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Showing posts with label wham. Show all posts
Showing posts with label wham. Show all posts

Thursday, June 13, 2019

The 55th WHAM-iversary! (Updated)

Fifty-five years ago this weekend, on Monday 15th June 1964, Wham! comic made its debut in newsagents across the UK... or at least that was the intention. In Leo Baxenale's autobiography A Very Funny Business, he tells of how he and editor Alf Wallace checked out half a dozen London newsagents on the day of its launch only to find that some had never heard of it and others had sold the few they had and couldn't be bothered to re-order. Seems that little has changed in half a century, with today's readers still having difficulty finding comics in newsagents! 

Nevertheless, Wham! was warmly welcomed by kids who did discover it, and although it never reached the heights of sales the publisher hoped for, it lasted for three and a half years, - far longer than many comics! The topline of Wham! sometimes billed it as "The funniest comic in the world", and for many of us it certainly was! Lively, reckless, packed with over the top comic-violence and topical references, Wham! spoke to a Sixties generation that perhaps found other comics somewhat old fashioned by 1964... and now that we're in our 60's we still find it funny!

Here's how Wham! was advertised in other publications of the time. Firstly this tiny corner box appeared in Boys' World Vol.2 No.23 (dated week ending 6th June 1964) as a teaser...
The following week, this advert appeared in both Eagle and Boys' World, heralding the arrival of the comic...
These two ads are from the same issue of Today magazine, June 1964. The Leo Baxendale cartoon in the smaller promo was exclusive to the magazine...

Here's a bigger scan of it. The first appearance of Biff, who went on to be Wham's regular cover star for the first year or so...
...and this full colour ad appeared in Boys' World two days before Wham! arrived in the shops...
It's worth bearing in mind that back in 1964 there were no 'Power Comics'. The imprint only started appearing in late 1966 on the covers of Wham! and Smash! when plans to establish the line were in place with the arrivals of Pow!, Fantastic, and Terrific in 1967. At the time of Wham's launch in 1964, Boys' World was considered to be its companion comic. (Indeed, both comics featured the Billy Binns character, albeit in different adventures.) Sadly, Boys' World merged into Eagle in late 1964 so it never became part of the 'Power Comics' group, but it's worthy as consideration as an early cousin of the Power Comics due to it using some of the same artists such as Brian Lewis, Luis Bermejo, Artie Jackson, and others (and even Leo Baxendale's first work for Odhams appeared in Boys' World) and having the same editor in Bob (Bart) Bartholomew. 

A few years ago I did a blog piece on that first issue of Wham! so I thought I'd re-present it here today in celebration of the comic's 55th anniversary...

You probably know how Wham! came about, but if not, here's a recap: in 1964, Odhams Press wanted to produce a rival comic D.C. Thomson's Beano. The editors convinced Leo Baxendale to quit The Beano to develop stories for their new comic, which Leo envisioned as a sort of "Super-Beano" (or Wham! as Leo eventually called it) poaching Thomson's top talent. However, most of Thomson's artists would not leave the security of long-established comics to work on the new rival publication. 

Although the end result wasn't quite the "Super-Beano" that Leo had hoped for, Wham! still turned out to be a fresh and funny addition to the growing number of weekly comics in the Sixties.


Incredibly, in the first issue of Wham!, Leo Baxendale drew 17 of its 24 pages himself. Four of which were in full colour. Naturally, no one could keep up that tremendous output every week, so following issues saw other artists join the comic to imitate Leo's style on many of the strips. Meanwhile, over at The Beano, other artists were also imitating Leo's style on the strips he'd left (such as Minnie the Minx and The Bash Street Kids). As the 1960s moved on, Leo became the most imitated humour artist in the business, and elements of his popular style are still evident in comics today. 


Back to that first issue of Wham!, published Monday 15th June 1964, and here are a selection of pages, all created by Leo, except for Georgie's Germs which he thinks was an idea by Alf Wallace or Albert Cosser. All of these shown here were written and drawn by Leo though...




The centre pages gave us the first episode of Eagle-Eye, Junior Spy, a spoof of the popular spy genre of the time. The most important part of the strip though was its introduction of the baddie, Grimly Feendish, who would eclipse Eagle-Eye in popularity and go on to have his own long-running strip in Smash! (as well as a song about him years later by The Damned).



