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Monday, 24 December 2007

Hiatus

I'm going to be offline now until the New Year. Happy Festivus!

Saturday, 22 December 2007

Alesha is jumping for joy. I love her! I am so happy! Look at Matthew spinning her around! Bless them.

WHAT am I going to do in January?
"Matt and Flavia, will you carry on seeing each other when the series finishes?"

Poor choice of words, Tess, poor choice of words.
She's crying, bless her! Blog mascot from the start. Hurrah for women who talk too much! Death to evil Harvey!

The Results!

I need a pee!

(Ethan is telling me to hold it in.)

And the winner is...

The winner is..............

ALESHA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

YAY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Spice Girls performance

Why is Sporty Spice dressed as Gene Simmonds? Why is Baby Spice wearing her best wedding hat?
I mean, he actually picked her up and spun her around by the crotch.
I need to see those dances again.
Matt actually picked Flavia up by the crotch.

Alesha & Matthew Show Dance

I am terrified for them. I don't know if Matthew has the choreography chops to rival Flavia. Help!

PANTS!

By which I mean Alesha's pants. Not that it is pants.

Another excellent dance. I don't think it was quite as good as Matt & Flavia but it's a wafer-thin mint between them.

I am going to have to blog about this again in a calmer moment.

Wow. Those show dances were incredible.

I am feeling quite emotional.

Matt & Flavia Show Dance

He is *not* wearing less than Flavia. Where's her skirt?

OH MY GOD. I am going to have to comment at length later. That was AMAZING. I can't blog and watch this at the same time. They could just have won it.
Their final outfits are GHASTLY. I couldn't be more delighted.

Ethan (correctly): "Matt's wearing less than Flavia".

But first: more reminders of how many times Matt has failed to dance properly.
Vernon Kay looks like a midget next to David Walliams.
Ramps! Ramps speaks!

His ears haven't got any less weird.
Have you noticed how everything anyone does is "one of the most difficult things"?
Alesha and Matt are holding hands. Bless.

Viennese Waltz

We are kind of hoping they might bump into each other. Does this make us bad people?

And we're back! Live!

I'm going to miss this theme tune. I should put it on my phone.

Flavia looks like Miss World with her sash. Why hasn't Tess changed? Maybe she can't get her dress off without cutting it. That would be unfortunate.

I hope they don't spend half this show recapping.

We love Matt and Flavia's "I was half naked by the end of it" / "I enjoyed it" / "I'm sure you did" exchange. You can probably hear us laughing from Windsor. Quite dirty laughs (not the kids).

Recap recap recap. Come on! We want show dances!

WHAT? Viennese waltz?

Results show in half an hour. Meanwhile, Martha has been drawing...

Near Doom Experience

The server went down! Panic! Fortunately we didn't miss much, just Bruce singing, and the least said the better. Join us back here for the results...

Oh, and votes from the Windsor jury? All for Alesha.

Head to Head Dances

Matt and Flavia have chosen to dance a quickstep. Scott invokes the name of Michael Flatley. I am digging it.

But Alesha's jive KNOCKS THEM OUT OF THE WATER! Even if it is a lot of her dance from week 3...

Scott 8 / 9
Rhian 8 / 9
Ethan 9 / 10
Martha 9 / 10
Marie 9 / 10

Bruno sounds quite lukewarm. Len refuses to have favourites. Craig maybe leaning towards Alesha. Arlene being hyper critical. None of the judges seem that excited. Weird.

Matt's scores:
Craig 9
Arlene 8
Len 9
Bruno 9

Alesha's scores:
Craig 9
Arlene 8
Len 9
Bruno 9

A fix! Ethan accuses Arlene of being drunk.

Former celebrities 2

We are very excited that Kelly is back, especially Martha. Kelly is Martha's favourite. We all still reckon that Gethin would have knocked Kelly out anyway.

Scott: "Kenny and Gaby deserve each other".

Damn. Gethin was great. He should have stayed in. Except that he would have to have danced all his dances from the last two weeks.

Kate's paso doble! YES! The Killers! Kate's pants! KATE'S PANTS! SCott 4, MArie 3, Rhian 3, Martha 4, Ethan 0.

John: is this the best dance of the series? Um, no. Marie 7, Rhian 7, Ethan 8, Scott 6, Martha 8.

Martha is beside herself seeing Kelly. Scott forbids sympathy voting. They would never have won because everyone hates Brendan. Rhian 8, Scott 8, Martha 10, Marie 8, Ethan 9 for Kelly 8 for Brendan.

It's our favourite Kenny dance. Ola doesn't cover her eyes this time. 8 from Scott, Martha 10 ("and it's the last 10 I'm giving all series"), Ethan 10, rhian 9. They are bonkers. I am giving a 7.

Martha and Ethan start dancing, distracting us all from Leticia. 7s we reckon but none of us are watching.

GETHIN'S SALSA! HE IS AD LIBBING! WHY IS HE NOT IN THE FINAL? WHY? HE HI FIVES THE AUDIENCE! WE HI FIVE BACK! We ALL gives 10s ("great hips", says Martha) except Ethan, who digs out the special 11 paddle!!!

Scott is outraged that Kate has been seated next to Ramps.

Alesha & Matthew Dance 2

"She still hasn't brushed her hair" says Martha.

Ethan primes himself for Diva Time.

They are dancing the Cha Cha. Yay!

Alesha is wearing the clippings from Tess's dress.

It's a big improvement on what we've seen so far, but still not perfect. We're perkier though and the scores are creeping up.

Marie 9
Martha 9
Scott 9
Rhian 9
Ethan: It's Diva Time! 10!

For once we don't hate what the judges are saying. Better than Jill Halfpenny indeed! I think he might be right!

Craig 9
Arlene 9
Len 10
Bruno 10

Matt & Flavia Dance 2

"I don't like the hairdo" says Martha.

In the VT Matt points out yet another bit where he couldn't remember how to dance. And then a bit where he fell over.

Flavia says that the flirting in Rhumba week came "from Matt, obviously". Nice.

They are doing the salsa.

Matt is no Ramps. I don't think he is doing this as well as last time. "A bit rushed" says Scott.

Marie 8
Ethan 8
Rhian 8
Scott 8
Martha ("I am Arlene") 7

Craig has lost his mind. They have all lost their mind. Arlene seems to be trying to call Matt a pervert. "She's crazy" explains Martha. Len describes the dance as "a gnat's scrotum better" than before. Scott thinks Bruno is auditioning for voiceover work. They are going to overmark again.

Tess is talking about journeys. Drink!

Craig 9
Arlene 10
Len 10
Bruno 10

The mood in Windsor is mutinous.

Former contestants dance

Ethan gives Brian and Karen a 1. Martha a 2, Scott a 6, Rhian a 4, Marie a 3.

Marie gives Stephanie a 6. Marie loves Stephanie. Martha gives her a 7, and points out that it's a great song. "A good 7" from Scott. 7 3/4 from Ethan, 7 from Rhian.

Huge cheers great Willie's return to the stage. He's still only getting a 5 from Marie. 5 from Ethan, 5 from Scott, 6 from Rhian, 6 from Martha.

Gaby we reckon has been practising from the moment she went out. 8 from me. 8 from Ethan ("2 for her personality"). 8 from Martha and Rhian, 7 from Scott.

5s all round for Dominic. We are all more excited about Penny, dancing to Martha's favourite song. 9 from Martha, 7 from Marie, 8s from everyone else.

Scott has just spotted Paxo in the audience, behind David Walliams.
I still love Penny. Lovely Penny.
Tess's belt from week 1 remains an abomination. WHAT IS IT?

SCD Alesha & Matthew Dance 1

Martha: 'She hasn't brushed her hair'.

They are doing the waltz.

Scott: She'll be all right if she needs to blow her nose.

It's a lovely waltz but not their best ballroom.

