'The materials are of divine original': the Te Deum at Matins
Continuing with extracts from John Shepherd's A Critical and Practical Elucidation of the Morning and Evening Prayer of the Church of England (1796), we turn to the canticle after the first lesson, beginning with the Te Deum. In stark contrast to the demotion of the Te Deum in most contemporary Anglican versions of the Daily Office, Shepherd rejoices in its "superior excellence": its excellence is surpassed by no human composition. Indeed the composition alone is human, the materials are of divine original. The "methodical composition" of the Te Deum is in three parts: The first part is an act of praise, or an amplified Doxology. The second, a confession of the leading articles of the Christian faith. The third contains intercessions for the whole church and supplications for ourselves. The first part, the doxology, draws us into the praises given to the Triune God by the company of heaven: This hymn not only opens to us a view of heaven, but with the evangelic...