With issue 4, Ken Reid joined the comic, bringing us Frankie Stein, and Wham! became more manic than ever. It may not have been the "Super-Beano" that Leo had hoped for, but Wham! still turned out to be a great comic, with a cheeky, anarchic attitude, and still very fondly remembered by many. 

Sadly it declined over time, with cuts to the budget necessitating a reduction in colour pages, then a drop from glossy to newsprint, and eventually reprints of the Fantastic Four to be added (although many of us enjoyed that!). When Leo Baxendale left Odhams in 1966 the quality of the strips by some of his imitators was often noticeably poorer. Nevertheless, Wham! inspired Odhams to launch companion comics for it, and soon we had Smash!, Pow!, Fantastic and Terrific, collectively known as the "Power Comics" that helped make the Sixties a great time to be a child!

In total, Wham! lasted for 187 issues before merging into Pow! in early 1968. 

Now that Rebellion own the rights to these comics it's hoped that we'll see some collections of these strips at some point. There are already two volumes of Ken Reid's Odhams material of course, published by Irmantas Povilaika under licence, and they're worth every penny:
https://www.kazoop-comics-shop.com/The_Power_Pack_of_Ken_Reid_Vol_1_and_Vol_2/p5698590_18914104.aspx


Saturday, December 29, 2018

When Biff! became Sam

During the 1970s IPC were never shy of reprinting old strips and changing the character's names to try and convince readers they were new. Quite a few characters from Wham! were reprinted this way. The Tiddlers and Super Sir became The Horrors and Puffing Billy, General Nitt and his Barmy Army became Sir Hector and his Hardnuts, The Wacks became The Beat Boys... and so on. 

In 1970/71, new IPC weekly Thunder reprinted Biff from Wham! retitled as Sam. Quite a bit of a dull change, that one. (No offence to any Sams of course.) Here are a couple of examples. Art by Leo Baxendale on the first one...

Apart from the name change, the big difference is that because the early issues of Wham! had a superior printing technique that allowed painted artwork, the art had to be recoloured using flat tones for the cheap newsprint that Thunder was printed on. (Otherwise the pages would reproduce in a muddy mess.) Unfortunately, any subtlety in the colouring was replaced too. Leo Baxendale's technique of having a face in the foreground in shadow, to give a sense of depth, was replaced by a flesh tone, making the bully look like a giant on the same level as Biff. The other big change is that Leo's signature was removed from the reprint. Although Odhams were happy for artists to sign their pages, IPC were not, - at least not in 1970. 

This next example is drawn by Graham Allen...

Reprints such as this were a major factor in why Leo Baxendale quit mainstream comics a few years later. (Bear in mind that creators received nothing for reprints.) The lack of respect that publishers showed towards creatives in that regard cost them a great artist/creator, and reflected badly on the UK comics industry for years. 




Saturday, December 15, 2018

The Christmas WHAM! (1965)

Here we go with my blog's traditional annual look back at Christmas comics of long ago. Regular readers will know that I do this every year and there'll be a different festive comic every day from now until Christmas. 

We're kicking off with the seasonal issue of Wham!, No.80, dated 25th December 1965 (which would have been in the shops on Monday 20th). The front and back covers feature The Tiddlers, the hilariously anarchic schoolkids created by Leo Baxendale. Leo wasn't drawing every strip by this time but we're in luck this week as he did this set.

Here's a handful of interior strips...

The Wacks drawn by Gordon Hogg...

Eagle-Eye, Junior Spy drawn by Leo Baxendale...


Frankie Stein drawn by Ken Reid...

Georgie's Germs drawn by Leo Baxendale...

Wham! had 20 pages for 7d, compared to its competitor Buster at the time which had 40 pages for 7d... but Wham! was cheekier, fresher, more raucous, and funnier in the opinion of many of us. 

Don't forget that Frankie Stein and all of Ken Reid's other strips for Wham!, Smash! and Pow! have been collected in two luxurious hardback books. You can order them from this link:
https://www.kazoop-comics-shop.com

Another Christmas comic tomorrow! Which year will the Blimey-Timey Machine take us to next? Join us and find out!

All WHAM! art Copyright © Rebellion Publishing Limited.