Martha: 9
Scott: 8
Marie 8
Ethan: 8
Rhian: 8

We are already grumpy at the prospect of her getting a 10 for this. The judges are overmarking. Have they been drinking? Craig just said "flawless." Len is now slating her feet. Not flawless after all. Windsor jury are with Len.

I have only just noticed Alesha's earrings. Good lord.

Craig 10
Alesha 10
Len 9 - and gets booed!
Bruno 10

Last Word on Tess's Dress

Ferrero Rocher.

SCD: Matt & Flavia dance 1

American Smooth! Thank god not their boring 4 Ten Waltz.

OH MY GOD IT'S NOT A DRESS IT'S CULOTTES!

They have just lost points with me and Scott for that. I can't take my eyes off them.

We agree that the dance is good and the lifts are lovely, but it lacks a bit of spark.

Marie: 8
Scott: 8
Martha: 8
Ethan: 8
Rhian: 7

The judges seem to agree. Matt's feet are below par, they say. Still, it helps that he didn't fall over.

Craig 9
Arlene 9
Len 9
Bruno 9

We are unimpressed. Where do the judges' votes go from here?

SCD live 17.50pm

And we're off! Martha helpfully recaps through the titles which of the couples are not in any more.

Tess is wearing a lemon yellow satin sheath reminiscent of nothing less than a roll of left-over wrapping paper held together by black elastoplast accessorised with a brass belt with sim card buckle and shoulder-length earrings. Nice to see you to see you nice.

Round one: Alesha wins the dress battle against Flavia. Martha: 'I don't like that dress.' Scott: 'I'm with you on that one.' It looks like pistachio ice cream dipped in diamante. Alesha wins the battle of audience cheers as well.

Scott speculates on the view down Tess's dress.

Strictly Come Dancing Live Final Live Blog 17.48

There are too many trailers. Hurry up!

Strictly Come Dancing Live Final Live Blog: The Build Up

The build-up is starting! How excited are you? We on the Windsor jury are VERY excited. In fact last night I dreamt that I went to Bali on holiday and I was panicking because I couldn't find a television to watch the final on. Sad but true.

Before the Stricly Come Dancing Live Final Live Blog goes LIVE, I'd like to take this opportunity to introduce our guest judging panel:

Martha, 6. Specialist subject: couture.
Ethan, 8. Specialist subject: impersonating Bruno.
Scott, 37. Specialist subject: exposed areas of Flavia.
Rhian, 39. Specialist subject: song choice.
Marie, 31. Specialist subject: fringes and belts.

We have spent all afternoon eating high sugar snacks, making score paddles out of cardboard, felt tip and clothes pegs, and speculating about how small Flavia's outfits will be. And now we are ready, ready, READY!

SCD minus 10!

Short Story in The Times

I have a short story in The Times today, about Christmas at the Greek Gods' house. (Slightly weirdly laid out, so it's tricky to read - the hard copy works better.) It's dead exciting, this is the first commission I've had from a national newspaper, bar a fewpieces for the Observer website a couple of years ago. For some reason reading it makes me cringe so much my ears retreat into my head, but I hope you like it...

Friday, 21 December 2007

One Day I Will Blog About Something Other Than Strictly Come Dancing

but until then, here's a Guardian interview with all the judges.

An Announcement


I will be live blogging during the Strictly Come Dancing final from 5.50-7.10pm and 9.25-10.10pm tomorrow night, assuming that the server doesn't collapse under the weight of my excitement. Come join me and voice your outrage / adoration about proceedings as they happen. Sequined outfits mandatory.

Thursday, 20 December 2007

Wednesday, 19 December 2007

Fantasy Strictly Come Dancing

Now then, now then, now then. My next game is trickier to play, so much so that I've been trying and failing to complete it all week. The question is: YOU are on Strictly Come Dancing. Who are you dancing with, what are you wearing, and what songs are you dancing to?

I am dancing with Darren Bennett (it was a tough choice - I love Matthew this series, but equally lovely Darren's choreography is better). I am dressed as Tess Daly with heavy bangs, a grotesque belt, and a dress that looks like the lining of Elvis's coffin. And these are my dances, some, I must confess, deliberately chosen just to upset the band:

Waltz - Don't Want To Miss A Thing (Aerosmith)
Viennese Waltz - Harvest Moon (Neil Young)
Foxtrot - Moondance (Van Morrison)
Quickstep - Get Happy (Judy Garland)
Rhumba - Je T'Aime Moi Non Plus (Serge Gainsbourg / Jane Birkin - mainly for the complaints)
American Smooth - Anything Goes (Frank Sinatra)
Tango - Over and Over (Hot Chip - just to hear the band sing "like a monkey with a miniature cymbal")
Argentinian Tango - Back to Black (Amy Winehouse)
Salsa - I Like It Like That (Pete Rodriquez)
Cha Cha Cha - Aint No Other Man (Christina Aguilera)
Samba - I See You Baby Shakin' That Ass (Groove Armada)
Jive - Johnny B Goode (Chuck Berry, but preferably played by Michael J Fox in Back to the Future)
Paso Doble - Song of Jacky (Scott Walker)

I reserve the right to change my mind at any time. It was surprisingly hard to do the whole list. As you will discover...

Monday, 17 December 2007

Strictly Come Dancing: Best Dance Poll

So next week we will find out the winner of the Strictly Come Dancing final... but which was the best dance? Over to you! I have embedded all the choices so that even if you weren't watching you can play along. I'm nice like that.

I have assembled this shortlist from the incredibly scientific method of "the ones I remembered" with the following caveats: I chose all different kinds of dances for reasons I am not clear about, I make no apology for the fact that it's almost entirely Latin, and with Kate and Anton's dance you have to sit through all the training video as well, because *inexplicably* there were not a huge number of uploaded versions to pick from on Youtube.

So, your choices are:

Gethin and Camilla's Salsa



Alesha and Matthew's Cha Cha Cha



Matt & Flavia's Jive



Kelly & Brendan's American Smooth



Kate & Anton's Samba (for pure entertainment value)



Group Dance: Dirty Dancing



Sunday, 16 December 2007

Strictly Come Dancing Semi Final Results

Goodbye Gethin! We will miss... well, mainly we will miss your bum. I'm tired tonight, and why mince words? You got dead good towards the end but mainly you were just so hot. We will never forget that salsa.

So it's an Alesha v Matt final! No prizes for guessing who I'm going to vote for. I mean, I like little rodent child Matt, but Alesha is a cross between Princess Jasmine, Ginger Rogers and Muttley the dog, and you can't say fairer than that, not on this blog anyway. Go Alesha! Go Alesha! Go Alesha!

Throughout the Exciting Build Up Week I am going to post some cool stuff I have thought of to get us all excited (I mean, in case we are not excited enough already) and then we will reconvene on Saturday for the Exciting Strictly Come Dancing Grand Final Right HERE!!!!

(Er, except I'm not watching from home. Ah. Scott, can I blog from your house, mate?)

Saturday, 15 December 2007

X Factor Final

Meanwhile, in the night of all idiotic decisions: Leon? REALLY? I suppose the thinking went: can't sing, can't dance, but is marginally less annoying than the alternatives.

I'm going to bed. When I wake up tomorrow, I want the world to be the sensible place that it was this morning.

Strictly Come Dancing Semi Final

Seriously, having thought about NOTHING ELSE all evening, I have come to the conclusion that this totally screws up voting for the final. Either Matt is rewarded for, essentially, not bursting into tears or tripping over by going straight into the final, or he ends up in the bottom two, in which case whoever is up against him has to dance against a perfect score dance.

FOUR TENS! WHAT WERE YOU THINKING, JUDGES? WHAT WERE YOU THINKING?

Strictly Come Dancing Semi Final

No, but seriously, four tens?

Strictly Come Dancing Semi Final

FOUR TENS???????????

