing Outside the Line
"Like something the cat dragged in, then dragged back outside to leave in the rain, and mud, then the lightning hit it, and burned it, and the cat came back to tear it into pieces, before burying it.”
― Racing Outside the Line
“Everybody in!" I said.
Which was when we discovered the final problem.
Little Echos aren't designed to hold six, count them six, larger-than-average-sized children.
And their wings.
And a dog.
"This is like a clown car," Total grumbled front my lap in the front seat.
"Why does the dog get to sit in your lap?'' Gazzy asked plaintively, as we rattled and banged down the dark streets. "How about a kid?"
"Oh. 'The dog.' Very nice," said Total.
"Because you're not allowed to have people on your lap in the front seats," I explained. "It's not safe. If a cop saw us, we'd be stopped for sure. You want Total back there?"
Everyone in the back screamed no at the same time.”
― School's Out—Forever
Which was when we discovered the final problem.
Little Echos aren't designed to hold six, count them six, larger-than-average-sized children.
And their wings.
And a dog.
"This is like a clown car," Total grumbled front my lap in the front seat.
"Why does the dog get to sit in your lap?'' Gazzy asked plaintively, as we rattled and banged down the dark streets. "How about a kid?"
"Oh. 'The dog.' Very nice," said Total.
"Because you're not allowed to have people on your lap in the front seats," I explained. "It's not safe. If a cop saw us, we'd be stopped for sure. You want Total back there?"
Everyone in the back screamed no at the same time.”
― School's Out—Forever
“You can't take highways during the apocalypse, because they'll be packed with panicky people.”
― Jordan's Brains: A Zombie Evolution
― Jordan's Brains: A Zombie Evolution
“The poorest person on earth is not the person who has no job, no cars, no money and no house. The poorest person is the one who has no vision. Visionlessness is poverty in disguise.”
― Michelangelo | Beethoven | Shakespeare: 15 Things Common to Great Achievers
― Michelangelo | Beethoven | Shakespeare: 15 Things Common to Great Achievers
“A black Mercedes Benz 450 SL pulled up. It was your classic hood auto beloved of terrorists, pimps and African dictators.”
― The Cold Cold Ground
― The Cold Cold Ground
“Keith Moon, God rest his soul, once drove his car through the glass doors of a hotel, driving all the way up to the reception desk, got out and asked for the key to his room.”
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―
“Three o'clock in the morning.
The highway is empty, under a malignant moon. The oil drippings make the roadway gleam like a blue-satin ribbon. The night is still but for a humming noise coming up somewhere behind a rise of ground.
Two other, fiercer, whiter moons, set close together, suddenly top the rise, shoot a fan of blinding platinum far down ahead of them. Headlights. The humming burgeons into a roar. The touring car is going so fast it sways from side to side. The road is straight. The way is long. The night is short. (Jane Brown's Body")”
― The Fantastic Stories of Cornell Woolrich
The highway is empty, under a malignant moon. The oil drippings make the roadway gleam like a blue-satin ribbon. The night is still but for a humming noise coming up somewhere behind a rise of ground.
Two other, fiercer, whiter moons, set close together, suddenly top the rise, shoot a fan of blinding platinum far down ahead of them. Headlights. The humming burgeons into a roar. The touring car is going so fast it sways from side to side. The road is straight. The way is long. The night is short. (Jane Brown's Body")”
― The Fantastic Stories of Cornell Woolrich
“My hands tightened on her, and I again tried to memorize every part of this moment. There was such perfection in the way our bodies were wrapped together. It didn’t seem possible that outside the sanctity of this moonlit car was a world we had to hide from, a world that wanted to tear us apart. The thought of what surrounded us made what was between us seem that much more fragile.”
― The Fiery Heart
― The Fiery Heart
“I love full on, like 65 mph in a handicapped parking spot.
”
― Love Quotes for the Ages. Specifically Ages 19-91.
― Love Quotes for the Ages. Specifically Ages 19-91.
“Your driver is on the steer, driving you and you can feel free to doze in the car; this is trust built on competence. Competence is to ensure that your actions put people's hearts at ease when things are in your hands.”
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“If you know the road is steepy with many potholes and curves ahead, you will be informed to drive the car at a required speed. Knowledge is a guide you need to make choices in life.”
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―
“When the fuel is dried up in a vehicle, it stops driving automatically.
You are a vehicle in the spiritual and the physical world, so you need some oil for alacrity, in order to get to your destination.
The greater the quantity of your oil, the more you cover the distance, and the more you cover the distance, the closer you get to your success.”
―
You are a vehicle in the spiritual and the physical world, so you need some oil for alacrity, in order to get to your destination.
The greater the quantity of your oil, the more you cover the distance, and the more you cover the distance, the closer you get to your success.”
―
“Like a car that's old enough to be old but not old enough to be a classic, it would be years before people would again appreciate the old town square.”
― Chips of Red Paint
― Chips of Red Paint
“Don’t allow your feelings to drive the car; you’re bound to get in an accident!(HS/el)”
― Back to Single
― Back to Single
“Lured by smooth roads onto a new turnpike, he read with surprise the rules he was handed, don't stop, don't turn around, pay when you get there; he made his escape at the first exit he saw, for fiftyfive cents, and now he was on the old road buzzing the staid turnpike by turns over and under, teasing it crazy.”