Monday, December 10, 2018

A classic WHAM! cover


I've always liked this Tiddlers cover by Leo Baxendale, ever since I saw it used as an advert for the weekly back in a Wham! Annual in the 1960s. I recently bought this issue and I like the art even more now I've seen it in its published size. Wham! No.71, dated 23rd October 1965. (There's no way a children's comic today would put a kid dressed as Hitler on the cover, or show such an assault on a teacher. Wham! could be irresponsible but Baxendale always made it look funny.)

As I've mentioned before, you can easily spot Leo's art for Odhams as he signed most of it. Several artists were told to imitate his style, and ones such as Mike Lacey, Mike Brown, and Graham Allen did a superb job (and were funny creatives in their own right) but always look for the signature. If it's absent, chances are it's not by Leo Baxendale. (Also remember that Leo never drew any pages for the Odhams annuals, so eBay sellers claiming otherwise are wrong. And... Leo left Odhams in 1966, so later issues of Wham! - and no issues of Pow! - feature his work, only that of people drawing in his style. 

These days, Rebellion own the rights to these old comics, so maybe they'll collect some classic Wham! material one day. There's nothing scheduled for 2019, but perhaps in the 2020s you'll be able to buy the collected Tiddlers or Eagle-Eye, Junior Spy. Who knows? 



Friday, June 01, 2018

The Power Pack of Ken Reid, - ready for your support!

As reported a few weeks ago, Irmantas Povilaika has secured the license to publish two hefty volumes of Ken Reid strips, reprinting all of the material that Ken produced for Odhams in the 1960s. Yes, that's Frankie Stein, Jasper the Grasper, Queen of the Seas, Dare-A-Day Davy and The Nervs! This news has been warmly welcomed by the many fans of Ken's work as most of the material has never been reprinted and back issues of the comics are becoming increasingly expensive and hard to find. 

You can now back the project on Indiegogo at:
https://www.indiegogo.com/projects/the-power-pack-of-ken-reid-books#/



I caught up with Irmantas to ask him a few questions about this exciting venture and he's also supplied me with a few exclusive shots of some of the spreads...


Hi Irmantas. When did you discover the work of Ken Reid? Were his strips published in Lithuania or have you always had an interest in British comics?


Hi, Lew. My first encounter with British comics in general, and Ken’s work in particular, was when I was 10 or so and a pen-pal from Britain sent me an early issue of Whoopee! comic which had one of those splendid World-Wide Weirdies by Ken Reid. I vividly recall it was The Whacky Hand. Us kids didn’t have comics in Lithuania back in the day – it was part of the Soviet Union then, and the authorities probably thought it wise to protect their very young against Western influences, or whatever… Anyhow, the comic made a huge impression on me, I read and re-read that issue (the only one that I had) countless times until it fell apart. I eventually became a freelance cartoonist and drew comics for the country’s humour magazine for a few years in my twenties. Looking at my drawings now, I can clearly see influences of Robert Nixon, Terry Bave, Mike Lacey and Ken Reid – it’s amazing how much inspiration I drew from that single issue of Whoopee! Then other things came up and I abandoned the hobby. I picked it up again in 2007, but not as an artist – I started collecting British comics, and I blame that particular issue of Whoopee! for that. It didn’t take me long to re-discover Ken Reid, and I started reading about him online. I have to say that it was on your blog that I first found out about his Odhams strips, and was fascinated by them – the combination of quality artwork and the untamed sense of humour was explosive! It took me a few years to collect the complete sets of the Power comics titles and thus acquire the full runs of all of those brilliant strips that Ken drew for Wham!, Smash! and Pow! – all of them now to be presented in The Power Pack of Ken Reid that I am doing.


For many of us who grew up with these strips, the Odhams era represented Ken Reid at his most creative. Manic, funny, over-the-top humour that has never been equalled in British comics. There have been attempts to get this material reprinted before, but there were obstacles. How difficult did you find it to gain the license from Time Inc. (UK)?

To me the biggest obstacle was finding out who the rights belonged to and whom I should contact about the license, but when I did, things developed rather quickly and I wouldn’t say it was particularly difficult to arrange the permission. The people in charge at Time Inc. (UK) Ltd were 100 per cent professional and efficient, and paperwork didn’t take very long.


Did Ken's pages present any challenges for remastering? I'm thinking in particular of the colour Queen of the Seas pages which suffered from muddy printing on a few issues back in 1966.