Wednesday, 12 December 2007

Terry Pratchett


In his inimitable style, in a statement entitled An Embuggerance, Terry Pratchett has just announced that he is suffering from a rare form of early-onset Alzheimer's.

This makes me feel incredibly sad. Not just because it's sad when people get incurable illnesses, which is sad enough, but because Terry Pratchett was one of the earliest influences on my writing. I read his books when I was about 11 or 12, at the suggestion of my brother. I wasn't allowed to crease the spines of his copies so I had to read them only an inch open, so the fact that I got through so many so fast is testimony enough to their brilliance. I loved their imaginativeness, how much they made me laugh, and the way he used fantasy stories to satirise the real world. Bro still reads them all, I stopped after a few years, but I recall them with great affection, and remain slightly disappointed that my university librarian was not an orangutan.

People can be snotty about Pratchett, mainly I think because he writes within the comic fantasy genre which is seen as a bit geeky, but his books are clever and funny and surprisingly moving and I aspire my books to be all of these things. I aspire to be as prolific as Pratchett and as rich too. He can keep the hats though. Without Discworld and particularly Good Omens there would be no Gods Behaving Badly, though that's just a grain of sand on the beach of his legacy.

As he himself is at pains to point out, he's not dead yet. But even so, even so, even so. It was bad enough losing Douglas Adams so young. I'm not ready for another ancestor to go.

Tuesday, 11 December 2007

The Reality...

...is that I spent the entire evening listening to music and dancing around my house with the lights off (decorators took the blinds down.) I forgot: my other addiction.

Now tell me, which is the all time greatest Christmas song. This?



Or this?



Addiction


I have the decorators in at the moment, painting my living room. They have taken all of the furniture and piled into into the centre of the room and covered it in dust sheets while they do the walls. That's the sofa, the table, the piano... the television. I can't get to it. I can't get to the TV. Even if I could get to it, I couldn't put it in a place where I could switch it on and then sit down and watch it. Tonight there will be no television watching in this house. Right now I am not watching Home and Away, very shortly I will not be watching tomorrow's episode of Home and Away, and later tonight I will not only not be watching Flight of the Conchords, I won't be recording it either, because my PVR is unplugged too. AND IT'S THE LAST IN THE SERIES.

To say that this has induced a state of panic in me would be an understatement. Panic, despair, bewilderment. What the hell am I supposed to do tonight?

Read? Yes, I know I'm an author, but really. It's half past six. I usually go to bed around midnight. Read for five and a half hours? Illywhacker is a great book but it's not entirely easy reading. My brain will give up before the night is out.

Listen to Radio Four? Maybe. But what am I supposed to do with my eyes?

Clean? You have got to be joking. And anyway, the decorators are just going to create more dirt.

Macrame? Needlepoint? Collage? I don't have the equipment. Also, I have the artistic ability of a duck with the squits.

No. I NEED MY TELEVISION. I am not ashamed to admit it, I am an addict. I like watching television. This may be an unfashionable statement, but it's true. It provides me with a lot of pleasure and also good company. I was interviewed today by someone who doesn't have a television, and her justification was this: "There is good stuff on TV but there is so much rubbish too." Well, you don't have to watch the rubbish. You can just watch the good stuff. Strictly! Conchords! Heroes! Doctor Who! There's even a documentary with a friend of mine in it tonight.

But I won't be watching it. I won't be saying goodbye to Bret, Jemaine and Murray (I love you Murray! Don't forget me!) either. Tonight I will probably have a bath, make myself some dinner, read for a couple of hours and then go to bed at around 10pm. Does this sound fun to you? Does it sound healthy? Then, after 8 hours sleep, I might wake up at 6 tomorrow! That's still last night! What's the point of being up at 6? There's nothing on TV at 6!

WHAT IS THE WORLD COMING TO WHEN A GIRL HAS TO CHOOSE BETWEEN GETTING UP EARLY AND MAKING HER OWN ENTERTAINMENT? I DEMAND MOVING PICTURES MADE BY SOMEBODY ELSE TO KEEP ME OCCUPIED UNTIL MIDNIGHT AT LEAST!!!

Oh actually, I've just realised, I could sit at my computer tonight and watch Gilmore Girls on DVD.

Thank goodness for that. I thought I was going to have to think my own thoughts for a minute.

Phew........

Sunday, 9 December 2007

Strictly Come Dancing: Week 10 Results

So farewell, then, Leticia. I will miss your facedancing, your sense of humour, and those appalling Quality Street wrapper outfits they made you wear, but I will not miss people talking about your confidence or your journey or endlessly saying how beautiful you are in that way which after too many repetitions kind of suggests that you're not. I will also miss the painfully lovely Darren. In fact there are so many painfully lovely men in ballroom dancing that I am starting to think I have been looking for love in all the wrong places, and I should let some foundation-smeared sequinista foxtrot his way into my heart. Though having seen that picture of Bruno in a posing pouch that they displayed on today's Results Show, maybe not.

Now for a solemn moment. I must issue a SEVERE REBUKE to ANYONE who sympathy voted for Matt this week. MATT WAS THE WORST DANCER. HE DANCED THE WORST. HE SHOULD HAVE BEEN IN THE BOTTOM TWO. Yes I know he is cute and twenty years old and he was probably forced to sit through a dress rehearsal of *that* Vincent and Flavia tango (which made me revert to my notion of yes, find love (or at least sex) with a ballroom dancer - which in fact is the plot of many of my favourite bad movies) - but he forgot BOTH dances. Even Leticia danced better mid-vomiting sessions last week. Yes I feel sorry for him and yes it was devastating and heart-breaking and all of that, but unless the boy is made of rubber he is only going to bugger up next week again, when forced to dance a tango with Flavia while being painfully aware of his shortcomings in comparison with Vincent, pressed up against her, not being able to have her, and -

- oh buggery, am I about to start crying again?

OK, I know why you left him in. But it was OUTRAGEOUS that Alesha should have been made to dance in the dance off. SHE IS THE BEST. SHE SHOULD NEVER BE IN THE BOTTOM TWO. IT IS A CRIME AGAINST NATURE.

I have now voted for the first time, for Alesha. THE GIRL MUST WIN.

PS Was I the only person reduced to hysterics by "Sir" Cliff Richard's hairpiece?

X Factor Semi Final

Just watched the lunchtime repeat. To my eternal shame, when Sarah from Same Difference started crying at the end of singing 'Never Had A Dream Come True', I burst into tears. I dread to think what the New York Times would have to say about that. Same Difference to win, please. They make incest look like such a wholesome option.

Saturday, 8 December 2007

Strictly Come Dancing Week 10

Last week we asked: what on earth was going on between Matt and Flavia? This week the answer would seem to be: terminal break-up scenario.

Poor Matt. He was miserable and a bit rubbish. Also, very very bad plan to dance difficult rhythmic choreography to a song that goes "I just can't control my feet": no Matt, really you can't. Leticia (easily favourite to go until tonight) and Darren's music choice was the equally apposite "To dream the impossible dream", though if the public doesn't save Matt from the dance-off, that dream may not seem quite so impossible. Of course, because of the stupid voting rules, the public have been voting since Sunday and only have til 9pm tonight to respond to the actual dances, so Matt's utter screw-up may have less impact than anticipated.

But on to happier matters, like Tess appearing dressed as an ornamental throw in a funeral parlour, Gethin's continued mastery of the Latin (love that jive), Leticia resuming her facedancing - expression of the week: got to finish this gobstopper before the headmaster sees me - and Alesha just being fabulous. Alesha has been the blog mascot from the start, and quite right too: she is the best and she MUST WIN. Yes, I know she hasn't had a "journey" but it's not fair to penalise her for being talented. Plus she is lovely and Matthew is so adorable and camp I am a bit in love with him in a platonic, can you be my gay best friend (even if you are not gay, though I doubt it) sort of way. Sigh.