― Wall to Wall
― Wall to Wall
“Cars are empowered by either petrol or diesel or gas. That is their fuel. I don't care whether you want to pour pepper soup or orange juice into that car... It can't work! You can't live without intrinsic and extrinsic motivations and move forward”
― The Great Hand Book of Quotes
― The Great Hand Book of Quotes
“He awoke on the desert gliding at seventyfive, to see a single great headlight topping a rise not far off and bearing toward him. Vaguely he remembered being under the eye of the law most of the night, pursued by cops in white cars like their uniforms, so he slowed her to an unreasonable speed and crept on with two restless wheels in the sand. Ahead of him the light veered off to the right, out of disappointment or what, and it appeared to rise quickly into the air. He soon saw why: it was the moon being chased by the sun.”
― Wall to Wall
― Wall to Wall
“My Corolla, sorry to report, was mortally wounded in the attack. There were no funeral plans at this time.”
― A Hoe Lot of Trouble
― A Hoe Lot of Trouble
“You are such a piece of shit," I yell into the quiet cab, slapping the horn accidentally. It makes a sound like a wounded duck. "Don't you talk back to me! You're this close to going to car heaven at the junk yard.”
― Down to You
― Down to You
“It was a sort of car that seemed to have a faculty for motion with an absolute lack of any accompanying sound whatsoever.
This was probably illusory; it must have been, internal combustion engines being what they are, tires being what they are, brakes and gears being what they are, even raspy street-surfacing being what it is. Yet the illusion outside the hotel entrance was a complete one. Just as there are silencers that, when affixed to automatic hand-weapons, deaden their reports, so it was as if this whole massive car body were encased in something of that sort. For, first, there was nothing out there, nothing in sight there. Then, as though the street-bed were water and this bulky black shape were a grotesque gondola, it came floating up out of the darkness from nowhere. And then suddenly, still with no sound whatsoever, there it was at a halt, in position.
It was like a ghost-car in every attribute but the visual one. In its trancelike approach and halt, in its lightlessness, in its enshrouded interior, which made it impossible to determine (at least without lowering one's head directly outside the windows
and peering in at nose-tip range) if it were even occupied at all, and if so by whom and by how many.
You could visualize it scuttling fleetly along some overshadowed country lane at dead of night, lightless, inscrutable, unidentifiable, to halt perhaps beside some inky grove of trees, linger there awhile undetected, then glide on again, its unaccountable errand accomplished without witness, without aftermath. A goblin-car that in an earlier age would have fed folklore and rural legend. Or, in the city, you could visualize it sliding stealthily along some warehouse-blacked back alley, curving and squirming in its terrible silence, then, as it neared the mouth and would have emerged, creeping to a stop and lying there in wait, unguessed in the gloom. Lying here in wait for long hours, like some huge metal-cased predatory animal, waiting to pounce on its prey.
Sudden, sharp yellow spurts of fangs, and then to whirl and slink back into anonymity the way it came, leaving the carcass of its prey huddled there and dead.
Who was there to know? Who was there to tell? ("The Number's Up")”
―
This was probably illusory; it must have been, internal combustion engines being what they are, tires being what they are, brakes and gears being what they are, even raspy street-surfacing being what it is. Yet the illusion outside the hotel entrance was a complete one. Just as there are silencers that, when affixed to automatic hand-weapons, deaden their reports, so it was as if this whole massive car body were encased in something of that sort. For, first, there was nothing out there, nothing in sight there. Then, as though the street-bed were water and this bulky black shape were a grotesque gondola, it came floating up out of the darkness from nowhere. And then suddenly, still with no sound whatsoever, there it was at a halt, in position.
It was like a ghost-car in every attribute but the visual one. In its trancelike approach and halt, in its lightlessness, in its enshrouded interior, which made it impossible to determine (at least without lowering one's head directly outside the windows
and peering in at nose-tip range) if it were even occupied at all, and if so by whom and by how many.
You could visualize it scuttling fleetly along some overshadowed country lane at dead of night, lightless, inscrutable, unidentifiable, to halt perhaps beside some inky grove of trees, linger there awhile undetected, then glide on again, its unaccountable errand accomplished without witness, without aftermath. A goblin-car that in an earlier age would have fed folklore and rural legend. Or, in the city, you could visualize it sliding stealthily along some warehouse-blacked back alley, curving and squirming in its terrible silence, then, as it neared the mouth and would have emerged, creeping to a stop and lying there in wait, unguessed in the gloom. Lying here in wait for long hours, like some huge metal-cased predatory animal, waiting to pounce on its prey.
Sudden, sharp yellow spurts of fangs, and then to whirl and slink back into anonymity the way it came, leaving the carcass of its prey huddled there and dead.
Who was there to know? Who was there to tell? ("The Number's Up")”
―
“[the car] backfired a lot. Loud enough that when I drove in the wrong part of town and it let loose with a gas fart, people actually ducked for cover.”
― Pain
― Pain
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