Poor paper quality alongside with the quality of print of the comics did present certain challenges. The thin paper of the early issues of Wham! produced a see-though effect on quite a few of the pages, and it had to be handled carefully to try and preserve the gray shading of Ken’s art. The coloured pages of Queenie and Dare-A-Day Davy were also an issue but I think it was addressed in the best possible way. The remastered images that will go into the book are crisp, clean and look very nice, but don’t expect all of them to be flawless – they were scanned from original paper comics, and this is what buyers of the book should bear in mind.



I understand you're in touch with Ken's son? Can you tell us more about that? Has he been able to provide information and items for the books?

Antony was very helpful indeed. He wrote funny intros for both volumes and even drew an illustration for one! Most importantly, he allowed me to use his dad’s archive material when I was researching and writing Ken’s detailed biography for his Odhams years (1964-69) that will go into the two volumes of The Power Pack. In fact, Antony is actively involved in a separate project that we are doing together with another fan in the UK, and it’s the full and complete biography of Ken Reid, covering his WHOLE life and work! The piece that will be presented in The Power Pack of Ken Reid is just a ‘taste’ of what fans will find in the Complete Biography when it eventually comes out – Ken’s legacy (both published and unpublished material) is huge and diverse, and it will all be covered in detail, with unseen illustrations, etc. I really look forward to the completion of the Biography project and am very excited about it.
I gather that there are other extras too?

Comic archivist Steve Holland has provided the introduction for Volume One (Frankie Stein + Jasper the Grasper) and artist Nigel Parkinson the introduction for Volume Two (Queen of the Seas + Dare-A-Day Davy + The Nervs). My contribution is the detailed biography of the artist on the period – The Odhams Years of Ken Reid. It will be illustrated with some sketches and drawings. You will even find some scripts of Frankie Stein, hand-written by Ken! Last but not least, supporters of the crowdfunding campaign will receive free prints of original artwork. Oh, and there will be some bright colour pages in Volume One because all four of Ken’s Frankie Stein episodes in Wham! Annuals will be reprinted in full colour!


Can you tell us about the Crowdfunding campaign to back the book?

The crowdfunding campaign is now live and open to all on IndieGoGo platform. The books can be pre-ordered either individually or as a beautiful boxed set edition, with free prints of original artwork, as mentioned before. They will go into print immediately after the campaign ends and will be shipped two or three weeks later, when I receive them from the printing house. The slipcase edition will take a bit longer because the slipcases will be manufactured only after the books have been printed.  I plan to post regular progress updates on IndieGoGo, my blog and ComicsUK Forum to keep people up to speed. Folks may be wondering what happens if the campaign doesn’t reach its target. I can assure you that the books will be printed anyway, and that’s due to the considerable investment already made (license fees, the services of the various people involved in the project, etc.). The platform only allowed me to use US dollar as my main currency, but I hope this won’t be an inconvenience to fans in the UK or discourage them from supporting the campaign.
Finally, I'm sure I speak for readers of this blog in thanking you, Irmantas, for getting this excellent work back into print. Do you have any plans to publish other strips from that era by other creators? 

Thanks Lew, I have strong faith in the project and sincerely hope that people will find it interesting enough to support the campaign. There are quite a few other strips by other creators that I believe deserve to be celebrated in a similar way, and I would certainly be looking into this, provided my first publishing project attracts enough attention. Thanks for talking to me and helping me spread the word. I would like to encourage your readers to share this on social media, etc. and join me in my effort to make this project a success. I am happy to answer any questions, so feel free to contact me via my blog kazoop.blogspot.co.uk or IndieGoGo platform! Cheers!





There's another interview with Irmantas here, on the Down the Tubes blog:
https://downthetubes.net/?p=45821



Sunday, February 04, 2018

WHAMtastic!

It's always good to read back issues you haven't seen before, so I was pleased to buy an old copy of Wham! last week on eBay. I have most issues of Wham! but I still have a few gaps (23 missing out of 187). I'm no longer hunting down the ones I don't have, but if one catches my eye and it's cheap enough I'll buy it.

The highlight of Wham! was always work by Leo Baxendale and Ken Reid, and this Tiddlers cover strip by Leo is a delight. Just look at the amount of work in panel 5. The concept of the makeshift castle repelling invaders is one that Leo used a few times so I think he must have enjoyed drawing scenes like this. 