Video fix from here.

Friday, 7 December 2007

New York Times

My book is out in the US this week, so the reviews are beginning to appear - including this one in the New York Times today. (Warning: it could hardly squeeze another spoiler in and still stick to the word limit.) It's not my best review, nor is it my worst; I'd classify it under "I really resent how much this trashy novel made me laugh" (I get a lot of that.)

I draw it to your attention, not so that you can avoid reading my novel by getting the whole plot there, or even to show off about being featured in the New York Times though I am quite chuffed about that, but because of the final paragraph. And I quote:

And although Ms. Phillips fulfills her purely lighthearted ambitions for this story, she provides a cautionary example to budding novelists everywhere. Though her background includes stints as an independent bookseller and BBC researcher, she also has a blog full of her thoughts about the hot competition on a television dance-contest show. When writers lived on Mount Olympus, they didn’t talk about things like that.

Oh dear.

I am so sorry that although my CV includes the dizzy heights of intellectualism of stacking books on shelves in alphabetical order, cold-calling Help the Aged to canvass their views on a programme in development called "Adopt a Granny", and - lest we forget - writing a purely lighthearted novel, I waste my time and yours with my thoughts on television dance contests. (And singing contests, be fair.) It is beneath me. It lacks proper gravitas. It is something the New York Times would never do (American readers, help me out here: does the NYT cover Dancing With The Stars?)

Budding novelists, heed my cautionary example. DO NOT BLOG. DO NOT WATCH STRICTLY COME DANCING. DO NOT BLOG ABOUT STRICTLY COME DANCING. OR THE NEW YORK TIMES WILL ACCUSE YOU, TOO, OF HAVING GOT A COMPUTER TO WRITE YOUR NOVEL FOR YOU.

Good night. I'm off to read Kant, feel shame, and renounce fun.

Monday, 3 December 2007

X Factor Revisited


As a Strictly fan (which I am, in case you were unsure) I haven't been following X Factor, but this week I noticed that it had been moved up the schedules so the programmes no longer clash, so I thought I'd check in.

Oh. My. God. What on earth is going on?

EVERYBODY on X Factor this year is terrible. Hope, the girl band who make Pussycat Dolls look like differentiated individuals. Rhydian, the opera alien. Leon, the Rat Pack's tea boy. Niki the charisma black hole. And dear god in heaven, Same Difference, which is the singing equivalent of being tied up in a Barbie factory and force-fed glitter.

How anyone will be able to choose a favourite and vote in that contest is beyond me. I have to say my general inclination is that the utterly horrifying Same Difference should probably get it, as they clearly have a long and successful career ahead of them presenting nauseating CeeBeeBies shows and making parents suicidal when their four-year-old children insist on being taken to a Same Difference concert. Also, then there could be Same Difference dolls which I could mutilate.

In any case, I heard that voting is massively down on previous years, which commentators put down to viewer lack of trust in ITV phone-ins. Rather than total apathy / hating all the contestants, for example.

Last but not least, Louis Walsh remains the most insufferable man on the planet. I am sure he is only there so that you don't notice how vile the rest of the judging panel are.

Enough. I'm back to Strictly.

Sunday, 2 December 2007

Strictly Come Dancing: Week 9 Results


Good golly Miss Molly, what was that?

I'm not talking about Kenny getting voted off. Yeah, yeah. We knew that was going to happen. We don't care. We're moving on. We're mostly just happy this means that there won't be constant cutaways to Gabby / VT of Kenny and Gabby at home / mentions of how Gabby should not have been voted out. YES SHE SHOULD. SHE SHOULD HAVE BEEN VOTED OUT. WE'RE GLAD THAT SHE'S GONE. SHE WAS VOTED OUT BECAUSE WE DIDN'T LIKE HER. THAT'S HOW DEMOCRACY WORKS. STOP SHOWING SUCH CONTEMPT FOR YOUR AUDIENCE.

Ahem.

No, I'm talking about the Matt - Flavia - Vincent love triangle.

Think back to Saturday - yes, I know I told you to forget, now remember - where Tess was all jokes about Matt and Flavia being a couple and dancing the dance of love, and Matt was looking panicky and tearful and saying things like "Yes, I pretend I'm in love with her" and Flavia was deploying her best "I'm dancing in uncomfortable shoes but the show must go on" smile. Footage from training, however, showed flirtation beyond the call of duty and some neck kissing. YES. REMEMBER THE NECK KISSING.

Then, in tonight's show - filmed only a few hours later on Saturday, remember - Vincent and Flavia are announced as doing a special solo dance, "a very romantic waltz". That's Flavia, and Vincent. Her (official) boyfriend. They come on dressed as extras from Swan Lake and do what indeed turns out to be a very romantic waltz, which ends up with Vincent holding her and - yes - KISSING HER NECK.

What is going on? What? What? Is Flavia with Matt? Is Flavia with Vincent? Is Flavia with Matt *and* Vincent? Is she in transition between the two? Or back and forth and back and forth and back and forth? Who has the neck kissing rights? Was Vincent stirring up trouble between his ex and her new lover? Was the neck kissing part of the dance? Or was it sincere?

I must know! I must! These questions are never properly addressed on Strictly Come Dancing: It Takes Two! And what am I going to do if Matt gets voted off and chooses not to sell his story to a tabloid newspaper? I'll never find out! I can't bear it! I cannot be denied!

[long exhalation...]

And you thought this was a dancing competition?

Saturday, 1 December 2007

Strictly Come Dancing: Week 9


Forget everything. Forget Tess's belt, forget Brucie's jokes about Leticia's facedancing, forget Leticia vomiting, forget Tess's quips about Matt and Flavia's "dance of love" and Matt's panic every time love was mentioned (bless him, he's only 12, or legal equivalent), forget Alesha and Matt and Leticia and Kenny and you can even forget about Gethin's waltz. Because tonight was about one thing, and one thing only. Gethin's salsa.

How to describe? At times like this an inferior writer such as myself is defeated and must reach for the words of the bard. By which of course I mean AA Milne. Or possibly Disney interpretor thereof.

The wonderful thing about Gethin
Is Gethin's a wonderful thing
His top is made out of rubber
His bottom is made out of springs
And he's bouncy, trouncy, flouncy, pouncy
Fun fun fun fun fun!
And the most wonderful thing about Gethin is
His salsa's next to none!


Am I getting too overexcited? It's just that until now he's been so - let's not mince words - soul-crushingly tedious, and suddenly he's had the Ramprakash injection! Go! Go Gethin!

You know, I could write more about this, or you could just watch it.

See what I mean?

I may now have to have him in the final just so he can perform the full-length version. I'm getting very torn in my loyalties, I must confess.

Strictly Come Dancing: Goodbye Kelly

So Kelly Brook has decided to leave Strictly Come Dancing following the death of her father from cancer.

It's pretty hard to be witty and entertaining about this kind of thing. At times like this you realise that the whole edifice on which celebrity culture is built - essentially, forming instant and passionate like or dislikes for people that you know next to nothing about, based on factors such as whether they keep their mouth open the whole time when people are talking to them - is a pretty fragile one. It's impossible to wish this kind of thing on anybody. Also, I am going to miss her loads on Strictly, because I adored the terrible dichotomy that she raised in me, i.e. it being obvious that she was one of the best dancers, but (OK, OK) not wanting her to win because I found her irritating. Sigh. I'm sure she is actually really nice, poor thing.

Having said that, I reckon it is still pretty safe to hate Brendan.

Tuesday, 27 November 2007

Bad Sex In Fiction Awards 2007


"Yes! Yes! Yes! Oh, yes!" she cried, as she fell to her knees, overwhelmed with the desperate pleasure of the 2007 Bad Sex in Fiction Awards.

Here, in fact.

Norman Mailer won it, which as well as being fitting testament to his efforts here - the line "Uncle was now as soft as a coil of excrement" was always going to take some beating, not to mention all the references to The Hound - is also something of a lifetime achievement award, because if there was ever a man who knew how to write crassly about women and sex, it was Norm.

But spare a thought for the runners up, in particular poor Christopher Rush. Being nominated for a Bad Sex Award in a year where Norman Mailer and Jeanette Winterson have both been recognised is like waking up to find yourself on the Booker shortlist with Ian McEwan and Peter Carey. You must be pleased with your achievement but you don't start placing any bets. Rush's entry, so to speak, is supposedly a first person account of Shakespeare nailing Anne Hathaway. It sort of reads like if you made a papier mache codpiece out of all of Shakespeare's plays ripped up and mixed with that stuff a snail leaves behind. Consider:

"I searched wildly with the fingers of my left hand, groping blind as Cyclops, found the pulpy furred wetness, parted the old lips of time and slipped my middle finger into the sancta sanctorum. It welcomed me with soft sucking sounds, syllables older than language, solace lovelier than words."

The old lips of time? Now I feel like I've got Methuselah between my legs. And just before bed as well. Thanks a lot.

Gary Shteyngart also got my attention for his extract from Absurdistan but it is very hard to comment on it out of context as it seems to be meant to be funny. Though even in that case the need for the following is debatable:

"Her vagina was all that, as they say in the urban media - a powerful ethnic muscle scented by bitter melon, the breezes of the local sea, and the sweaty needs of a tiny nation trying to breed itself into a future. Was it especially hairy? Good Lord, yes it was."

Can these male writers please leave my genitals alone? First old father time and now melons and seaside resorts. There's precious little penis on offer in any of the selected passages, just what we get from Mailer in fact. Winterson and Ali Smith are both writing about lesbian sex and Clare Clark is getting off on a hand. Wither the poorly-rendered objectification of the male form?

It was a powerful ethnic palm tree swinging its bitter coconuts of pleasure, the waft of the local cheese factory, and the sweaty needs of millions of tiny civil servants bureaucratising in its two rounded barracks...

The only truly undeserved inclusion is Richard Milward for Apples, which is a fantastic passage - if still vaginally obsessed ("her fanny looked like a tropical fish or a bit of old carpet... [and] smelt a bit like an armpit") - which is genuinely about bad sex, rather than about sex and written badly.

That caveat aside, congratulations to Mailer, commiserations to the losers, and here's to plenty more terrible sex in 2008.

Monday, 26 November 2007

Exciting News...

...is to be found here!

Do I get to go on Strictly now? Do I? Do I?

Well, probably not. But Ben Stiller would look magnificent in sequins...

Sunday, 25 November 2007

Strictly Come Dancing Week 8 Results

The system worked! I am a Strictly genius.

I am sad to see the (hunched) back of John, although, to be absolutely clear about it, that natural talent they kept banging on about? Not natural, not a talent. But he was a nice man with a nice smile and a cheering Saturday mid-evening presence, getting between me and the outright psychosis that the wardrobe department is trying to inflict on me. The wardrobe department and the orchestra. Did anyone else catch them butchering Oasis on the final dance this evening? Terrifying. And I speak as someone who is generally quite enthusiastically pro the butchering of Oasis.

So yes, goodbye John, a fitting departure for a bad week in English football. Kelly the wide-mouthed frog, and her frogspawn Brendan, live to dance another day.

Strictly Come Dancing Week 8


It really is starting to turn into the Matt and Alesha show on Strictly - they were both brilliant, nobody else even came close. There's little else to report from this week's Strictly, even Tess's dress wasn't something I'd burst into tears if forced to wear, although she should probably have a long talk with her hairdresser at some point. And Leticia did another waltz, which means another fixed expression: no face dancing, boo. Get the girl back into Latin! The most surprising thing that happened was that I spent a few seconds liking Kelly: Brendan was just defending their boring samba by saying what little time they had, and she muttered to him "It was the same as everyone else, that's no excuse." Knowledge of self and humility! That's her Strictly "journey". I suppose it's not her fault she's been partnered with Evil Brendan, though that's no excuse for that laugh, or the way she keeps her mouth open all the time.

Expulsions are getting easier to predict because of the judges getting the final say, and we know more or less what order they like the dancers in. So if you just make a list of what order they'd like them to go, I'd say approximately:

Kenny
John
= Gethin
= Leticia
Kelly
Matt
Alesha

...and then pick from there who is most likely to get the audience vote, and off they'll go.

I will now prove that this doesn't work by picking entirely the wrong names.

Hmm. Bottom two Kelly (in shock moment) and John, John to go?

Videos here.

Sunday, 18 November 2007

Strictly Come Dancing Week 7 Results

Off you go then, Kate and Anton. Let's face it, you were rubbish. Move along. Nothing to see here.

Saturday, 17 November 2007

Strictly Come Dancing Week 7

Or do I mean I Dream of Jeanie, judging by Tess's dress?

She wasn't the only one with wardrobe problems tonight. They tried to make out that Kate was in trouble because of her back injury, but that was only her third biggest handicap - fourth biggest, if you count not being able to dance - after being dressed as a Quality Street, and being made to paso doble to The Killers. In comparison, Leticia's whorehouse lampshade dress was postively tasteful. (I do think the boys are getting off lightly, clothes-wise, this year. Where are the frilly hot pink shirts? The sequinned cummerbunds?)

Anyway, Kelly did a great jive (and continued the Jeanie outfit theme) but is still too smug to win; Alesha is the only woman getting through wardrobe unscathed and dances like an angel, but I wonder if she is being let down by slightly lacklustre choreography from Matthew; Matt was adorable in the quickstep, but really needs to manage to get through an entire dance without falling over (is a jealous rival greasing his shoes?); and I liked John's tango far more than the judges did. On the debit side, Gethin continues to bore me, and while Ola is doing her best with what is essentially a novelty act, Kenny really needs to go soon.

No firm predictions about who might go this week. Maybe Kenny.

Videos, comme toujours, ici.

Friday, 16 November 2007

Gilmore Girls (plus assorted theme tunes)

I'm guessing that you have never seen Gilmore Girls, if you're a UK reader anyway. From what I understand, they put it out on the Hallmark channel, which I didn't even know existed, at lunchtime, which is surely when any sane person is watching Neighbours (or Home and Away, depends what time you have lunch). I would never have heard of it myself if I hadn't had it recommended to me, and the recommendation came from someone I barely knew, online, so I was very suspicious of it. And at first my suspicions appeared to be confirmed. Check out the opening credits, with travesty of a song by the once divine, here irredeemably slushy Carole King:



I know. You want to vomit now, don't you? Quite aside from anything, it reminds me of the Golden Girls opening credits, and nothing should, really, nothing should:



I'll be singing that for days now. Incidentally, I got confused, because I thought that song was in the opening credits for Blossom, but when I YouTubed it it turned out that it was the yet more irritating:



Sorry. I didn't mean to ruin your day.

Anyway, in this case my first impressions were utterly wrong, because Gilmore Girls is brilliant. You'd never guess it. I suspect it has ambitions to be a less edgy Northern Exposure, mixed with Mystic Pizza, with a single parenting twist, and all of the ingredients point to horror on a massive scale: it's set in ultra-quirky small town America, it's about a single woman in her early thirties and her teenage daughter, it's a crossover comedy drama with elements of soap, and it is definitely "heart-warming". YUK. However, and it's a *huge* however, it is brilliantly scripted. Very very fast, very funny, very clever, full of both popular and high culture allusions, and mostly delivered by the rather beautiful and extremely likable Lauren Graham, who I spend a considerable amount of trying to figure out how to become. Additionally to this, the two female leads spend a large proportion of the programme reading high quality literature and eating vast quantities of delicious but fattening food, which is roundly to be encouraged. When was the last time you saw beautiful women permitted to eat on TV? (Nigella excluding.) As for reading, that's unheard of. Plus, as an extra bonus, from season two you can enjoy the presence of a young Milo Ventimiglia, aka Peter Petrelli from Heroes, as a taciturn teen rebel who also reads a lot. Hours of fun to be had figuring out if he's had a nose job, deciding which era hair suits him best, and waiting to see if he will go invisible, fly, or burst into flames.