The strip continued onto the back cover, in black and white. (By this time, only the front cover of Wham! was in colour. Cutbacks and all that.) Wham! was pretty outrageous but very funny. Scenes such as force-feeding someone tablets, and the threat of sending a kid into the canal could not be shown in comics today. (Even though a sign tells us the canal is only 6 inches deep, - possibly a hasty addition by the editor.)

That same issue also contained a great Frankie Stein page by Ken Reid. Brilliant stuff. (Incidentally, the strange lines across the logo were a glitch of photogravure printing sometimes. It was very rare, but I have seen it happen before.)

Strips that are 53 years old and still funny! Or is that just nostalgia? If Wham! was well before your time, what do you think of them? Does the humour and artistry still hold up today (despite obvious anachronisms)? I'd like to think so. What's your opinion? 



Sunday, October 29, 2017

WHAM! No.1 (1964)

One comic that had eluded me until recently was Wham! No.1. I didn't have it when I was a child, and in later years I always lost out on the bidding for it on eBay... until a few weeks ago, when I won a copy for far less than it usually sells for these days. It's a little tatty at the spine, but it's clean and complete, so I thought I'd show a few pages from it here today.

You probably know how Wham! came about, but if not, here's a recap: in 1964, Odhams Press wanted to produce a rival comic D.C. Thomson's Beano. The editors convinced Leo Baxendale to quit The Beano to develop stories for their new comic, which Leo envisioned as a sort of "Super-Beano" (or Wham! as it became) poaching Thomson's top talent. However, most of Thomson's artists would not leave the security of long-established comics to work on the new rival publication. Although the end result wasn't quite the "Super-Beano" that Leo had hoped for, Wham! still turned out to be a fresh and funny addition to the growing number of weekly comics in the Sixties.

Incredibly, in the first issue of Wham!, Leo Baxendale drew 17 of its 24 pages himself. Four of which were in full colour. Naturally, no one could keep up that tremendous output every week, so following issues saw other artists join the comic to imitate Leo's style on many of the strips. Meanwhile, over at The Beano, other artists were also imitating Leo's style on the strips he'd left (such as Minnie the Minx and The Bash Street Kids). As the 1960s moved on, Leo became the most imitated humour artist in the business, and elements of his popular style are still evident in comics today. 

Back to that first issue of Wham!, published Monday 15th June 1964, here's the strip that greeted readers as the opened the comic; General Nitt and his Barmy Army...

The Wacks was one strip that was swiftly taken over by another artist (Gordon Hogg) but for issue 1, Leo drew it himself...
The Tiddlers was very much Wham's version of The Bash Street Kids, but the twist was that teacher (Super Sir) was as wild as the kids. Sadly, this idea was dropped later, with Super Sir replaced by a teacher in conflict with the pupils. 

The centre pages gave us the first episode of Eagle-Eye, Junior Spy, a spoof of the popular spy genre of the time. The most important part of the strip though was its introduction of the baddie, Grimly Feendish, who would eclipse Eagle-Eye in popularity and go on to have his own long-running strip in Smash! (as well as a song about him years later by The Damned).

Another strip of note was Georgie's Germs, a gross version of The Beezer's Numskulls, that saw dirty kid Georgie having to deal with various ailments every week. This was another strip that other artists took over, but Leo set it off to a great start. 


With issue 4, Ken Reid joined the comic, bringing us Frankie Stein (see here) and Wham! became more manic than ever. It may not have been the "Super-Beano" that Leo had hoped for, but Wham! still turned out to be a great comic, with a cheeky, anarchic attitude, and still very fondly remembered by many. It inspired Odhams to launch companion comics for it, and soon we had Smash!, Pow!, Fantastic and Terrific, collectively known as the "Power Comics" that helped make the Sixties a great time to be a child.

You can read about the first issues of those other comics here:

https://lewstringer.blogspot.co.uk/2016/01/50-year-flashback-smash-no1.html


https://lewstringer.blogspot.co.uk/2017/01/50-year-flashback-pow-no1.html


https://lewstringer.blogspot.co.uk/2017/02/fantastic-50th.html


https://lewstringer.blogspot.co.uk/2017/04/50-year-flashback-terrific-no1-1967.html
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