You will have to take it all with a ladleful of syrup, don't say I didn't warn you. But at least if you get the DVD you can flick past the opening credits.

Oh sorry, did you want me to leave you with a decent theme tune, just to clear the palate? OK then. Never say I'm indifferent to your needs.

Monday, 12 November 2007

Learners: a post-script

I can't believe I forgot to mention how much Jessica Hynes looks like Anthea Turner these days.

Sunday, 11 November 2007

Strictly Come Dancing: Week 6 Results

Adios, then, Penny and Ian. You suffered hugely from dancing early on on a bad night and getting disproportionately bad marks; for the public votes being split between Penny and each of her breasts, Rod and Bod; and I think you lost a clutch for voters every time Penny was described as "model and photographer" without any supporting evidence for either of those careers. But I don't want to be mean, as everything I've seen points to Penny being one of the nicest women ever to have lived, and I got a little bit moist-eyed myself when she cried.

So let's think happy thoughts. Happy thoughts, for example, of John Barrowman singing a swinged-up version of Every Little Thing She Does Is Magic, and then doing some mid-song ballroom moves with Karen. Did I complain that there wasn't enough camp yesterday? Now we know why. If it had been any camper I'd have choked on a tent. Happy thoughts like Matt surviving the dance-off, sweet little pygmy boy that he is - I reckon Penny could carry him under her arm with ease, and that's with him in heels. Happy thoughts like the rumour that Matt (pygmy boy, not dancing pro) and Alesha are "An Item", which, if my predictions are correct, could lead to an interesting final.

Saturday, 10 November 2007

Strictly Come Dancing: Week 6

What madness is this? It is just as well that Tess's crimes against fashion this week only amounted to a dreadful high ponytail / fringe combo and bad eighties sleeves so that I barely need to mention them before racing headlong into Len's inexplicable 10 for John's salsa. For those who need reminding, *this* is what a 10-rated salsa should look like:



Oh, but my mistake. That actually got four 9s, only scoring a 10 when repeated in the final. And Len scored John higher than that? Really? John's dance was pretty good, in that he actually appeared to be dancing, in his "natural" way of course (did we all take a drink?), but it wasn't a perfect 10. I can only assume that all that jetlag is going to Len's head.

Actually it was a weak week all round, with nobody particularly standing out and few truly camp moments either: though I'll mention Kate's "extra on 'Gladiator: The Porno Years'" outfit and Leticia's facedance expression of the week ("My underwear is too tight"). Kelly was probably the best, but she and Brendan make such a dislikable couple that I doubt it will do her much good with the public. Meanwhile Gethin and Camilla came top with the judges for something pretty forgettable, by which I mean I've already forgotten what for.

My prediction for leaving this week? Leticia or Kate. My prediction for the final remains Blog Mascot Alesha (let down by boring choreography this week, though she should have got an extra point for bravery in the face of fuschia eyeshadow) and Matt.

Videos here.

Friday, 9 November 2007

Flight of the Conchords

I'm in love again. I know, I know. But this time it's real. This time it's true. This time it's with someone over the age of consent: Murray, from Flight of the Conchords.



Yes, I know that Bret is better looking and Jemaine is funnier. But Murray ("Present!") is the most adorable.

I have to say though that I am not one hundred percent at ease with the choices of my heart. Consider the evidence:

1. Murray is a sad, lonely, pathetic, badly-dressed, badly-coiffed drip.
2. Actually, I think that 1. is enough.

What do you reckon. Am I in with a chance?

Siiiiiiiiigh... Goodbye, shorter-than-average ginger.

Thursday, 8 November 2007

A Dream

Last night, I dreamed that I was watching a film about Amy Winehouse. In my dream, the role of Amy Winehouse was being played by Kelly Brook of Strictly Come Dancing "fame". And with it being a dream, the emotions didn't quite match what was going on, so as I watched Kelly Brook pretending to smoke crack (and I do love what my subconscious think smoking crack looks like: dipping a cigarette in a bottle) the whole thing was so utterly, utterly, utterly terrifying that I woke up in a blind panic, gasping for breath. Sometimes I worry about my mind.

A Dream

Last night, I dreamed that I was watching a film about Amy Winehouse. In my dream, the role of Amy Winehouse was being played by Kelly Brook of Strictly Come Dancing "fame". And with it being a dream, the emotions didn't quite match what was going on, so as I watched Kelly Brook pretending to smoke crack (and I do love what my subconscious think smoking crack looks like: dipping a cigarette in a bottle) the whole thing was so utterly, utterly, utterly terrifying that I woke up in a blind panic, gasping for breath. Sometimes I worry about my mind.

Tuesday, 6 November 2007

State Opening of Parliament

Today I went to the State Opening of Parliament - not on my own account, of course, but as a result of being related to someone who has far more right than me to be there. Now I am aware that this is a popular culture blog and that the State Opening of Parliament doesn't really count as such, but it *is* something I have seen recently, and it will probably be the closest thing I get to going to a panto this year (although I only say that for effect, as I am already booked in to see one, maybe two, pantomimes. Bear with me, it's a metaphor that comes into its own later.)

There aren't that many people allowed into the public gallery of the SOOP, if I may call it that (and I'd like to - it's snappy) and I was lucky enough to be in the second row at what is essentially the business end of the gallery, where all the good stuff happens. When I say "all the good stuff", I mean people bring in the Crown and the Sword of State and a thing called the Cap of Maintenance, which looks like a hat that Father Christmas might wear to sleep in (yes: it does look like exactly what you are imagining, except on a stick), and put them down and pick them up and hand them from one important person to another and then leave the room with them again. If you are at the back of the far end of the gallery, you probably don't get to see that stuff. You also don't get to see the Queen's shoes, and I am getting ahead of myself here, but: surprisingly chic silver slingbacks. No wonder Vogue has named her the most glamorous woman ever to have sported solid hair, or something.

OK, so what basically happens is that you go past seventeen thousand police checkpoints, give or take one or two, and then you find the public gallery which is full of old ladies in hats, and when you sit down they give you a handy programme who tells you who everyone in the procession is. Didn't you always want to know who the Rouge Dragon Poursuivant is? That's assuming you knew that the Rouge Dragon Poursuivant is a person, and not a type of lipstick, or a really posh slang expression for shooting up heroin. Well, it is a person, and it's Clive Cheesman Esq. There. Also, according to my programme, The Cap of Maintenance is not only Santa Claus's sleepwear, it's also The Baroness Ashton of Upholland.

The programme also gives you a minute-by-minute itinerary for what is going to happen, so that you know that if the Gentlemen of Arms are proceeding to the Prince's Chamber, it must be 10.52, and therefore you are standing up, which is handy to know, because your mobile phone is switched off and you are not wearing a watch. Equally, if the Lord Privy Seal is proceeding to the top of the Sovereign's Staircase, it is 11.03 and you are sitting down. The Lord Privy Seal, in case you were wondering, is Harriet Harman, and maybe you don't think it is ridiculous that she gets refered to as a Lord, but until you get male Ladies in Waiting I still think they should rename the position.

As it happens, the Queen was late, throwing us out by minutes, but she looked so unexpected glorious and stylish that nobody minded, and if they minded they would probably have been beheaded and you don't want that. The second nearest anybody got to being beheaded was the little old lady in the red hat who was sitting right next to the ceremonial table they put the crown on when they are in the middle of bringing it is, handing it around and carrying it back out again. I saw her face. She wanted to nick it. The nearest anyone got to being beheaded was the last yeoman at the back, who stood a bit too close to the yeoman in front, and when the yeoman in front turned around with a spear over his shoulder, the last yeoman at the back had to duck to avoid being scalped.

Anyway all of this standing and marching and sitting and handing around of caps is just gilding, because none of what is important happens in the public gallery at all, although the none of what is important does happen in the public gallery for quite some time, in fact 41 minutes, if the Queen isn't tardy. What is important happens in a whole other room, and is apparently the Queen's speech, if you believe what you read in the papers, and what have I told you about that? Well, nothing. But I meant to.

In fact, what I think is the most important happens just before the Queen makes her speech. She is sitting on her throne, or a throne, I'm not sure if it is a special one. In front of her is the whole of Parliament, the judges, the Lords. And the Lord Chancellor steps forward and hands her the speech. Think about it. He steps forward and hands her the speech. Sure, he has to walk away backwards because something very bad would happen if the Queen ever saw anybody's back, but he could have given it to her earlier that day. But he doesn't. He hands it to her in front of everybody, so that everybody knows who is really in charge.

So the 41 minutes of standing and marching and sitting and handing around of caps is, as we knew all along, a total charade, a puppet show, yes, a panto. It means nothing. And I'm not really sure who it is for. Is it for us? Is it to make the Queen feel better? To keep the manufacturers of swords, crowns, and cute silver slingbacks in business? Is it because the nation would be imaginatively impoverished if The Gold Stick In Waiting, General The Lord Guthrie Of Craigiebank, was just plain old Charles Guthrie and we melted down the gold stick to help make up the NHS budget deficit? I think it would be, but does it matter? Does it matter enough?

After it was all over I got on the tube home and ate my lunch in front of Neighbours. And tomorrow I'm going to M&S to see if they've got anything in like the Queen's shoes.

Sunday, 4 November 2007

Strictly Come Dancing: Week 5 Results

So I was right for once! A John vs Dominic dance off, with Dom leaving because nobody likes him much and John has a lovely smile. I am, however, considering instigating a drinking game where you have to down a shot every time one of the judges describes John's dancing as "natural". Except that none of us would survive the evening.

Saturday, 3 November 2007

Strictly Come Dancing Week 5

It's only week 5 and already the costume budget must be running very low, because Tess was sporting a plastic patent leatherette belt that cost £3 from Matalan, Kenny had two-tone underpants underneath his kilt, Kelly was only allowed the back half of her skirt, and the female professionals had to split the fabric for one outfit between three. Pass the feathers.

It was Paso Doble week which is always a treat because who doesn't like a bit of cape action? Well, Matt apparently, but I still think he's great, even though he fell over, so I will overlook this sorry retreat from camp. In fact lots of my assumptions were turned on their heads this week: I'm starting to like Kenny, which is just perverted, Kate was halfway decent, which is a miracle, Leticia's face-dancing (expression of the week: is something burning?) was a joy, plus she had the best choice of song ever (Live and Let Die) or at least I thought so until Kenny came on and started ballroom dancing to a light entertainment reworking of Franz Ferdinand's Take Me Out, which made me think I was hallucinating, Gethin no longer dances like a piece of well-oiled teak, in fact I'd go so far as to say he was good, I actually liked Kelly's cape-waving, and I'm sure Brucie said something funny at one point but I can't remember what. Then again, neither can he.

Alesha remains blog mascot even though - or do I mean because? - she was sporting dayglo sulphurous yellow nail polish and matching eyeshadow. WHTTM thumbs down this week goes to John Barnes - you're a sweet man, but a bit rubbish, so off you go, although if you want to leave your *gorgeous* son Jordan at the door feel free. Or otherwise the increasingly charmless Dominic, currently being kept afloat by Lilya's characteristically effervescent choreography. Dominic: you can't really dance, so there is no need to look grumpy when you are being given incredibly generous 7s by the judges.

It will be interesting to see if voting regains some kind of sanity tomorrow... I have half a suspicion that the judges were nicer to the crap dancers this week and ruder to the good ones to ward off more of last week's flagrant sympathy voting.

Videos here, with commentary apparently: ooooooooh!

A Short Post About The Proclaimers


Is it actually possible to sing along to The Proclaimers without doing the voices?

My thought is: no.

Thursday, 1 November 2007

Neighbours: telepathy


My television is talking to me again. It doesn't do it all that often, but when it does, it's spooky. Today it spoke to me in the form of a very long but utterly pointless conversation on Neighbours about Doctor Who. Pepper (looks like a lingerie model, acts like a lingerie model) and Adam (bizarrely unconvincing as British given that he is, in fact, British) spoke for several minutes on the subject, concluding that, while Tom Baker is untouchable, David Tennant comes a very close second, that in fact David Tennant is also incredibly attractive, as is Billie Piper, who was a fantastic companion, but that Freema in the most recent series was a bit weak.

OH MY GOD! I THINK THAT TOO! MY TELEVISION IS READING MY MIND! MY TELEVISION IS READING MY MIND AND TALKING IT BACK TO ME!

Unless of course there is another reason why Neighbours would take a five minute break to talk about Doctor Who, but I can't imagine what that would be. My television's giving me messages. It's the only explanation. God, I hope it doesn't start asking me to annihilate small villages.

Wednesday, 31 October 2007

Fay Grim


The last of my London Film Festival movies (boo hoo! sniff!) but brilliantly, four out of four have been great, and they are all as different as possible from each other. 'Fay Grim' is Hal Hartley's most recent effort, a follow-up to 1997's 'Henry Fool'. Now I am a devotee of Hartley, I worship at the altar of Hartley, and yet I didn't see 'Henry Fool', largely because at the time of release I was suffering from a pretty major vomiting phobia and I'd heard there was on-screen puking. Turned out I was the Fool in this scenario, because with the phobia behind me, it turns out that you can't get 'Henry Fool' on DVD any more. So not a clue what happened in that film. My guess it was a vaguely realist protrayal of a piss-poor novelist down on his luck.

'Fay Grim' focuses on said piss-poor novelist's eponymous abandoned wife, played by the distractingly beautiful Parker Posey (I spent at least half the film vowing to master the art of black eyeliner, and my usual cinema companion got all squirmy in his seat during the lengthy Posey In Paris Inexplicably Wearing Only A Long Coat And Sexy Underwear section.) However, vaguely realist it is not. It is in fact the most stagey, hammy, ridiculously over-the-top spy chase thriller movie spoof thing you are ever likely to see. It's absurd. it's ridiculous. It is utterly implausible. I loved every minute of it. In fact I adored it. And yet I am not one hundred percent convinced it is not secretly a terrible movie.

The thing is, Hal Hartley and I are soulmates. (He doesn't know this yet. I should also probably find out what he looks like, because I am shallow enough that this would make a difference. I always imagine him to look just like Martin Donovan.) I get Hal. What he finds interesting, I find interesting. What he finds funny, I find funny. What he finds beautiful, I find beautiful. He cannot be too self-indulgent for me, because when he is indulging himself, he is indulging me too. Just maybe not you.

Ultimately, if you loved 'Amateur', which you also, goddammit, can't get on DVD, you will love 'Fay Grim' because it's very much in the 'Amateur' school of Hartley's work. It is not as good as 'Amateur', but then what is? if you didn't love 'Amateur', it might be best to avoid. But if you have never seen 'Amateur', and don't know Hartley's work, and can't, for crying out loud, get any of it on DVD, then this is not a bad place to start. Just don't come crying to me if you hate it, because that probably means you hate me too.

The Savages


After the overwhelming inventiveness of 'I'm Not There', it was probably inevitable that 'The Savages' would prove a bit of a disappointment. Only a bit, mind. It is a brilliantly-acted film - what else would you expect from Philip Seymour Hoffman and Laura Linney - well-scripted, carefully made, and full of warmth, insight and humour about its subject: two dysfuntional siblings (Hoffman and Linney) brought together to care for their estranged, abusive father, who is suffering from dementia. It works a treat, it is enjoyable and thought-provoking from beginning to end, and much funnier than you'd expect, given the subject matter. It's just, well, not all that surprising; it perfectly fits of the mold of a superior American Indie movie without pushing any of the boundaries. A film like this reminds you that Indie can be a genre like any other. Can quirky still be quirky if it's quirky in such a specifically-designated way? Probably not. And yet, if you like the Indie genre you'll really enjoy this film, because it does everything as well as can be. Just not more. Never mind; writer-director Tamara Jenkins (a woman! a woman director! several hundred cheers!) is pretty inexperienced and on this evidence she has it in her to get better and better and better. Let's just hope for a few more risks next time.

Tuesday, 30 October 2007

I'm Not There + Director Q&A, Curzon Mayfair


When a genius makes a film about a genius starring a genius, you expect it to be good. Todd Haynes, Bob Dylan and Cate Blanchett are all at the top of their respective professions, and all known for making wonderful, strange, surprising pieces of work, so it is no surprise at all that I'm Not Scared is strange and wonderful and very surprising indeed.

In the director Q&A, Haynes - friendly, relaxed, in an old shirt and jeans, drinking coffee from a polystyrene cup - said that his intention in making the film was to preserve the essential weirdness of Dylan. In this he succeeded beyond the call of duty. I'm Not There divides the Dylan role into six - seven if you include the dual role played by Christian Bale, as trobadour Dylan, then pulling the short straw as Christian Dylan in a jewfro wig - the most Dylanesque of which is played by Cate Blanchett, in the most uncanny, spooky way, more of a possession than a performance, as 'Jude Quinn' i.e. 1966-era electric "Judas" Dylan. It's an incredible feat, she somehow morphs into him, but it is not just an imitation, rather a channelling, a scrutiny, a magnification. You utterly forget that you are watching a woman, but nor is she a man, she is more like a creature, the tarantula you see crawling across the screen in one of the party scenes. Her central role is surrounded by all of the other parts of Dylan, so that instead of a straight biopic you get a sense of the many aspects of Dylan as a person, the private, the public, the young, the old, most of all the developing creative and political mind, and all of it swirling and intercutting between fictional stories that somehow tell you a composite truth. At times it is the most pretentious thing you can imagine. At times it is completely baffling. The Richard Gere story, in which his character is in some kind of modern-yet-ancient American folk theme park Halloween past, based on Fellini and Billy the Kid, with added ostrich and giraffe, epitomises both these tendencies, and yet what is Dylan but pretentious and baffling? Contrast these with the stark images of Ben Wilshaw as raw 20-year-old 'Arthur Rimbaud' Dylan, in bright light and unforgiving black and white, sitting twitchily, stating his mission plan. This is also true. As is the precocious black kid, the shy protest singer, the selfish star...

This works so much better than any conventional biopic. I'm not a Dylan devotee, and I didn't know much about Dylan when I went in, and in some ways I still don't know anything about him. I don't know where or when he was born, how he got into music, what his albums were called, whether or how many times he married, how many children, how many hits he had, whether he had any breakdowns, drugs, rehab, what he's doing now, whatever. My factual knowledge of Dylan, in other words, remains sketchy. And yet I feel like I know Dylan, where he came from, who he was, what he did and why and in what context. It's an extraordinary film, it shouldn't work but it does. An amazing celebration of the power of genius.

Monday, 29 October 2007

Strictly Come Dancing Week 4 continued


So, I have finally seen it. Barely even noticed Tess's aluminium foil belt in my rush to find out what happened to Gabby and Penny. And you will be glad to hear that I have A Theory. I blame it all on the new dance-off system. Essentially, everybody knows now that if one of the dancers the judges don't like - notably, Kate, but there are others - gets into the bottom two, they will be out instantly. So if there is even a hint of judges' dislike, the voting goes insane. Meanwhile, some people will always vote for the really popular dancers (Matt, Alesha - both will be hard to beat.) It's those that are perceived to be favourites with the judges but not particularly well-liked that will go to the dogs now - so step forward, Penny and Gabby, both of whom danced well by my reckoning. This week's shock result may change things, at least it will be interesting finding out.

With all the excitement, I barely have a moment to mention my other thoughts, such as: why did they dress Letitia Dean - who looks lovely and natural in rehearsal - as the bride of Frankenstein? And congratulations to Ola for finally realising that Kenny can't dance, so giving him something entertaining to do will really help (I knew the moment he lifted his arms at the beginning that he was staying in). And that Kate's dance was the WORST THING I HAVE EVER SEEN. If I could vote to eliminate, she would go. Go. GO!!

Lastly, a plea not to ever give the in-house orchestra ABBA to sing ever again. I'm not sure why but they just can't do it. That rendition of 'Dancing Queen'... [shudders].

As ever, videos here.

Sunday, 28 October 2007

Strictly Come Dancing: Battle of the Blondes

Honestly, I leave the country for 48 hours and this is what you do? I haven't even seen it yet - have just flown home from my Grandmother's 90th birthday celebrations in France, am about to collapse into bed with a vile cold, and only know the result because it was on the radio in the taxi home. But having not seen the dances it seems inexplicable - and I am speaking as a Gaby-hater. I can only assume it's the revenge of thousands of disgruntled brunettes, sick of being considered less glamorous than their fair counterparts *for all of our lives*, and with speed-dial. Good work, ladies. Nevertheless: KENNY IS STILL IN. We *will* be discussing this further. For now... [staggers off to find the Vicks vap-o-rub].

Thursday, 25 October 2007

More Writing Tips


As some of you found the last lot of writing tips that I posted helpful, I thought I'd direct your attention to a debate that I recently took part in about the dreaded (or helpful?) Inner Critic. It's at Bookarazzi (a website for writers that I contribute to from time to time) over here. My comments are, ah, succinct, but there's a lot of wothwhile stuff in there. And it will at least explain the odd choice of illustrative image...

Wednesday, 24 October 2007

Neighbours: selective amnesia part 2


So it turns out that Paul Robinson is not the only one suffering from selective amnesia: Rebecca had also carefully forgotten a previous encumbent in her bed. So Elle and Oliver are not related after all and can return to doing horizontal rhumba pronto.

I am not sure whether to be disappointed or elated by this news. The accidental incest storyline is after all a classic of the soap genre and we coud all have spent an enjoyable few weeks being appalled as Elle and Oliver try and fail to suppress their taboo attraction for one another. Just like back in 1991.

On the other hand I will confess to being actually surprised by this development. Surprised! Trying to think about when a soap opera has surprised me in the past... trying... trying harder... failing. Soap operas do not surprise. They set up storylines so obvious that a two year old with a basic knowledge of narrative gleaned from reading Spot books could figure them out, and then spend weeks dragging them out until the one day you have a dentist appointment and miss an episode, and then resolve them. Even a sudden soap death tends to be signposted by the deathee's storylines being carefully finished just before they decide to take that moonlit walk along the beach with a storm brewing. (In case you are wondering why I am then such an avid watcher of soaps, it's because I find my real life a bit too unpredictable and I like the reassurance that in one area of my life unresolved sexual tension will *always* lead to a kiss.)

In conclusion, I have to say that the Neighbours screenwriters, in wimping out of the brother-sister-forbidden-love storyline, have actually done something far more daring instead. Kudos!

(I have chosen to illustrate this blog post with a picture of Jane Hall as Neighbours newcomer Rebecca. This is what I am going to look like in ten years time so I may as well get used to it. And no, she's not my long-lost mum. Or is she...?)